2024124 — However, an optical bandpass filter provides a 'window' of transmitted light, defined by both an upper and a lower cutoff wavelength. This ...

This may be the most obvious tip, but it is also the most expensive. Using silks, scrims, and flags are the most professional ways to go about lighting your project. However, the best video lighting kits are a bit pricey and can drain your budget.

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Essentially everything starts with light and goes from there. In continuation of my "Looking for light in all the right places" series, today we are talking about backlight.

Isn't Mary just stunning? This photo works so well, not only because Mary is beautiful and radiant, but the glow and warmth of of everything surrounding her just lends itself to the expression on her face. The bokeh mixed with the neutral green and gold tones along with the way the light is filtering through her hair ads complexity, depth and texture. She was standing on a concrete pavement so there is nice light bouncing back on to her face and she has a gorgeous little catchlight in her eye. The exposure on her face is not competing with the exposure on the background.

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Check out this video by DSLR Video Shooter in which they break down these effects of soft light and analyze some tips on how to create it.

Although I mentioned this briefly above, when shooting into the backlight you have to pay special attention to exactly how you place yourself in relation to your subject. In the below photo of Ashley, I distinctly remember struggling to avoid flare. I ended up placing myself right on the edge of the shadow that the building was casting in order to get her right in between the sun and my lens. I did not use a reflector to bounce light up into her face in this photo and she was standing on some grass, so the difference in exposure between her face and the highlight on her hair is on the verge of being to far apart. If I would have brightened her up some, I would loose detail in her hair (much of which is already lost). I still love this photo because I love her expression and the happiness and warmth, its just an example of how not having even a little bit of light bouncing on to your subject can affect the overall end result of the photograph.

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One of the things that making shooting into backlight tricky is that when you put the sun behind your subjects, you are then directly facing the sun. Anyone who has pointed a camera in the direction of the sun knows that sun flares and haze are often the immediate result. However, if you have the ability to diffuse the light by using objects in the environment, you can get the shot without a distracting flare or haziness on the images. Trees work really well for diffusion as well as taller buildings or other natural elements. A scrim or reflector can also work to diffuse light if you are positioned in a way where the sun is hitting your lens directly.

A common misconception from many people who don't understand the technicality of photography or lighting (as was mine when I first started) is that the more light the better. In reality, the direction of the light is much more important than the amount of light you have available. Shooting into the backlight often results in photographs that tend to be warm and "glowy" because the light is literally wrapping itself around the subject.

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Its for this reason that I attempt to find lots of natural reflectors when shooting outside and especially in the backlight. For the below photo, the sun was low in the sky and to the right creating some beautiful filtered light behind them. The concrete path bounced light back up on to their bodies and faces thus creating a beautifully lit photo of both the subjects and the background.

Speaking of natural reflectors...when shooting into the backlight, they are imperative. The a very bright light sources is coming from behind your subject, depending on how you expose the photo, your subject can end up looking really flat, under exposed and muddy. If you don't have light bouncing back up on to them, your dynamic range will be too great and you will have difficulty achieving a well exposed and pleasant looking photograph.

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I hope these tips and tricks encourage you to go out and practice shooting into the backlight. It is honestly one of my favorite types of shots to capture and I can't wait to see what you come up with!

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Understanding the different qualities of light is important for any filmmaker to know. Each quality can enhance a story by providing a visual element that matches the style and tone of a film. One of the most fundamental qualities of light to understand is diffused light. But what is diffused light? From interviews to commercial work to films, knowing the effects of this type of light can make you a more versatile and well-equipped filmmaker. Let’s find out how you can use diffused light in your next project.

If you’re on a budget and looking for more economical ways to achieve soft light, get creative. Using diffusion materials like white sheets, sheers, and thin fabrics can help you achieve this look for just a few dollars.

If you know you are planning to diffuse your light, keep this in mind and utilize stronger light sources so that when they are diffused, they can still properly expose your scene.

