I won’t even say it’s a downside but even if the X-T50 can shoot up to 6.2K footages, the app records only at a maximum resolution of Full HD 1080p / 30fps in H.264 codec.

And with the Fujinon XF 35mm F/1.4R prime lens offering, it’s credible and commendable for swift-moving subjects — especially when you primarily do street and action photography, as well as photojournalism.

Three years later, I received the Canon EOS 60D as a reward for my great track record in high school. That unlocked the door for me and opened a whole new world of possibilities in my journey as a creative.

For instance, the lens can keep up flawlessly with the Alpha 9 III’s 120fps continuous shooting. Subject tracking performance has likewise been improved by as much as seven times.

The new Sony FE 85mm F1.4 GM II portrait lens is now available in the Philippines via selected Sony Centers and authorized dealers. As part of the early bird promo, each purchase until September 30 entitles customers to receive a free Peak Design Slide (worth PhP 4,999).

But having to spend more time with several Sony cameras during the past six years, the brand’s familiarity, flexibility, and all-around compatibility in their wide selection of mirrorless shooters (regardless if APS-C or full-frame) simply made me prefer it over anything else.

Having to use a pro-grade Fujifilm isn’t a first for me. My very first encounter was the X-H1, or the brand’s first video-centric camera — and also the first one to have IBIS (in-body image stabilization).

The front lens element features a fluorine coating to make it easier to remove fingerprints, dust, oil, and other elements. The dust and moisture resistant design provides extra reliability for outdoor use under challenging conditions.

Its outstanding hardware, lens flexibility, stable and higher-quality video output, and the abundance of Fuji’s classic film recipes are enough reasons for me to give the Fujifilm X-T50 the GadgetMatch Seal of Approval.

Frankly, a camera’s strength doesn’t solely rely on its sensors, lens optics, and intricate hardware. It’s also through the built-in software a brand offers.

With my limited time using this camera, it took a steeper learning curve than I initially imagined. Even if I was able to use Fuji cameras in the past, I was still so accustomed to Sony’s UI (User Interface) and system of settings and controls.

Better late than never! These stills were captured way back in the month of June. This month in Taiwan isn’t as refreshing as summer starts around July.

Sure, it may not have a full-frame sensor but its APS-C sensor does the job well. Pair that with the company’s 35mm prime lens I’ve used, you get fast and bright snaps whenever, wherever.

Moreover, it also made me capture time-frozen photos in this speeding bus along Ruifang and Jiufen’s curvy (and wet) roads.

With the never-ending reviews and camera shootouts I did as GadgetMatch’s ~ camera guy ~, little did I know, I had forgotten the actual feeling of using a pro-grade camera for photography’s sake.

A lot of times, it’s not about the tool but how you use it. Then again, having the best tools truly does help.  If you want to level up your photography game, Canon has just launched two full-frame mirrorless cameras to take your career to whole new heights. Introducing: the Canon EOS R5 Mark II and the EOS R1.

A year later, I became a part of the GadgetMatch team. I then had another chance to test out Fujifilm’s latest offering that time — the Fujifilm X-T30.

TL;DR the clip was actually recorded through Fujifilm’s XApp. Connecting the camera using the brand’s app felt seamless. In the time of the recording, I used my iPhone 13 Pro Max running iOS 18 Developer Beta. However, I cannot attest if the experience is / will be the same among Android smartphones.

Then again, here’s another unedited video sample showcasing the X-T50’s video quality and its great stabilization, even at night.

Just like how each and everyone of us have varying preference, it’s a similar case when choosing the film simulation that best suits both a user’s taste and the subject they are trying to capture.

Much like how I consider the X-T50’s weight being the optimal choice in the professional mirrorless segment, a 35mm prime lens is also my sweet spot in the varying choices of focal lengths. It’s not too close as 50mm or 85mm, neither as wide as 18mm, 20mm, or even 24mm lenses.

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There’s a 40.2MP APS-C sensor under its hood. Dubbed as the X-Trans CMOS 5 HR, Fujifilm’s special sensor has an enhanced image-processing algorithm that boosts resolution and has enough power to eliminate image noise without compromising an image’s overall quality.

