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The shot below is at a high angle. Angles can use any of the framing types we’ve discussed above, but the camera must be positioned at an angle looking down at the subject. Generally, a high angle is used to make the subject within the frame seem small, isolated, vulnerable or less powerful. The extremity of the angle can be altered, often causing the desired effect to be more or less impactful. In this case, the high angle is used to make the characters seem even more vulnerable.

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And lastly, we have an extreme close-up, when an object, item or body part fills the frame, which is used for emphasis, showing detail and, once again, heightening emotion. In this instance, the focus on the second hand of the clock suggests that time will be an important factor in the sequence to follow.

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These are just a few examples of anti-glare coatings available for eyeglasses. Depending on individual preferences and needs, there are various other coatings and treatments that can be applied to eyeglass lenses to enhance visual performance and comfort.

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The mid-shot or medium shot generally shows the character from the waist to the top of the head. It enables the viewer to see facial expressions in combination with body language, to show emotion. For this reason, it is great for dialogue shots. In this example, it makes perfect framing for a news-style report so we can see the reporter’s face, whilst the framing of the body allows for us to see the reporter’s formal body language.

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The close-up is often used to show a character from the top of the shoulders to the top of the head. It’s used for capturing a character’s facial expression, heightening emotions and building tension. It’s another great shot type for dialogue.

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For more information about camera shot types, camera angles and camera movements, check out the Into Film online course, below.

Next, we have the long shot, which can also be called a wide shot. This generally shows the full length of any featured characters from the feet to the top of the head and is used to show a character in relation to their immediate surroundings. In this instance, we learn more about the environment the characters inhabit – here it is a school. The shot enables us to see the characters interact through their body language, enabling the audience to draw conclusions about the characters, such as understanding that they are friends.

Anti-glare coatings, also known as anti-reflective (AR) coatings, are applied to eyeglass lenses to reduce reflections, improve clarity, and enhance vision. Here are three common types of anti-glare coatings:

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Oleophobic coatings are similar to hydrophobic coatings but are specifically designed to repel oil and grease. These coatings prevent fingerprints, smudges, and other oily residues from adhering to the lens surface, making it easier to keep the lenses clean and clear. Oleophobic coatings are particularly beneficial for individuals who frequently handle their glasses or who have oily skin. They can also help reduce glare caused by oily residues on the lens surface.

As you experiment with shot types, framing and angles, you’ll be able to create some really interesting combinations and think about adding in camera movement in too, such as pans, tilts and even tracking shots.

This is usually standard for anyone who wants to get glasses. Basic anti-glare coating makes sure that your lens does not have glare that lets you see clearer and look better. There won’t be reflection when people see you and light would not have a distracting halo effect when you see light at night and especially while driving. Most of the time, basic anti-glare coating includes UV light protection on it.

Hydrophobic coatings are designed to repel water and moisture from the surface of the lens. This feature helps to prevent water droplets from sticking to the lens, which can obscure vision, especially in rainy conditions or when moving between temperature extremes. Hydrophobic coatings also make the lens easier to clean, as water and dirt are less likely to adhere to the surface. This type of coating is particularly useful for outdoor activities and for individuals who live in humid environments.

First up we have the extreme long shot. Also referred to as an extreme wide shot, it conveys contextualising information to the viewer about where the action in a scene is taking place or sets a character in their context. For this reason, an extreme long shot is often used to establish context and setting at the start of a film or a new scene. When used in this context, an extreme long shot can be described as an ‘establishing shot’.

The low angle can also be used in combination with any camera shot type, but the camera must be positioned down low at an angle looking up at the subject. Generally, a low angle is used to make the subject within the frame seem large, imposing, daunting or more powerful. The extremity of the angle can be altered, often causing the desired effect to be more or less impactful. In this case, the low angle wide shot of these trees makes them look dominant, reinforcing the power of nature.

Blue light blocking coatings are designed to filter out a portion of the blue light emitted by digital screens, LED lights, and other sources. Blue light is known to contribute to digital eye strain, disrupt sleep patterns, and potentially cause long-term eye damage. By reducing blue light exposure, these coatings can help alleviate eye strain, improve visual comfort, and promote better sleep quality. Some blue light blocking coatings have a subtle yellow tint, while others are virtually clear. They are particularly popular among individuals who spend a lot of time in front of computers, smartphones, or other digital devices.