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Variable aperture comes into play if you have a zoom lens. If your lens has two numbers, i.e., F/3.5 to F/5.6, you have what’s called a variable aperture lens. This means your widest aperture (lower number) is different at different focal lengths.

The opposite is true of fixed aperture lenses. These lenses are heavier in comparison to their variable aperture brethren. These lenses come with some serious glass and mechanics packed inside. Of course, this leads to higher-priced lenses, but the benefits are manyfold.

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star shaped central medallion radiates to further four medallions with vases in the corners. Field of flowers and framed with a full order of tulips. Romantic rug with flowers and stars.

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This design is most closely associated with the town itself, which also produces equally heraldic allover floral schemes with a number of slight variations being produced in the surrounding villages. The most frequently encountered of these are from Mehriban, which often employs the same floral decorations in al allover format and Ahar, which is a village noted for its well made tightly woven rugs in slightly curvilinear medallion and corner designs. The knot count of Heriz rugs is not particularly high but they are compact and durable with good quality wool clipped low-medium to medium. Heriz are generally regarded as the best of the more coarsely woven Persian rugs. the finest examples are made in Heriz (and Ahar which is only slightly inferior) though very reasonable items are produced in Mehriban.

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Most beginners, casual amateurs and snap shooters will never need the fixed aperture zooms. And all zooms made within the last five years are significantly better than the zoom lenses (even the expensive ones) I used in the 70s and early 80s.

With a fixed aperture lens, the aperture functions independently from the focal length of the lens. Meaning, whether you’re zooming in or not, your aperture stays constant until you adjust it either within your camera. Remember that event I was photographing? I can photograph someone right next to me, or 50 feet away, and get the same exposure levels. My aperture won’t change automatically when the focal length increases to bring the subject closer — instead, I’ll have complete control over it, no matter if it’s set at a wider angle or full telephoto.

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Constant aperture lenses are heavier and require more sophisticated glass, which costs more money. They are generally of higher quality than variable aperture lenses.

These lenses are typically lighter and are great travel options. They’re also great because they’re much more cost-effective.

If you’re talking mechanics and technology, fixed focal length lenses will provide a sharper photograph. But they’re much more expensive. They are heavier, making them more difficult to travel with or carry around for long periods of time.

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Made in town of Heriz in north-west Persia and in a number of outlying villages stretching to Tabriz. Despite this proximity to Tabriz, Heriz rugs possess an appearance and character that is unmistakably their own. The dominant composition is based on a huge angular central medallion, set against a field of geometrically stylised floral forms, within a framework of echoing and inwardly decorated corners. This body heraldic scheme is usually coloured in either strong or slightly muted shades of brick red, burnt orange and occasionally deep blues, with ivory, yellow ochre and paler reds and blues providing the secondary hues. At its best, it is one of the most distinctive and powerful Persian decorative schemes.

The aperture functions independently of the lens focal length on a fixed aperture lens. Another advantage of fixed aperture lenses is that typically, their lens barrel doesn’t extend or retract when the focal length changes. This means they don’t get physically longer when you zoom.

The variable aperture allows the camera manufacturer to make the lens for less money. These lenses are often smaller and lighter than their fixed aperture counterparts.

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Heriz rugs are produced in a number of sizes, including carpets, but small rugs are rare. Indian weavers now make copies of Heriz designs (sometimes employing the typical Heriz medallion on an open field), but with a few notable exceptions. Indian Heriz rugs are rather crude imitations of the originals.

Lenses with variable apertures mean that the aperture changes based on your focal length. On my 18-55mm lens, I could achieve a f/3.5 aperture when zoomed all the way out to 18mm. When I zoomed in to 55mm, the widest aperture available was f/5.6.

Should you buy fixed or variable aperture glass? It depends on how serious you are about your photography, what your goals are and how skilled you are.

The downside here is the limitation of aperture choices, which affects not only depth-of-field but the range of exposure choices as well. If I’m photographing an event with a variable aperture lens, it means that each time I zoom to bring the subject closer, I lose light, because the front element of my lens’ isn’t big enough to let in more light. If I photograph an event outside this gets even more challenging, especially with clouds changing the light source on a constant basis. Long story short, it can be more difficult to control your exposure with a variable aperture lens.

Because of their durability and reasonable price, the better quality Heriz rugs, particularly those made in the town itself and, to a lesser degree, those from Ahar, are excellent purchases. The scarcity of authentic Persian village and tribal items makes true Heriz rugs increasingly more collectable.

Outside of exposure, variable aperture lenses allow camera manufacturers to produce lenses for a lot less money. They pass these savings on to the consumer, resulting in a lower-priced, and quite often an inferior quality lens.

There’s no globally best option here — it’s really what’s best for your situation. If you photograph in a lot of dark environments, being able to open your aperture to f/2.8 or better is most definitely a benefit. That fixed aperture will come in handy. Likewise, if you’re trying to narrow down your travel kit to one body and one or two lenses, a variable aperture lens might give you an option that can let you capture a wide array of situations. Remember, most kit lenses are cost and quality cutters. There are good variable aperture alternatives even though they do cost more.