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Chiaroscurolighting
In small-format cameras, the smaller circle of confusion limit yields a proportionately smaller depth of focus. In motion-picture cameras, different lens mount and camera gate combinations have exact flange focal distance measurements to which lenses are calibrated.
The choice to place gels or other filters behind the lens becomes a much more critical decision when dealing with smaller formats. Placement of items behind the lens will alter the optics pathway, shifting the focal plane. Therefore, often this insertion must be done in concert with stopping down the lens in order to compensate enough to make any shift negligible given a greater depth of focus. It is often advised in 35 mm motion-picture filmmaking not to use filters behind the lens if the lens is wider than 25 mm.
The magnification depends on the focal length and the subject distance, and sometimes it can be difficult to estimate. When the magnification is small, the formula simplifies to
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The portrait below is an example of a high-contrast image. It offers a full range of tones, from bright highlights to dark shadows — tons of contrast.
Low-Key: Low-key lighting is quite the opposite. It’s very shaped, high-contrast lighting with a range from bright to dark black shadows. While there are bright portions of a low-key scene, the light is usually focused to draw the attention of the audience to a specific subject. This type of lighting separates subjects from their surroundings to create a sense of isolation, vulnerability, or even fear.
Different lights output different qualities of light. There are also a ton of modifiers that can help adjust and shape the light from a given source.
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Here’s a perfect example of how contrast can drastically change the mood of a scene. The left side of the image has very low contrast, and feels lighter and more relaxed, while the high-contrast side feels way more sinister and suspenseful.
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where t is the total depth of focus, N is the lens f-number, c is the circle of confusion, v is the image distance, and f is the lens focal length. In most cases, the image distance (not to be confused with subject distance) is not easily determined; the depth of focus can also be given in terms of magnification m:
Take a look at the forest shots here. One feels warm and welcoming, while the other seems cold and lonely. The only difference is the color of light used for the scene.
While depth of field is generally measured in macroscopic units such as meters and feet, depth of focus is typically measured in microscopic units such as fractions of a millimeter or thousandths of an inch. In optometry depth of focus is usually measured in dioptres.
High-Contrast vs. Low-Contrast: High-contrast images display a full range of tones, from bright highlights to dark shadows. Low-contrast images, on the other hand, have a much smaller, shallower range of tones.
Highcontrast lightingin film
The color of a scene is usually determined by the art director and displayed through various set pieces, like wardrobe, props, and background. However, adding or mixing lighting color will have a tremendous impact on the scene’s mood.
Deciding how much contrast to have in a scene will be based on the mood you’re trying to create. Lighting strategies with higher contrast tend to make the scene feel more tense or mysterious, while scenes with low contrast feel more calm and fun.
Highcontrast lightingexamples
Lighting contrastphotography
If you’re new to lighting, you may want to check out our post on lighting basics, as it’s a good place to get an overview of general lighting techniques. Once you understand how to setup a three-point lighting scheme, you can begin to create and develop different moods by controlling the basic lighting components: key, color, and contrast.
In astronomy, the depth of focus Δ f {\displaystyle \Delta f} is the amount of defocus that introduces a ± λ / 4 {\displaystyle \pm \lambda /4} wavefront error. It can be calculated as[4][5]
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An example of hard light would be high noon on a clear summer day, which is usually considered the worst time to take portraits. The hard light from the sun creates unflattering hard-edged shadows that often highlight imperfections in the subject’s skin.
Low keylighting
Soft Light: Soft light is considered to have a rich, beautiful quality. It casts subtler, softer shadows that are much more flattering to the subject. Landscape and portrait photographers often talk about the “Magic Hour” (aka “Golden Hour), as being the best time to take outdoor photographs. This is the time right after sunrise, or just before sunset, when the light is a nice, soft glow.
Along with the key, color, and contrast, another very important thing to think about when lighting for a mood is the quality of light. Quality of light refers to whether a scene is lit with hard light or soft light, and will vary depending on your light source, the time of year, time of day, and location.