Furthermore, the new lens’ autofocus is agile, maximizing the speed advantage of advanced camera bodies. For stills, it is up to three times faster compared to the previous model. It can track moving subjects with high precision.

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If you’re a long-time Fujifilm user and has the means to upgrade from the older X-T series (or even X-A and X-E) that lack IBIS, the X-T50 simply is the upgrade you are waiting for.

In spite all these, the successor to the 85mm F1.4 GM1 is about 20% lighter than the latter. The latest offering also has about a 13% smaller volume.

USB 3.0 interface cameras with Scientific grade CCD sensors from Sony and other manufacturers.

Not only that, the introduction of Fuji’s Film Simulation modes in this camera truly amused me. The feeling of having several color calibrations right out of the camera itself is just a wonderful feature I’ve thought of while using the camera five years ago.

Not just that, its Subject Tracking AF also comes in very handy especially with frisky pets in the frame — much like these cute cattos in Houtong.

Speaking of coolness, I find so much solace when it’s drizzling. More so, when I’m in a climate condition much like Taiwan’s breezy, pre-summer weather.

TL;DR — I barely shoot RAW as it’s a massive storage hog. More so, I noticed how photographs under the JPEG format also take a lot of space.

Moreover, the dawn of the second decade of the third millennium introduced computational photography, AI post-processing algorithms, lens imitations, and even countless camera partnerships in smartphones.

Therefore, when you look at an object through a convex lens when the object is within a focal length distance behind the lens, you find it magnified. When a ...

This fast-paced world of technology and innovation has allowed us to (almost) perfect the art of photography. But, there are times when I look at picture taking in its simplest sense: a way to create memories.

There was once a time, before all the smartphones and DSLRs, when every picture was precious just because there weren’t so many of them (nothing like how our smartphone camera rolls look now). Paper Shoot photography is sort of reminiscent of that.

What makes a Fuji camera uniquely Fuji are none other than its film recipes — or “Simulation Modes” in Fujifilm’s own terminology. These originate back to the camera company’s roots when it was pretty big in the traditional film camera industry.

Meanwhile, the Fujinon XF 35mm F/1.4R prime lens I have used in the entirety of this review period is for an additional PhP 32,990 (US$ 599.95 / SG$ 919).

While all the daze and craze are focused on the X100 VI a.k.a Fujifilm’s tiny but mighty wonder, the Fujifilm X-T50 still is the right camera match for me. Even if it’s not the lightest and smallest out there, its weight of just 438 grams hits my sweet spot in pro-grade cameras.

However, I find the dial on the right a bit tricky to use. That’s likely my muscle memory using Sony’s mode switcher instead of Fujifilm’s dedicated dial for shutter speed (SS).

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I also took the Fujifilm X-T50 with me during our comeback coverage at Computex 2024. The pandemic has halted our annual visit so this event meant a lot to me as this is only my second time covering.

And even if the second right dial in our Sony camera is also used for switching Exposure Value (EV), it’s also user-programmable unlike the X-T50.

It comes with a 2GB SD card which can hold about 800 photos, according to the brochure. You can also switch the memory card to anything up until 32GB, but I’m not doing the math for how many photos you’ll be able to take with that.

Much how I love Taiwan’s very fast and efficient mass transit system, the same thing can be said with the Fujifilm X-T50.

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From college works to post-grad travels, shots taken in that DSLR never disappointed. It even lasted long enough for me to use it in some product shots I did during the pandemic — all before I put it to rest after seven long years.

Some users in the community have called the X-T50 as the “watered-down” version of the X-H2. But with an almost identical core hardware, the higher-class Fujifilm X-H2 requires more to spare at PhP 123,990 / US$ 1999 / SG$ 3259.

During the four-day convention, I dared to go out of my Sony “comfort zone” and held the X-T50 whether it’s for stills or clips.

More than aesthetic and composition, the beautiful thing about taking a photograph is you get to capture a moment in that still frame. A picture tells a thousand words, precisely because it’s the story behind it that makes it so special.

When paired with the latest Sony Alpha series cameras, the second-generation lens provides users an ideal option for a wide variety of creative uses  both for photography and videography. They can leverage the lens for portraiture, wedding, travel, and even cinematic videos.

