Many third party manufactures also used to advertise this. I assumed they stooped advertising as such when it became common-place. I am surprised by the long list of Canon & Sony lenses you have there. (Extremely surprised by Panasonic, since video is their forte). The one varifocal I have ever seen, was a Vivitar K-mount zoom which had one ring for zoom (slide) and focus (turn).

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Light is the muse. The ultimate inspiration and the elusive substance. We demand its presence with the flip of a switch and summit mountains to see it from a different perspective.

All 70 effects in this pack are brand new and are surprisingly easy to use in a wide range of projects because of their organic movement and softness.

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Don’t worry, any projects you already published while your membership was active are covered forever and you will not retroactively receive copyright claims.

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The first time you switch your Membership plan, our system will automatically calculate the unused time left on your initial plan and adjust the amount due on your new plan. This is a one-time proration and will not carry over should you choose to switch the plan associated with your membership again in the future.

Pentax actually still features on their website the fact that they have multi-group movement internally so as to keep precise focus as they zoom.

The last varifocal lens for an SLR I saw was in the early 1980's. I have personally never owned one. Every zoom I have used in photography has been parfocal.

Grab attention and create a sense of urgency with the clips in the Quick folder. These also work great as transition elements between cuts or speed-ramped shots.

Our mobile app is not included. The subscription on our website and the subscription in our mobile app are entirely separate.

Coming to you from Michael the Maven, this great video details what a parfocal lens is and why it is so useful for videographers. The majority of zoom lenses are varifocal lenses. This means that they are lenses in which the focus changes as the focal length changes. On the other hand, parfocal lenses do not change focus as the lens' focal length is changed. This offers several advantages. For example, this allows one to zoom in to focus, then zoom back out to compose an image. This is sort of operation is crucial for camera operators, for whom reasonably maintaining focus manually while zooming at the same time would be very difficult. Photographers almost never need this kind of functionality, so manufacturers make varifocal lenses, which are far cheaper. Check out the video above for more on the topic.

Generally, all professional video editing softwares are compatible: Premiere Pro, Final Cut Pro X, Davinci Resolve, After Effects, LumaFusion, etc

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Each of our product lines (VFX, SFX, Color, etc) has slightly varied compatibility, so click a link below to learn more about the specific editing software each product line is compatible with:

Our mobile app is not included. The subscription on our website and the subscription in our mobile app are entirely separate.

These effects are made to pair with your sweeping drone shots or fast-paced camera moves and are some of the most versatile effects in the library.

Whether you make cinematic commercials, narrative projects, or wedding films, you’ll love having the ability to splash a bit of light into frame to add that extra something.

2023413 — Hyperspectral remote sensing offers more flexibility in addition to providing a greater level of spectral detail.

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

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If you have a project that exceeds the scope of what the membership allows, you can purchase an extended license to upgrade that specific project for wider placements/distribution.

Every Pentax zoom lens I have ever purchased, stating from the mid eighties. It was about the mid-eighties that lens makers stated advertising their zooms as such, so that one can do precisely what this article says; zoom in, (with the zoom ring), focus with the focus ring, zoom out.

If you’re familiar with our original Light Hits pack, you know these are not your stereotypical, over-the-top lens flares. Each Light Hit is shot in-camera and designed to be subtle, with a balance between rich tones and nuanced detail.

Any projects you publish while the subscription is active are covered forever but you will no longer have a license to use any assets moving forward and must delete all downloaded files from your computer.

Any projects you publish while the subscription is active are covered forever but you will no longer have a license to use any assets moving forward and must delete all downloaded files from your computer.

Whether you make cinematic commercials, narrative projects, or wedding films, you’ll love having the ability to splash a bit of light into frame to add that extra something.

Alternatively, you can create singe-use license codes to include when uploading your video in lieu of registering your channel. This option is great for clients you don’t work with on an ongoing basis.

Parfocal lenses were a holy grail prior to autofocusing, when the typical method of getting sharp manual focus was to zoom in, focus, and zoom back out to shoot.

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With silky smooth motion, this category contains effects that linger a bit longer, giving you lots of flexibility to fade in and out, manipulate their speed, or use them to cover longer sections of video.

Grab attention and create a sense of urgency with the clips in the Quick folder. These also work great as transition elements between cuts or speed-ramped shots.

Projects completed while a member are licensed forever, but the assets themselves are not. i.e., You need to have an active membership to edit with any assets you’ve downloaded via a membership.

With the advent of autofocusing, the technique of zooming in to focus was overcome by the technology, so manufacturers could safely give up parfocal designs. It was autofocusing that changed the picture (so to speak).

