When I encounter a bright light problem I find simple elements to fix the problem. I use us strobes to overpower the sunlight. In addition I will add and subtract light with show cards. These are simple and cheap cards you can purchase at your local camera store, they are black on one side and white on the other. Hold the black side to camera to block unwanted light. Or black side to your subject to cut light off your subject. I use silks to soften bright light or black flags to cut or block light. When you prep for your project remember outdoors anything's fair game it is better to over prep than be unprepared.

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Chromatic aberration is the color fringing or distortion that appears in your image when your lens fails to focus all the wavelengths of light onto the same point on your film. Chromatic aberration can reduce the sharpness, detail, and accuracy of your image, and sometimes create unwanted color shifts or hues. Chromatic aberration can be caused by the dispersion of light within your lens elements, or by the curvature of your lens or film. Chromatic aberration can also be affected by the aperture, focal length, and distance of your lens.

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The best way to prevent or reduce lens flare is to avoid shooting directly into the sun or other bright light sources. You can also use a lens hood, which is a device that attaches to the front of your lens and blocks stray light from entering your lens. A lens hood can also protect your lens from physical damage and moisture. Another option is to use a polarizing filter, which is a type of filter that reduces glare and reflections from non-metallic surfaces, such as water, glass, or sky. A polarizing filter can also enhance the colors and contrast of your image.

First you must ask yourself what your intention is with the exposure. Is it rigid, or more exploratory? A lens flare can enhance a photo is many ways, adding a divine or cinematic quality. Sometimes, the accidental lens flare is the most fortuitous of events, and adds that extra spark to an otherwise average photo. When dealing with lens flares, it is important to know the workings of your lens, intimately. Some flares are sharp, geometric, repetitive, others are soft and subtle, others still pointy/star like. The flare depends on contrast in the scene, angle of the light source, and aperture/focal length focal distance of your lens. If you know how your lens flares, you are equipped to use or avoid it as needed in each scene.

The best way to prevent or reduce ghosting is to use a lens with multi-coating, which is a type of coating that reduces the reflection and transmission of light within your lens elements. A multi-coated lens can also improve the contrast, clarity, and color of your image. Another option is to use a black and white film, which is less reflective than a color film, and therefore less prone to ghosting. A black and white film can also create a more dramatic and artistic effect in your image.

Lens flare is the bright or colorful streaks, circles, or polygons that appear in your image when a strong light source, such as the sun, hits your lens directly or indirectly. Lens flare can reduce the contrast, saturation, and sharpness of your image, and sometimes create unwanted shapes or patterns. Lens flare can be caused by the reflection and refraction of light within your lens elements, or by the scattering of light by dust, dirt, or scratches on your lens or filter.

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Ghosting is the faint or blurry duplicate image that appears in your image when a strong light source, such as the sun, reflects off your film or the back of your lens. Ghosting can create unwanted artifacts or distortions in your image, such as double edges, halos, or shadows. Ghosting can be caused by the reflection of light from your film back to your lens, or by the reflection of light from your lens back to your film. Ghosting can also be affected by the angle and position of your light source and your lens.

Film photography is an art form that requires skill, patience, and creativity. But sometimes, you may encounter some challenges that affect the quality of your images, such as lens flare, ghosting, and chromatic aberration. These are optical phenomena that occur when light interacts with your lens elements, film, or filters in unwanted ways. In this article, you will learn how to deal with these issues and improve your film photography.

The best way to prevent or reduce chromatic aberration is to use a lens with low dispersion, which is a type of glass that minimizes the dispersion of light within your lens elements. A low dispersion lens can also improve the resolution, contrast, and color of your image. Another option is to use a smaller aperture, which is the opening that controls the amount of light that enters your lens. A smaller aperture can reduce the amount of light that passes through the edges of your lens, where chromatic aberration is more likely to occur.