Very important: the price-performance ratio must be right. Therefore, you should consider what you need the respective accessories for.If you only take photos in the studio, you can also use the salad bowl (metalr beauty dish) take. If you travel a lot, the accessories must be quick and easy to fold.

The benefit of one Reflex screen is, for example, that it emits very homogeneous, soft light, depending on the coating on the inside Gold, Silver or just looks bright. It's also cheaper than a softbox, costing about a quarter of the price. Small umbrellas are also very useful outdoors. A very big advantage is the easy transport..

What does abeauty dish? The name Dish (bowl) already indicates the design of the Beauty Dish. It is a very wide-angle, flat reflector whose opening is covered by a small covering: the metal onesbeauty dishes are very good for portraits in the studio. But if you travel a lot, they should be foldable, which is the advantage of Rollei products, for example.It is important that a honeycomb insert (grid) is included and that the coating is not perforated.

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If possible, umbrellas can be used for nudes and portraits. I wouldn't use just a flash head and an umbrella alone, I still need hard light, for example a stripe from the side as a contour light or an additional head light with a standard reflector offset behind the model.

Before you buy inferior goods, it is better to wait a bit and then buy something of high quality. For example the freeze 6 with different light shapers that can be used universally. It always convinces me in all situations and not only with its usual menu navigation and extreme robustness. Such a flash head with light shapers is of course not a purchase for a year, but should still be sufficient even when the demands have grown, because they change very often over time.

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Overall shouldlight shaper easy to transport (own transport bag) be robust and weatherproof, with easy installation (bayonet connection, e.g. Bowens) on the flash head even in adverse temperatures. It would also be desirable for a diffuser for indoors and outdoors, stripe and honeycomb to be available in one package.

For example, Henkel’s newly developed PSA (pressure sensitive adhesive) LOCA can be used like a dual-side adhesive tape, however, there is no waste of separator films, no need of cutting process and can apply with fully automated process to any types of display design.

Reflex umbrellas are basically nothing more than umbrellas or parasols with a reflective (white or silver coated) inner surface that are mounted upside down, i.e. with the opening facing backwards in front of the light source so that the flash shoots directly into the umbrella. The subject is then placed in front of the opening of the reflex umbrella so that the light reflected from the umbrella is directed onto the subject..

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Otherwise, you might photograph an entire set and only then realize that the light isn't right. It is important that you learn the basics of flash technology, i.e. that you can also use an exposure meter. Adult education centers offer basic courses that you should definitely attend.Otherwise it would be like learning to write for me without knowing the letters.

In fact, there isn't a scenario in studio photography where you can'tlight shaper uses. If you can't direct the light, studio photography fails. That's why you needlight shaper in all variations.

A light shaper is an attachment for flash or continuous light, which directs the light onto the subject to be photographed. For example, if you had no way of aligning the light with flash heads, then there would be no bundling and it would be completely disordered and diffuse. So it would flow out to all sides..

With this set construction you can play with the light. The main light (beauty dish) should at best be two f-stops brighter than the side light with the stripe or vice versa. Always with the question of what the photo should express. The head or contour light offset behind the model is also variable and depends on the model's hair color and skin type.

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For the basic equipment, I always advocate three flash heads. In this way you can easily build a basic set that is completely variable and multiple in itself:

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Liquid optically clear adhesives from Henkel (LOCA) are used to help ensure high optical and bonding performance of the protective screen cover lens to the display. This may include bonding of different substrates such as plastic to plastic, plastic to glass, and glass to glass. LOCA can be applicable for free-formed and design displays, including curved designs.

Light shapers are indispensable if you want to take photos with a flash. It is only through them that one is able to effectively direct the light to where it should be. But what types of light shapers are there and what accessories should you have? And are there any mistakes you can make when buying? Ten questions for professional photographer Harald Kröher.r.

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I always say: What should I do with a flash head that only has a cable connection, when I really rarely have a socket on the beach.

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It's also a fact that the light from a softbox sometimes seems too flat for a portrait. With the foldable onebeauty dish from Rollei you can work very well there.

There are big differences in quality. State-of-the-art technology is only possible with state-of-the-art flash heads. That's why I would never buy a flash (especially for outdoor photography) that couldn't work with HSS technology. If he can't flash on the second shutter, it's just no good. Because showing movement is a main concern in photography.If these basic techniques are not available, I do not need to buy modern flash heads. It is also crucial today that the flashes are battery-operated. Of course, they must have a certain power and not be changed after 100 shots. Of course, this is always very temperature dependent.

Shapers give the ability to direct the light where we want it. It can be bundled, but it can also be made almost diffuse, or it can also be used in a very targeted manner, almost selectively.

A major flaw is not directing the light properly. Means that the head light does not go on the hair, but over it or in the nape of the neck.

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tripods should be cushioned, easy to lock, robust and easy to transport. You should also check the weather resistance of tripods and light shapers beforehand. A large softbox also has a large attack surface for wind and weather. If it is windy, you should therefore be very simple if necessarystandard reflectors use, which only have a small attack surface.

1. What is a light shaper?2. For which scenarios do you need light shapers?3. What types of light shapers are there and which light shapers do you need for what?4. What should you pay particular attention to when buying?5. Which accessories should you at least have for the basic equipment in the studio?6. What are the most common beginner mistakes when working with light shapers?7. What would be the basis of the exposure, for example?8. So, and now a few valuable insider tips from professionals.9. Roughly what are the advantages of individual light shapers?10. What are the quality differences in flashes?

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The art is to flash in such a way that it does not appear as if the subject was shot down. The aesthetics for the eye only arise when the light is directed.Without a flash there is no light shaper, without a light shaper there is no flash.

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