Although Fujifilm may NOT be the first camera that contributed to my photography aspirations, this popular Japanese camera brand still made me rethink what a professional camera should be.

Personally, my most used recipes are Classic Chrome, Classic Neg., and PRO Neg. Std. That’s also because I love my photos to be less saturated with a reduced amount of contrast and/or shadows.

Sony has officially announced the new FE 85mm F1.4 GM II portrait lens, which is lighter, smaller, and faster than its predecessor. This new premium lens combines high resolution and stunning bokeh with fast autofocus in a compact body.

To highlight X-H1’s capability in videography, the director of the production house I held my first internship tasked me to shoot and edit BTS (Behind The Scenes) clips of the music video set starred by a well-known Filipino indie band called IV OF SPADES.

Of course, these days, we have our smartphone cameras and a photo for every single thing that happens, but on my last trip to Taipei, I decided to try something else.

During my teenage years way back in 2011, I was astounded by the crater-filled moon shots I saw on Flickr. Surprisingly, it was taken by Nikon’s point-and-shoot camera with a 21x optical zoom — which I consider a prime during its time. Although I never had the chance to own one, that particular moment inspired me to pursue photography.

These TikTok embeds also prove that the X-T50 is as capable as any major mirrorless cameras when it comes to footage shooting while on the move.

As much as I am happy with my first (and only) DSLR, its bulky weight simply is the huge downside. That’s why the mirrorless camera revolution was a true blessing for me.

Moreover, Sony’s original Nano AR Coating II technology effectively subdues flare and ghosting for clearer images. The 11-blade circular aperture and optimization of spherical aberration lead to soft and beautiful bokeh.

Despite my slight frustrations when it comes to Fuji’s controls and overall system (and also the lack of weather-sealing), there are still many reasons why I love it.

The headliner isn’t a clickbait. My burning passion for photography simply vanished just like the last flame in a candle’s wick. The depressing pandemic halted my travel trips, and so as my desire to shoot with a professional camera.

Admittedly, there were a whole bunch of photos which came out as a series of blurs and random objects. On times I did get lucky with shots, however, I ended up with pictures that looked similar (especially with the filters) to Lomo photographs.

Because I feel it need be said again: Yes, this camera is made mostly out of paper. (Are you freaking out as much as I am?) Powering this tiny 5-megapixel digital camera are only two AAA batteries, which can supposedly last for 300 shots and are easily found in any convenience store.

As is standard with the entire Canon lineup, the new EOS R5 Mark II highlights the next evolution of professional photography. The camera features a 45-megapixel sensor, capable of shooting 8K 60P RAW recordings.

Additionally, it comes with a next-generation Dual Pixel Intelligent AF system. The intelligent system can accurately track subjects regardless of what they’re doing. Finally, the 10-bit Canon Log 2 ensures that colors are accurately but vividly portrayed.

The FE 85mm F1.4 GM II comes with two XA (extreme aspherical) and two ED (extra-low dispersion) lenses. Together, the combination suppresses aberrations. It also offers corner-to-corner resolution and rendering for outstanding image quality.

Granted that there was one rainy day during the trip when I didn’t dare take out the Paper Shoot for fear that it would get wet, it was still a very handy device that took up so little space.

There are four built-in modes on the camera (classic, black and white, sepia, and blue) and they can be activated by a simple flick of a switch. The camera works like any other camera: press the shutter located at the front part of the device and you’re shooting.

Naturally, both cameras will come at a cost. The EOS R5 Mark II will start at PhP 249,998 for just the body (bundled with a 512GB CF Express Type B card) and tops off at PhP 329,998 with the RF24-105mm f/4L IS USM lens. Preorders are available now.

The clip below also proves how capable it is when it comes to video shooting. I love how the lens gives that shallow DoF (Depth of Field) of the view outside the train’s window.

Cannot sacrifice that DSLR-like viewfinder? Well, the X-T50 makes up for its OLED EVF (Electronic Viewfinder) with approximately 2.36-million color dots and 100% viewing coverage.

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For filming, the FE 85mm F1.4 GM II features an XD linear motor. Focus breathing is minimal, and in-body focus breathing compensation is supported. It has two customizable focus hold buttons and an AF/MF switch to offer flexible operability.

