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which shows that the greatest magnification occurs for the lens with the shortest focal length. In addition, when the image is at the near-point distance and the lens is held close to the eye (\(ℓ=0\)), then \(L=d_i=25\,cm\) and Equation \ref{eq12} becomes
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a. The required linear magnification is the ratio of the desired image diameter to the diamond’s actual diameter (Equation \ref{eq15}). Because the jeweler holds the magnifying lens close to his eye and the image forms at his near point, the linear magnification is the same as the angular magnification, so
From Figure \(\PageIndex{1b}\), we see that the absolute value of the image distance is \(|d_i|=L−ℓ\). Note that \(d_i<0\) because the image is virtual, so we can dispense with the absolute value by explicitly inserting the minus sign:
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The resulting magnification is simply the ratio of the near-point distance to the focal length of the magnifying lens, so a lens with a shorter focal length gives a stronger magnification. Although this magnification is smaller by 1 than the magnification obtained with the image at the near point, it provides for the most comfortable viewing conditions, because the eye is relaxed when viewing a distant object.
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A jeweler wishes to inspect a 3.0-mm-diameter diamond with a magnifier. The diamond is held at the jeweler’s near point (25 cm), and the jeweler holds the magnifying lens close to his eye.
Every telephoto zoom lens from Tamron comes packed with advanced and exclusive technologies that enable it to perform so well. This includes LD (low dispersion) and XLD (extra low dispersion) elements to control aberrations, proprietary VC (Vibration Compensation) to take the shakiness out of handheld shooting, precise VXD or USD AF (autofocus), and much more.
Note that all the quantities in this equation have to be expressed in centimeters. Often, we want the image to be at the near-point distance (e.g., \(L=25\,cm\)) to get maximum magnification, and we hold the magnifying lens close to the eye (\(ℓ=0\)). In this case, Equation \ref{eq12} gives
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At Tamron, you’ll find telephoto zoom camera lenses in unique focal lengths that will enhance your shooting experience. We’ve taken great care to ensure they provide a natural perspective and exceptional optical performance across the entire range, so you can always get a great shot no matter where your subject is. Our lenses are compatible with cameras from leading manufacturers like Nikon, Canon, Sony, and Fujifilm. No matter what lens you choose, we guarantee it will offer comfortable, capable, and consistent performance.
b. To get an image magnified by a factor of ten, we again solve Equation \ref{eq13} for \(f\), but this time we use \(M=10\). The result is
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To account for the magnification of a magnifying lens, we compare the angle subtended by the image (created by the lens) with the angle subtended by the object (viewed with no lens), as shown in Figure \(\PageIndex{1a}\). We assume that the object is situated at the near point of the eye, because this is the object distance at which the unaided eye can form the largest image on the retina. We will compare the magnified images created by a lens with this maximum image size for the unaided eye. The magnification of an image when observed by the eye is the angular magnification \(M\), which is defined by the ratio of the angle \(θ_{image}\) subtended by the image to the angle \(θ_{object}\) subtended by the object:
Telephoto zoom camera lenses from Tamron are some of the highest-performing and most versatile pieces of equipment you will ever use. Designed to elevate the shooting experience in a wide variety of scenarios, a Tamron telephoto zoom lens brings you closer to your subjects and allows you to capture them in stunning detail.
We need to determine the requisite magnification of the magnifier. Because the jeweler holds the magnifying lens close to his eye, we can use Equation \ref{eq13} to find the focal length of the magnifying lens.
Features include compact and lightweight designs, superior image quality with special lens elements to reduce aberrations, and Vibration Compensation for stable shots. Moisture-resistant constructions and fluorine coatings let you shoot without hesitation in inclement weather. Tamron’s fast aperture telephoto zooms are the lightest in their class. The ultra-telephoto zooms offer tremendous reach for birding and other wildlife subjects, as well as sports, landscape and more.
By comparing Equations \ref{eq13} and \ref{eq15}, we see that the range of angular magnification of a given converging lens is
Inserting Equation \ref{eq34} into Equation \ref{eq10} gives us the final equation for the angular magnification of a magnifying lens:
where \(m\) is the linear magnification (Equation \ref{mag}) previously derived for spherical mirrors and thin lenses. Another useful situation is when the image is at infinity (\(L=\infty\)). Equation \ref{eq12} then takes the form
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Note that a greater magnification is achieved by using a lens with a smaller focal length. We thus need to use a lens with radii of curvature that are less than a few centimeters and hold it very close to our eye. This is not very convenient. A compound microscope, explored in the following section, can overcome this drawback.
Ultra-telephoto zoom lenses let you fill the frame with far-off subjects and are especially useful for wildlife photography and even landscapes where you want to isolate a subject or compress the scene. Telephoto lenses are also ideal for portrait photography, particularly those with a fast aperture that will make your subject pop off from the background and provide a pleasing bokeh effect. Armed with a telephoto zoom lens from Tamron, you will always be able to get a clear shot of your subject without moving your feet.
\[\underbrace{ M=\dfrac{θ_{image}}{θ_{object}}=\dfrac{h_i(25cm)}{Lh_o}}_{\text{angular magnification}} . \label{angular magnification} \]
Consider the situation shown in Figure \(\PageIndex{1b}\). The magnifying lens is held a distance \(ℓ\) from the eye, and the image produced by the magnifier forms a distance \(L\) from the eye. We want to calculate the angular magnification for any arbitrary \(L\) and \(ℓ\). In the small-angle approximation, the angular size \(θ_{image}\) of the image is \(h_i/L\). The angular size \(θ_{object}\) of the object at the near point is \(θ_{object}=h_o/25\,cm\). The angular magnification is then
\[\begin{align} M&= \left(−\dfrac{d_i}{d_o}\right)\left(\dfrac{25\,cm}{L}\right) \\[4pt] &=−d_i\left(\dfrac{1}{f}−\dfrac{1}{d_i}\right)\left(\dfrac{25\,cm}{L}\right) \\[4pt] &= \left(1−\dfrac{d_i}{f}\right)\left(\dfrac{25\,cm}{L}\right) \label{eq10} \end{align} \]
The apparent size of an object perceived by the eye depends on the angle the object subtends from the eye. As shown in Figure \(\PageIndex{1}\), the object at \(A\) subtends a larger angle from the eye than when it is position at point \(B\). Thus, the object at \(A\) forms a larger image on the retina (see \(OA′\)) than when it is positioned at \(B\) (see \(OB′\)). Thus, objects that subtend large angles from the eye appear larger because they form larger images on the retina.
We have seen that, when an object is placed within a focal length of a convex lens, its image is virtual, upright, and larger than the object (see part (b) of this Figure). Thus, when such an image produced by a convex lens serves as the object for the eye, as shown in Figure \(\PageIndex{2}\), the image on the retina is enlarged, because the image produced by the lens subtends a larger angle in the eye than does the object. A convex lens used for this purpose is called a magnifying glass or a simple magnifier.
Focal length ranges include 70-300mm, 150-500mm, 50-400mm, and 150-600mm, catering to a variety of shooting needs from wildlife to sports photography.