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Light bridges an interesting gap between science and art. Different scientific factors can affect the quality of a light which inherently affects the artistry of a film. Let’s analyze how the science of diffused light affects the quality it can produce in a shot.

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The time of day is essential for backlit photos. In order for the light to be coming from behind the subject, the sun has to be lower in the sky. When the sun is high in the sky, its almost impossible to put the sun behind your subject because...well, no one is that tall! Shooting in the early morning or in the few hours before sun sets is the absolute best time to achieve backlit photos.

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Shooting into the backlight or shooting in backlight situations can tend to get a little tricky. Although it does take quite a bit of practice, once you figure out a rhythm of how to set up your shot, how to expose correctly and what situations to look for, you will be shooting successfully backlit photographs consistently. Shooting backlit scenes quickly became one of my favorite things to do and I find myself constantly looking for areas and locations that would work well for backlit shots.

It includes the labor to install three beacons per light level, as well as the conduit and wire for powering the system. A system replacement will require the ...

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Oftentimes cinematographers do not want harsh shadows in a shot because it does not match the mood or style of the scene. Soft light creates softer shadows that are not distracting or very distinguished.

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The second effect of using soft light is the wider beam angle. This can be helpful when you need to light a larger area, but your lights have a very narrow, concentrated spread.

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Lastly, a negative effect of diffusing your light sources to keep in mind is that by diffusing your light you actually lose output. Adding diffusion material to a light will produce a softer light, but will inherently reduce the amount of exposure on your subject.

Despite the fact that light always trumps background, taking the background into consideration for your backlit photos is never a bad idea. When scoping out your session location, look for dense areas of foliage or leaves next to more sparse areas. Pay attention to how the light falls across whatever elements you are considering for your background.

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Sometimes flares end up in photos anyway and often times they can add a really beautiful element to a photo! Other times they can look out of place or distracting. In the photo below I caught a slight flare that ended up right on Mary's leg. Its not horribly distracting in this image, but sometimes lens flares look incredibly out of place and awkward. While the sun was lower in the sky I placed Trevor and Mary here for a couple of reasons. I wanted the sun to filter through those trees because I knew it would give me some beautiful bokeh. I also knew I could position myself in a way where the sun would be directly behind one of the tree trunks so as to cut down on any potential flare. The neutral colored sand also added a great natural reflector.

You can see in this photo below of my stepson and his girlfriend that the sun is lower in the sky although its not completely at the horizon. The sun is behind and to the right of them (you can tell from the direction of the shadows on the ground.)

Bouncing your light off of walls, bounce boards, and other materials can help diffuse the spread of your light. Experimenting with bouncing light on the location of your scene can help you get a more diffused light look.

As a photographer, its important to learn about all different types of light. Everything in photography revolves around light. What kind of light do you have available? How will the camera read and record the light in the scene? Where are the highlights and where are the shadows? Do you need to add or subtract light?

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What is LED Backlighting? As the name suggests, LED backlighting involves the use of light-emitting diodes, or LEDs. Unlike traditional bulbs, such as ...

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When shooting exterior scenes, it’s always a good idea to wait for an overcast day so that the sunlight will be diffused by the clouds. This will create a nice soft and diffused light that will be less harsh and more flattering for your shot.

Diffused light is light that has an even concentration across the spread of its beam. Otherwise known as "soft light," It disperses light evenly across a surface or subject and can soften shadows and produce a more flattering image. The opposite of this is hard light which produces harsh shadows and a concentrated light spread. Neither soft or hard light are inherently "better" types of light. It all comes down to the look and feel you want for the image.

Lighting is one of the key visual elements that can really make a film look cinematic. Interested in learning about more fundamental lighting techniques that will help you become a better filmmaker? Check out our article of the best film lighting techniques that will help you get that cinematic look for your film.

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Diffused light is used for various reasons for interviews, commercials, and films. The most common reason is because it is a flattering quality of light. Wrinkles and facial features are not as harshly defined with soft light.

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