Now, the EOS R1 marks the tippy top of Canon’s product lineup. Tailored for professional photographers, the camera features a 24.2-megapixel CMOS Dual Pixel sensor, capable of 6K 60P RAW video capture. Likewise, the new model comes with intelligent AF tracking to keep your subjects in frame even in high-speed situations.

This heft gives me enough grip whenever I decide between taking snaps, shooting videos, or just fiddling around knobs and previewing media. It’s even evident when I hold the camera one-handed.

Maybe this is more of the many reasons why I romanticize myself along concrete jungles of East Asian countries instead of tropical islands and beaches in Southeast Asian nations.

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I tested the camera not just during a short day trip in Caliraya, Laguna. I was also able to spend more time with it during our overnight stay at a beach in Calatagan, Batangas.

And speaking of focus, I find it frustrating how it automatically switches between using the touch for shutter, focus, or completely disabling that touch function.

If you’re looking to do true-to-life documentation with your photos using a camera with great technical specs, this isn’t the way to go.

Additional note: I took my photographs with Mechanical Shutter (MS) turned on as it gives me that DSLR-like clicking mechanism when shooting.

Luckily, the X-T50 has a native HEIF support. This file format is still rarely used as it’s mostly found on iPhones (under HEIC) but it’s something worth pointing out. With it you get 50% more compression while preserving the same image quality as the traditional JPEG format.

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I managed to take these low-light shots even with a low ISO 800 ~ 1000 sensitivity plus a sufficiently-fast shutter speed all thanks to the wide f/1.4 aperture of Fujifilm’s 35mm prime shooter.

For those with shaky hands, fret not as it has a 7.0-stop 5-axis IBIS. While on the same topic, it can record between Full HD, 4K (which also include 4K HQ and DCI 4K HQ), up until 6.2K footages. Slo-mo videos are only limited to 240p capped at Full HD.

I had a little trouble framing my photographs — which is something expected from a viewfinder that’s basically a cutout from a cardboard box. The shutter was also perpetually set to a slow setting, so it’s a must to keep still for a few seconds on each take. I learned this the hard way.

Although I prefer wearing black most of the time, I find its silver colorway more appealing rather than the classic black coating.

Whether it’s an indoor shot of a tricky tunnel, or just anything and everything happening in the dusk, this marvelous pairing can keep up with my photography needs nevertheless.

Still, the shots I took with the Fujifilm X-T50 gave me chills (literally and figuratively) with how all of my snaps turned out.

Being able to pack an APS-C or even a full-frame camera sensor at half the size and weight is a great tech marvel. IMHO, the crowns in this camera category both go to Sony and Fujifilm.

Admittedly, my memory reminded me that I only liked the photo-shooting mastery it had. The video output of the X-T30 isn’t up to X-H1’s strength simply because it missed that much needed in-body stabilization for a well-rounded video prowess.

And even with its considerable lightness physically, the Fujifilm X-T50 is still heavy in terms of power-packed photography.

Admittedly the X-T50 is NOT a camera meant for beginners. There are compelling yet pocket-friendly options that are already enough for the needs of any hobbyist or a budding photographer.

That’s when I also wish it had a proper D-pad plus scroll wheel combo for switching between ISO, shutter speed, WB (White Balance), and EV values instead of just a pointer tracker — that’s only used either for navigating through its not-so-simplistic menu and settings or for selecting specific focus point/s prior to shooting.

With the combination of X-T50’s high ISO sensitivity plus the wide aperture of the XF 35mm prime lens I used, it also gives the best in class low-light and night-time photographs.

In addition, an independent aperture ring and Linear Response MF focus control provide intuitive control for creative shooting demands.

Needless to say, if you have all the money to splurge whether you’re a novice or a full-on pro, this is a camera candidate worthy to consider.

If you want a more silent shooting method, you can opt for Electronic Shutter (ES). It’s more beneficial when you do Continuous Shooting between 8 to 13fps.

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The left one serves as the dial when switching between Fujifilm’s Simulation Modes (more on that later). I love the overall feel of it when you turn one. There’s even a lever beside it where you can pull it down for the flash unit to pop-up.

Alongside that is Fujifilm’s very own X-Processor 5 processor that promises twice the speed without sacrificing much of its power compared to its predecessor.