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I have always figured that it is best not to be misled by the “reflectivity” characterization alone as the criterion of an appropriate, white oil paint. There are many qualities of a white oil paint that are at least, if not more important to the creation of an attractive oil painting than the reflectivity, or brightness of the white paint used in its creation.

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It turns out that, just like Gigalot mentioned, Titanium White is the best reflective white – it reflects around 97% of light. The problem with Titanium White is that it’s just too good at being white. Zinc and Flake white are more transparent, which is better for letting the colors behind them to show and create more vivid mixes, as they aren’t as overpowering.

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If you really want a greatly reflective white, I would recommend checking out the Pebeo Fragonard Titanium White. It seems to be brighter than most other Titanium Whites, provided you can live with all the crummy oils in which it is ground. Safflower, Sunflower, and Poppyseed Oila are all very slow-drying oils, that create weak paint films, compared to Linseed Oil. The stuff does dry rather fast, so it must also have some drier as an ingredient.

To me, White Lead Carbonate displays the characteristics that can not only support the handling of the paint, but also the values required to create a very fine oil painting. To me, it is a sacrilege that White Lead Carbonate is becoming more and more difficult by the moment for fine artists to obtain. If the ecologists wish to keep it off the market for house painters, that is fine, but for fine artists who handle it responsibly, it is nonsense to limit its use and availability.

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Yes, there are only a few other materials in existence in the world that are more reflective than titanium dioxide. The exterior of the Saturn V rocket was painted with titanium dioxide; this later allowed astronomers to identify it vs an asteroid. Titanium has extremely widespread applications and usage, thank goodness it is non-toxic, we even ingest it all the time in products such as toothpaste.

White Lead Carbonate is a very fine white paint with which to work, and it displays the desirable qualities of both Zinc White, and Titaniium White. Zinc is quite transparent, while Titanium is very opaque. White Lead Carbonate has characteristics that are somewhere between the two, and without the “overpowering opacity” experienced with Titanium White nor the brittleness of Zinc White.

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In my opinion, the actual, measured brightness, or reflectivity of a white paint is not nearly as important as its handling characteristics. The appearance of the light areas of a painted subject (the highlights) are much more affected by the surrounding values within the painting, than the actual brightness of the white paint used in its creation. In other words, nearly any white paint can be used in mixes to create appropriate appearing light colors, and highlights, without it being specifically the brightest of white paints. But, it can be made to appear brighter by the careful handling of the color values surrounding it. Generally, the brightest area on an image will be accepted by the eye as being “white” regardless of its actual, measured “brightness” or “reflectivity”, and how “bright” it appears is dependent upon those color values surrounding it.

White Lead also is a relatively fast drier, as well as being a very desirable paint in its application. It mixes well with other colors, without overpowering them with its opacity.

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It is reflective that I asked about. I appreciate your question, as I forgot one of my titanium whites includes zinc, the other, an original formula Grumbacher pre tested cntains lead. So the best reflectivite white is just only titanium. Good to know. Ella

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Titanium white has higher reflective and refractive index. Zinc and Titanium color highly depends of impurities. Chemically pure Zinc White and Titanium white are both cool white. Zinc white said to be even whiter…

I guess that what I am suggesting is that rather than trying to locate a white paint that displays the “most reflectivity”, you try to utilize a white paint that handles well, mixes well with colors, and dries in an appropriate time, instead. You can create the perceived “brightness” or “reflectivity” of your highlights by placing the appropriate middle values of color around it, making the lightest lights appear light, when, in reality they may not truly be “as bright”.

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