The extreme close-up camera shot is exactly what it sounds like — the camera shows as much detail as possible. An extreme close-up also brings a degree of intensity to your scene. You can use it to achieve comedic relief, tension, and heightened emotions. This shot style can be incredibly versatile.

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In between a mid-shot and a close-up, a medium close-up gives greater detail, but we still see some body language. Typically, medium close-ups depict the subject from the shoulders up.

I have enjoyed your article about telephoto macro. I have an Olympus 5 II and am on the verge of purchasing the 40-150 pro. My question is which converter should I get. Will the 1.4 give enough reach for flowers and birds? Also can the camera be handheld with the 1.4 and /or the 2 x? Thank you for your advice.

The mid-shot takes a step closer to your subject. This composition shows body language, gestures, and personality — it's all about them. With this almost full-body shot, we want to see less of the setting and more details of the actual person.

Inspiring article. Since I own both the 60mm macro and the fabulous 40-150mm f2,8, I sometimes do macro photography with these lenses, but I have to practice more with focus bracketing and stacking. BTW, great blog and great photos. Thanks

Another great article thanks Peter. I love macro photography and have both the 60mm f2.8 & the amazing 40-150mm f2.8 plus both teleconverters & the OM1 MkI & MkII. You have inspired me to get out seek the mushrooms as we are coming to the end of a very wet summer. I will yet again try to get on top of focus bracketing as I realise I was utilising the stacking feature with limited success. Practice! Practice! Want to add how much I enjoy your articles & writing style as as your images. Thank you.

Below are 10 camera shots that will capture your characters and bring life to your scenes. Employing them at the right time will help keep your viewers interested, whether you're shooting a feature film, a marketing video, or even making an animation.

Remember — these are only a few of the many types of shots in film. As your skills and your projects evolve, you'll quickly discover which shot types are your favorite as a filmmaker. As you progress past filming topics like camera types, lighting, and topics like frame rate and shutter speed you can also make use of Vimeo's video editor, video player, and editing tools like the video cropper, video merger, video trimmer, and more.

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This camera shot is typically an "establishing shot" that determines your scene's location. These types of camera angles remind us where we physically are, so have this in your back pocket for location switches.

Close-up shots focus on a part of the subject (usually their face) or object. This brings your character's facial expressions front-and-center, and your audience can easily read their emotional responses.

I've been using "tube extenders" to accomplish macro photography. My budget wouldn't allow me to purchase new macro lenses, but it works with the lenses that I have. Still try to figure out bracketing and stacking (camera doesn't do it automatically)

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Thank you again Peter for yet another excellent article, accompanied by stunning photographs. Just one thing, you say that macro lenses “have shallow depth of field”, and you’ve made similar comments before. This is actually not true, any 60mm lens will always have the same depth of field (at the same aperture) as any other 60mm lens. It’s the laws of physics. Depth of field does become dramatically reduced with lens to subject distance, and the special characteristics of a macro lens allows very close focusing and hence shallow depth of field. The 40-150 set to 60mm has exactly the same depth of field as the 60mm macro - at the same subject distance. Using a longer focal length enable you get further away from you subject increasing the depth of field at that point. Your conclusion though is absolutely correct, using a longer lens is often easier and better for this sort of photography.

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These camera shots frame a subject by peeking over-the-shoulder of the person they're interacting with. These are strongest in scenes when two people are engaged in conversation — or a passionate fight (see above).

I loved your blog and thanks for publishing this about shooting telephoto macros !! I am really happy to come across this exceptionally well written content. Thanks for sharing and look for more in future!! Keep doing this inspirational work and share with us.

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Similarly framed to a mid-shot, two shots include two subjects instead of one. Both are given equal stage weight in the frame (as you can see in the example above). Their body language, along with the distance between them, helps convey their relationship.

I did a couple of macro shots with Sigma 50-500 + 1.4x lens with Olympus E-MII. Scale was about 1:1 at 1400mm. Of course from tripod.

And finally, the POV shot depicts a character's first-person perspective. Most traditionally, your footage is captured as if the camera is the subject's eyes.

Amazing article! Beautifully explained how and why telephoto lens could be better than traditional macro lens. Best point is you don't cast your shadow on the subject while capturing an image, plus you still get beautiful bokeh. Thanks for sharing!

In a very wide shot, location is still very prevalent, but the subject will also be somewhat visible. This is great to contextualize your characters in their surroundings.

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Thank you for the good ideas and beautiful images. I had been using an Olympus Stylus and enjoying it including its macro capabilities, but the 150mm maximum wasn't long enough for my interest in bird photography. So I splurged on an OMD M1 and the 75-300 lens. I was very pleased with the increased length and the additional capabilities of the M1. But I was pleasantly surprised to discover its ability as a telephoto macro. It allows me to be watching up close and to the distance during my "river walks".

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A film's narrative relies on so many moving pieces to push it forward. And while writing, acting, and directing are top of mind during the planning stages, scene composition is one oft-overlooked technique you can use to engage viewers.

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Wide shots are also known as long shots or full body shots. These frames put a more equal emphasis on your subject and their surrounding environment. Your character should take up as much of the frame as possible, while still fitting comfortably within the scenery.

A 4x (2 1/2 focal length) and 10-15x loupe is all you need in my opinion. Some prefer a 6x (1 1/2 focal length) over the 4x. The 4x and 6x is ...

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