Refraction oflight

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Real image, in contrast, is formed when the rays from the reflection of light meet or converge at a single point on the other side of the lens. This means the image being formed actually exists since the rays are converging. Therefore, unlike in a virtual image, if a screen is placed in the path of a real image the image will be created on the screen. Real images are generated by the projectors in the cinemas, by the cameras, and by the lenses in our eyes. The real image occurs where the rays of light converge and a virtual image occurs where the rays of light appear to meet. Now that you know how each of these images is formed, it will be easier for you to understand the difference between real and virtual images.

Reflection

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Additive mixing occurs when beams of light are combined. The colour circle, first devised by Newton, is still widely used for purposes of colour design and is also useful when the qualitative behaviour of mixing beams of light is considered. Newton’s colour circle combines the spectral colours red, orange, yellow, green, cyan, indigo, and blue-violet with the nonspectral colour magenta (a mixture of blue-violet and red light beams), as shown in the figure. White is at the centre and is produced by mixing light beams of approximately equal intensities of complementary colours (colours that are diametrically opposed on the colour circle), such as yellow and blue-violet, green and magenta, or cyan and red. Intermediate colours can be produced by mixing light beams, so mixing red and yellow gives orange, red and blue-violet gives magenta, and so on.

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Reflection, refraction diffraction

Black can not be a colour of light. Since it is the absence of light itself, when there is no light in proximity then you can refer it as a black clour.

Notes forreflectionoflight

Unlike point light sources, a ring flash can illuminate a subject with minimal shadows by closely and evenly surrounding the optical axis of the camera lens.

The image location is the location in space where all the reflected light appears to come out or diverge from. Since the reflected light appears to diverge from this position, a person who sees this image will feel like the actual object is placed behind the reflecting surface. This is where the concept of real and virtual image arises.

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The three additive primary colours are red, green, and blue; this means that, by additively mixing the colours red, green, and blue in varying amounts, almost all other colours can be produced, and, when the three primaries are added together in equal amounts, white is produced.

Because additive processes have the greatest gamut when the primaries are red, green, and blue, it is reasonable to expect that the greatest gamut in subtractive processes will be achieved when the primaries are, respectively, red-absorbing, green-absorbing, and blue-absorbing. The colour of an image that absorbs red light while transmitting all other radiations is blue-green, often called cyan. An image that absorbs only green light transmits both blue light and red light, and its colour is magenta. The blue-absorbing image transmits only green light and red light, and its colour is yellow. Hence, the subtractive primaries are cyan, magenta, and yellow (see figure, right).

Newton demonstrated that colour is a quality of light. To understand colour, therefore, it is necessary to know something about light. As a form of electromagnetic radiation, light has properties in common with both waves and particles. It can be thought of as a stream of minute energy packets radiated at varying frequencies in a wave motion. Any given beam of light has specific values of frequency, wavelength, and energy associated with it. Frequency, which is the number of waves passing a fixed point in space in a unit of time, is commonly expressed in units of hertz (1 Hz = 1 cycle per second). Wavelength is the distance between corresponding points of two consecutive waves and is often expressed in units of metres—for instance, nanometres (1 nm = 10−9 metre). The energy of a light beam can be compared to that possessed by a small particle moving at the velocity of light, except that no particle having a rest mass could move at such a velocity. The name photon, used for the smallest quantity of light of any given wavelength, is meant to encompass this duality, including both the wave and particle characteristics inherent in wave mechanics and quantum mechanics. The energy of a photon is often expressed in units of electron volts (1 eV = 1.602 × 10−12 erg); it is directly proportional to frequency and inversely proportional to wavelength.

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Additive mixing can be demonstrated physically by using three slide projectors fitted with filters so that one projector shines a beam of saturated red light onto a white screen, another a beam of saturated blue light, and the third a beam of saturated green light. Additive mixing occurs where the beams overlap (and thus are added together), as shown in the figure (left). Where red and green beams overlap, yellow is produced. If more red light is added or if the intensity of the green light is decreased, the light mixture becomes orange. Similarly, if there is more green light than red light, a yellow-green is produced. The RGB colour model, one of the three main colour models, is an additive model used in digital devices and light-based media to create a gamut of colours from just red, green, and blue.