Determining what mood to portray will depend completely on the story or subject matter of your scene. Regardless, one of the most important factors in creating the mood you’re going for is determining your lighting strategy, including key, color, contrast, and quality of light.
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Combination Light: Combination light refers to a scene that uses both soft light and hard light sources, such as a portrait taken under the shade of a tree with scattered beams of hard sunlight piercing through the branches. The result is an image with areas of both hard and soft shadows. Mixing or adding splashes of hard light in a more evenly lit scene will certainly help create a more specific texture or mood.
The simple formula is often used as a guideline, as it is much easier to calculate, and in many cases, the difference from the exact formula is insignificant. Moreover, the simple formula will always err on the conservative side (i.e., depth of focus will always be greater than calculated).
Lighting contrastmeaning
This image of a woman on the beach is an example of a high-key, low-contrast image. Most of the image is comprised of highlights and the upper end of the mid-tones. There are almost no dark shadows throughout the image.
Hard Light: Hard light is just as it sounds: harsh. It smashes into the subject and creates drastic shadows and high contrast. For the most part, it’s thought to be a poor quality of light.
Along with good acting and creative composition, developing a motivated lighting strategy is one of the most powerful ways to create a mood for your scene. An experienced director of photography can walk onto any given set and create an immediate mood just by turning on lights. The actors don’t even have to be there for a scene to portray a specific feeling or emotion.
The phrase depth of focus is sometimes erroneously used to refer to depth of field (DOF), which is the distance from the lens in acceptable focus, whereas the true meaning of depth of focus refers to the zone behind the lens wherein the film plane or sensor is placed to produce an in-focus image. Depth of field depends on the focus distance, while depth of focus does not.
High-Key: High-key is even, low-contrast lighting with minimal shadows. High-key setups are often used in sitcoms, soap operas, and romantic comedies because of the forgiving nature of the lighting setup. The light looks good from every camera angle, and an actor can walk or turn in almost any direction and keep the same look and feel.
Following historical convention, the circle of confusion is sometimes taken as the lens focal length divided by 1000 (with the result in same units as the focal length);[2][3] this formula makes most sense in the case of normal lens (as opposed to wide-angle or telephoto), where the focal length is a representation of the format size. This practice is now deprecated; it is more common to base the circle of confusion on the format size (for example, the diagonal divided by 1000 or 1500).[3]
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Depth of focus can have two slightly different meanings. The first is the distance over which the image plane can be displaced while a single object plane remains in acceptably sharp focus;[1][2][clarify] the second is the image-side conjugate of depth of field.[2][clarify] With the first meaning, the depth of focus is symmetrical about the image plane; with the second, the depth of focus is slightly greater on the far side of the image plane.
Lowcontrast lightingin film
Depth of focus is a lens optics concept that measures the tolerance of placement of the image plane (the film plane in a camera) in relation to the lens. In a camera, depth of focus indicates the tolerance of the film's displacement within the camera and is therefore sometimes referred to as "lens-to-film tolerance".
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The same factors that determine depth of field also determine depth of focus, but these factors can have different effects than they have in depth of field. Both depth of field and depth of focus increase with smaller apertures. For distant subjects (beyond macro range), depth of focus is relatively insensitive to focal length and subject distance, for a fixed f-number. In the macro region, depth of focus increases with longer focal length or closer subject distance, while depth of field decreases.
Lighting contrastexamples
Low-key setups are often used in drama and horror stories, but are also used in very intimate or romantic scenes, as well. Regardless of genre, using this lighting technique will always create a sense of tension within a scene.
The exposure of a high-key shot is usually slightly flat, and made up of mostly mid-tones and highlights. There aren’t a lot of deep, dark shadows in a high-key shot. This lighting strategy portrays a happy, positive, upbeat feeling, making it perfect for comedies.
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