The ending of Never Let Go also explores the damage that parents can do to their children, intentionally or otherwise. Momma was clearly damaged by her upbringing, and that in turn fueled the extremism with which she raised her sons. Her parents' intentions may have also been pure originally, as they tried to protect her from the evils of the world just as she did with her sons, but ultimately that trauma is passed down, becoming almost genetic in extreme cases.

The starving boys are left alone, and in short order a hiker stumbles upon their cabin, revealing that the world hasn't ended and Momma was either lying or delusional. A starving and sickly Sam kills the hiker believing him to be a manifestation of the evil entity, and subsequently encounters the hiker's daughter. However, it's revealed that the girl is actually the evil entity, and Sam is possessed by it and attempts to kill his brother. The movie ends with Nolan confronting the evil in the form of his mother, and both boys are rescued by modern EMTs.

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Momma's backstory is never revealed in detail, but there are clues throughout Never Let Go that give the audience enough information to draw some conclusions about it. She grew up in the house they are trapped in, and it has blessings literally carved into its wood, pointing to just how fanatically religious her upbringing was. The crawlspace under the floor that she puts the boys in was clearly something she spent plenty of time in as a child, and contributed to her own past trauma.

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Never Let Go's director Alexandre Aja's ending is intended to be ambiguous, and leave the question whether the evil is real or not up to the audience to decide. It's a matter of selecting which instances to believe as real occurrences, and which to believe are hallucinations or manifestations of mental and physical illness. It's not a satisfying ending due to its lack of clarity and finality, but it is clearly intentional on Aja's part given the ambiguity of the movie's final scenes.

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The scars on her back may have also originated in her youth, as they're somewhat reminiscent of the marks from flogging or self-flagellation, which is a common religious punishment in more extreme Christian sects. That could have been a driving factor in her leaving her parents house, after which she appears to have immersed herself in the unsavory parts of the world. The one photo she keeps is of her in a decidedly non-conservative outfit, and she's covered in tattoos of spiders and a massive snake.

One of the boys, Nolan, begins to question whether or not what Momma tells them is real after multiple instances where the boys end up outside untethered and nothing happens to them. His brother Sam believes Momma entirely, and a rift grows between them over the movie's events. After a brutal winter that depletes their food supply, Momma resolves to kill their dog Koda for food, which drives a furious Nolan to trap her in their greenhouse untethered to save Koda. In the greenhouse, Momma dies after an encounter with the evil entity, which takes the form of her mother.

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It's a tragic ending for a character who was clearly traumatized to the point of mental illness, made worse by her continuous suffering and starvation. Her backstory is never revealed in detail, but it's clear that her upbringing was heavily religious to the point of traumatizing her, after which she was exposed her to the evils of the world that she was likely warned about in her youth. Her past trauma shapes her broken mental state in Never Let Go, and makes her so unreliable as a narrator that it's hard to believe anything she says or sees.

Halle Berry's Momma is depicted as a prisoner of her own fear throughout Never Let Go, which manifests as the evil creature she sees periodically, which takes on the form of people from her past. She finally succumbs to the evil not via a direct encounter or possession, but via suicide. She cuts her own throat when she is cornered by the evil entity in the greenhouse so that it has no opportunity to possess her, and subsequently force her to kill her sons. Her suicide is a direct result of the evil finally getting to her.

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The metaphor becomes more blunt when Momma kills herself, as she literally dies in her greenhouse when cornered by the evil appearing as a snake-like version of her mother. A snake invades her garden, just as Satan invaded the Garden of Eden in the form of a snake. Her snake tattoo is a further example of the metaphor, as it's a representation of Momma's past encounters with evil in the world, and it marks her as having been infected by that evil and fear during the events of Never Let Go.

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Another workaround is to add shields around the machine vision system to protect employees, but this can be complicated and costly.

For most of Never Let Go, Aja never confirms whether the evil entity is actually real or simply a manifestation of Momma's paranoia and possibly mental illness. Prior to her death, she is the only one able to see the shapeshifting entity, which takes the form of people from her past (her mother and former husband, most often), but in distorted, snake-life forms. Momma truly believes that the evil is attempting to possess her and her boys so that it can enter the house and force them to kill each other. However, Nolan's skepticism casts doubt over her belief.