Specularreflection

No concepts in the field of colour have traditionally been more confused than those just discussed. This confusion can be traced to two prevalent misnomers: the subtractive primary cyan, which is properly a blue-green, is commonly called blue; and the subtractive primary magenta is commonly called red. In these terms, the subtractive primaries become red, yellow, and blue; and those whose experience is confined for the most part to subtractive mixtures have good cause to wonder why the physicist insists on regarding red, green, and blue as the primary colours. The confusion is at once resolved when it is realized that red, green, and blue are selected as additive primaries because they provide the greatest colour gamut in mixtures. For the same reason, the subtractive primaries are, respectively, red-absorbing (cyan), green-absorbing (magenta), and blue-absorbing (yellow).

Multiplereflection

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Have you ever seen your reflection on a still surface of a lake? Surely, you must have seen a mirror. Why can we see our reflection on some surfaces and not others? Reflection of light is referred to the change in the direction of light upon striking a surface. This change in direction occurs whenever light hits a surface, irrespective of the texture or the nature of the surface. The difference here is that in a reflective surface such as the shiny spoons and plates and mirrors the reflection is uniform throughout the surface leading to a crisp reflection. Whereas on rough surfaces such as surfaces of water or shiny shoes, the reflection of light is non-uniform leading to a rough image. On even rougher surfaces such as walls and the ground, the reflection is arbitrary and hence there is no image formation. Here we need to focus on another detail. Did you know that a mirror can create different types of images? They are called Real image and Virtual image.

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Virtual images are formed when light from a single source spreads out or diverges after passing through a lens or after being reflected. Diverge that the light splits up and travels in a different direction never to meet again. A virtual image is formed at the point where they seem to diverge, but since they never actually converge, a virtual image cannot be projected onto a screen like in the cinemas. A virtual image created by the reflection of light from a mirror will always appear to be behind the mirror creating it which is impossible since light does not pass through the image but is reflected. This is why it is referred to as a point of apparent divergence. Any image you see reflected by a plane flat mirror is a virtual image. You can see this by keeping an object in front of a mirror and seeing where it appears to be located in the mirror.

Light is not the only type of electromagnetic radiation—it is, in fact, only a small segment of the total electromagnetic spectrum—but it is the one form the eye can perceive. Wavelengths of light range from about 400 nm at the violet end of the spectrum to 700 nm at the red end (see table). (The limits of the visible spectrum are not sharply defined but vary among individuals; there is some extended visibility for high-intensity light.) At shorter wavelengths the electromagnetic spectrum extends to the ultraviolet radiation region and continues through X-rays, gamma rays, and cosmic rays. Just beyond the red end of the spectrum are the longer wave infrared radiation rays (which can be felt as heat), microwaves, and radio waves. Radiation of a single frequency is called monochromatic. When this frequency falls in the range of the visible spectrum, the colour perception produced is that of a saturated hue.

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Colours of the spectrum are called chromatic colours; there are also nonchromatic colours such as the browns, magentas, and pinks. The term achromatic colours is sometimes applied to the black-gray-white sequence. According to some estimates, the eye can distinguish some 10 million colours, all of which derive from two types of light mixture: additive and subtractive. As the names imply, additive mixture involves the addition of spectral components, and subtractive mixture concerns the subtraction or absorption of parts of the spectrum.

Subtractive colour mixing involves the absorption and selective transmission or reflection of light. It occurs when colorants (such as pigments or dyes) are mixed or when several coloured filters are inserted into a single beam of white light. For example, if a projector is fitted with a deep red filter, the filter will transmit red light and absorb other colours. If the projector is fitted with a strong green filter, red light will be absorbed and only green light transmitted. If, therefore, the projector is fitted with both red and green filters, all colours will be absorbed and no light transmitted, resulting in black. Similarly, a yellow pigment absorbs blue and violet light while reflecting yellow, green, and red light (the green and red additively combining to produce more yellow). Blue pigment absorbs primarily yellow, orange, and red light. If the yellow and blue pigments are mixed, green will be produced since it is the only spectral component that is not strongly absorbed by either pigment.