Primes are better because they are sharper. It’s easier to degrade or soften an image, either while shooting with a filter or in post, then it is to sharpen a soft lens.

Okay thanks. For the future is there a good 300mm lens that can match the primes? There are ones that go over a thousand dollars but are their any that can match that are under a 1000?

You might try to add a sharpen to the zoom footage in the editing program you use, or create an overall look that hides the disparity. I like to shoot with black pro mists, ⅛ or ¼ depending, to soften the look over all as digital acquisition is overly sharp to me.

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Basically if I am doing a movie shoot where I want to use different lenses throughout a scene, how do I match the look, since they look different at least to me.

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Okay thanks, I wasn’t planning on using a lot of shots with it, just a few for certain things, but I was afraid that maybe the sparing use will make it stick out like a sore thumb even more, but I did some tests. Sometimes I can see a difference in softness and sometimes I can’t and make it depends on how far away the actor is maybe?

With today’s high resolution sensors, a softer look is actually desired. This is why I tend to shoot with an ⅛ or ¼ black pro mist filter in the matte box.

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I have Canon 24mm and 50mm prime, along with a 70-300mm zoom lens. The two primes look very much the same in terms of sharpness and quality, but the 70-300m has a softer look to it, and doesn’t look the same at all to me. But I do have a lot of shots, where a telephoto does come in handy.

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Yes, the lens will look different as they aren’t matched like more expensive cine lenses. The primes are sharper and also better quality with less glass. The zoom has more elements and not as high quality.

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Oh okay, I thought people actually thought the sharper, the better. So why are primes more popular then, if a softer look is preferred?

Okay thanks, but are you saying that since they weren’t designed for video, do you mean that the softer look they give is more acceptable in stills than video, is that what you are saying?

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You sort of get what you pay for. But remember, still lenses weren’t designed to shoot video, originally. Unless you buy a specific set of cine-lenses that are matched/calibrated, you just have to test and adjust your workflow accordingly.