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Her hallucinations also touch on the potency of grief, as the evil she sees manifests itself as people from her past that she's lost. She tells her boys that she killed both her parents and their father because the evil got to them, although it's impossible to know if that's what actually occurred or if it was just an extreme example to ensure her boys remain fearful and careful. Whether she killed them or they died from other causes, it's clear she carries the grief and trauma of losing those loved ones, which further contributes to her unstable mental state.

Never Let Go is loaded with Christian symbols, with one massive metaphor at its center. The evil ultimately takes the form of a snake monster, and the manifestations that Momma sees all share snake-like traits including a forked tongue. This is a direct reference to the Book of Genesis from the Bible; Adam and Eve are banished from the Garden of Eden when Eve is tempted by Satan in the form of a snake.

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Never Let Go is a supernatural thriller, but like horror movies it explores some deeper themes via its horror elements. Never Let Go is driven by Halle Berry's performance as Momma, and her perspective is where many of the movie's most potent themes lie. She taps into the universal fear of all parents, which is how to protect their children from the evils of the world. Her character's extreme actions in isolating her boys initially come from a place of love, but her fear and trauma warps the execution of her duties as a mother in protecting her children.

A mother and her twin sons are trapped in their house by a malevolent force, relying on their familial bond and physical connection for safety. When one son questions the reality of the evil, their unity unravels, leading to a terrifying battle for survival in this psychological thriller/horror.

Alexandre Aja's latest horror thriller Never Let Go marks Halle Berry's return to horror, and pits her and her two young sons against a post-apocalyptic evil that keeps them trapped in their house. Never Let Go is now showing in theaters nationwide, and features an anxiety-inducing story that keeps the audience engrossed with its ambiguity and an unreliable narrator. Reviews have been largely mixed, but so far Never Let Go has given Halle Berry her highest Rotten Tomatoes score in over five years.

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Nolan's final confrontation with the evil entity, which takes the form of his mother before finally revealing itself to be a scaly, humanoid snake monster doesn't provide any more clarity, as he is also near starving and inhaling massive amounts of smoke. Aja casts doubt one final time by revealing the selfie that Sam takes as their house burns with Nolan inside, as the snake monster's hand is shown on his shoulder, and in the final frames he appears to still be possessed as he repeats a line from earlier about his mother loving him more.

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The audience is shown what Momma sees, and at one point Sam has what appears to be an encounter with the evil once he is accidentally untethered (he at least hears it and feels fear and dread wash over him). The final reveal that the evil may actually be real comes when Sam is possessed by the multi-handed creature masquerading as the hiker's daughter. However, even that doesn't answer the question, as Sam is a prisoner of his mother's beliefs and in a near-death state from starvation; he may be hallucinating as well.

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Momma was likely lying to her boys about the state of the world at one point in an effort to keep them isolated and away from the horrible things that she experienced once she was in it. Upon spending more time in her old house, that lie may have morphed into actual belief for her as a result of her past trauma and likely some form of mental illness. Her initial intentions were to keep her boys safe, but over time she became just as fanatical as her parents were in the isolated house.

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The audience sees what a possibly-delusional Sam sees in his encounter with the hiker's daughter, which casts doubt over whether the hiker, Cole, was real or a manifestation of the evil. However, there are clues as to just how real he was. For one, Nolan sees Cole with an iPhone, which he would have never seen before and have no idea existed. Nolan also retrieves real food from Cole's bag, complete with a Hormel Chili product placement. It appears that Cole was in fact real, and that Sam really did kill an innocent man in his paranoia.

Momma's parents tried to protect her from the evils of the world just as she did with her sons, but ultimately that trauma is passed down, becoming almost genetic in extreme cases.

Set in a forest that is oppressive in its tangles of trees and vines, Never Let Go stars Halle Berry as a character only recognized as Momma by her two young sons, played by newcomers Percy Daggs IV and Anthony B. Jenkins. The three are isolated in their home in the woods after, as Momma describes it, "the world ended", and are trapped there by a shapeshifting entity that roams the forest that only Momma can see. Whenever they leave the house, they must tether themselves to it with ropes, as the blessed nature of the house keeps them safe.