With silky smooth motion, this category contains effects that linger a bit longer, giving you lots of flexibility to fade in and out, manipulate their speed, or use them to cover longer sections of video.

If you cancel, your membership will remain active until the end of your current subscription period and will not renew. Subscription fees are not refundable.

2) Generate License Codes for a specific project. Just include the codes in your video’s description when uploading to YouTube and any claims will automatically clear within minutes. This is a great solution for client projects or if you manage multiple YouTube channels.

Browse the VFX, SFX, Color, and Photo pages to familiarize yourself with our product lineup. You can preview our entire song catalog on the Music page.

Good clip. “Parfocal” is appreciated in astrophotography and helps drive costs & better captures. Even the better oculars for visual observation benefit from this design feature.

If you cancel, your membership will remain active until the end of your current subscription period and will not renew. Subscription fees are not refundable.

Aug 29, 2014 — The NA is determined by the lens diameter, focal length, material, and shape, and a higher NA leads to higher resolution and brightness. Two ...

All 70 effects in this pack are brand new and are surprisingly easy to use in a wide range of projects because of their organic movement and softness.

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If you have ever looked at the price of cinema lenses, your eyes probably watered a bit at their seemingly stratospheric cost. There are lots of reasons for those high prices, one of the most common being that they are parfocal. This interesting video explains what it means for a lens to be parfocal and why it is so desirable among filmmakers.

Instagram, Facebook, Twitter, Vimeo, etc are already cleared and do not currently require you to register your account or use License Codes.

Purchasing a product allows you to pay a one-time fee to download all the files in a specific pack and use them forever.

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Browse the VFX, SFX, Color, and Photo pages to familiarize yourself with our product lineup. You can preview our entire song catalog on the Music page.

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These are not your stereotypical, over-the-top lens flares. Each Light Hit is shot in-camera and designed to be subtle, with a balance between rich tones and nuanced detail.

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If you want to monetize your channel, simply connect your YouTube channel to your Lens Distortions account to pre-clear the channel for use with our assets. The number of YouTube channels you can register varies from plan-to-plan.

As visual creatives, we all obsess over light. At Lens Distortions, we’ve developed two libraries to make it more available in post for today’s filmmakers, editors, and VFX artists.

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Simple, slow movement of light that comes in and out, giving you just a bit more complexity than the clips in the Slow folder.

These effects are made to pair with your sweeping drone shots or fast-paced camera moves and are some of the most versatile effects in the library.

Whether you’re looking to dress up some VFX shots or add a bit of complexity to a minimal shot, these flares are great for creating intrigue.

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Any kind of light brightens a scene… but Modern Light Hits also adds texture. Whether you’re looking to dress up some VFX shots or add a bit of complexity to a minimal shot, these flares are great for creating intrigue.

Modern Light Hits is an original library of sleek, textured lens flares designed to take the cinematic tone of your film to the next level. While these effects are bolder than Classic Light Hits, they still show the perfect amount of restraint compared to typical Hollywood flares.

Generally, all professional video editing softwares are compatible: Premiere Pro, Final Cut Pro X, Davinci Resolve, After Effects, LumaFusion, etc

Each of our product lines (VFX, SFX, Color, etc) has slightly varied compatibility, so click a link below to learn more about the specific editing software each product line is compatible with:

This library is designed to take the cinematic tone of your film to the next level. Though bold, the effects show a lot of restraint compared to typical Hollywood flares.

These “temp tracks” are great for seeing if a track is a good fit for your project or client. Simply activate a membership when you’re ready to officially use a track.

You can create a free account and download a watermarked preview of any music track and add assets to project playlists.

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2) Generate License Codes for a specific project. Just include the codes in your video’s description when uploading to YouTube and any claims will automatically clear within minutes. This is a great solution for client projects or if you manage multiple YouTube channels.

Simple, slow movement of light that comes in and out, giving you just a bit more complexity than the clips in the Slow folder.

None of the photo zoom lenses I have ever owned is parfocal. Here is a list: - Canon 24-105mm - Canon 24-70mm - Canon 16-35mm II - Canon 16-35mm III - Canon 70-200mm II - Canon 70-200mm III - Canon 100-400mm II - Panasonic 12-35mm - Sony 24-70mm GM - Sony 70-200mm GM

Subscribing is the most affordable way to get access to everything you need for your projects. You pay a recurring fee to get ongoing access to our platform and download individual files to use while a member.

If the value of your unused time on your initial plan is greater than the cost of your new plan, your “Next Renewal Date” will also be extended. No refunds are given.