Can I usepolarized 3Dglasses at home

Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.

P-polarized light

Polygon-based computer-generated holography: a review of fundamentals and recent progress · Related Papers · Adaptive non-iterative histogram-based hologram ...

To be realistic, one would look at the used lens market. Avoid all the early uncoated lenses. Depending on one's pocketbook: In the under $500 category: Zeiss Planars, Distagons (very rare in C-mt in the USA, but maybe in Europe...) Standard on the Arriflex. Cooke and Taylor-Hobson-Cooke (English), but not the early uncoated stuff, which you see a lot of on the used market. Kinoptik Apochromats (and the Tegea). Really nice lenses. Angenieux. Canon has made some fabulous 16mm zooms, and I hear they made non-video c-mts, but I never saw one. In the under $200 category: Cine-Nikkors. Personally, I think these are okay but not great. Switars. Watch out for the RX lenses, which have a nonstandard flange to film distance to accommodate the reflex prism in Bolexes. Yvars are not as good. The 15mm Angenieux. These are plentiful, and so cheap. Century Precision Optics telephoto lenses. In the under $100 category. Kodak Ektars (not the earlier, uncoated Kodak Anastigmats). These are cheap because they come with a strange mount that requires the Kodak C-mount adapter. These days, that adapter can cost more than the lens! I picked up a 63mm and 102mm Ektar last month for about $20 each, in perfect condition except for the helix lubricant being more than a little stiff. Bausch and Lomb made a line called Animars, which are greatly underrated and so very cheap (like, $10). The last, coated version of the f2.7 one inch Animar is a very sharp lens. Brands best avoided: Som-Berthiot, Elgeet, Wollensak (except some extraordinary wide angle lenses made for the military) This is of course, just an off-the-cuff selection from a universe of glass, and most makers occasionally produce a dud. Another thing that interferes with image quality: the flange to focal plane distance in video cameras is not always what it should be. Some companies (e.g., the Fire-i400) provide a means for the user to adjust this, an excellent feature. What they should tell you and don't is that the adjustment should be made with a wide-angle lens known to be properly mounted (i.e., tested by an optician). The greater depth of field of normal and long focal length lenses makes finding the plane of focus more difficult. Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.

Brands best avoided: Som-Berthiot, Elgeet, Wollensak (except some extraordinary wide angle lenses made for the military) This is of course, just an off-the-cuff selection from a universe of glass, and most makers occasionally produce a dud. Another thing that interferes with image quality: the flange to focal plane distance in video cameras is not always what it should be. Some companies (e.g., the Fire-i400) provide a means for the user to adjust this, an excellent feature. What they should tell you and don't is that the adjustment should be made with a wide-angle lens known to be properly mounted (i.e., tested by an optician). The greater depth of field of normal and long focal length lenses makes finding the plane of focus more difficult. Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.

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Polarized 3Dvideo

Shapes and Types. Lenses come in a variety of shapes including biconvex, biconcave, plano-convex, plano-concave, positive meniscus and negative meniscus.

Anaglyph3D

American Polarizers manufactures polarized and non-polarized optical products that are used for scientific and medical instrumentation.

A solid line runs through the center of lens/mirror and is the optical axis along which the focal points lie. Note that the image appears inverted about the ...

Rosco Swatchbook. View full details. Configure now. Job Desc. -- Please Select ... Rosco logo Gerriets logo. Lee Filters logo Opti Kintetics logo. Need help ...

What is Filed of Depth? ... Simply explained, the term 'depth of field' refers to the area of an image that appears to be in focus. As the distance from the focal ...

This is of course, just an off-the-cuff selection from a universe of glass, and most makers occasionally produce a dud. Another thing that interferes with image quality: the flange to focal plane distance in video cameras is not always what it should be. Some companies (e.g., the Fire-i400) provide a means for the user to adjust this, an excellent feature. What they should tell you and don't is that the adjustment should be made with a wide-angle lens known to be properly mounted (i.e., tested by an optician). The greater depth of field of normal and long focal length lenses makes finding the plane of focus more difficult. Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.

Polarized 3Dprojector

In the under $200 category: Cine-Nikkors. Personally, I think these are okay but not great. Switars. Watch out for the RX lenses, which have a nonstandard flange to film distance to accommodate the reflex prism in Bolexes. Yvars are not as good. The 15mm Angenieux. These are plentiful, and so cheap. Century Precision Optics telephoto lenses. In the under $100 category. Kodak Ektars (not the earlier, uncoated Kodak Anastigmats). These are cheap because they come with a strange mount that requires the Kodak C-mount adapter. These days, that adapter can cost more than the lens! I picked up a 63mm and 102mm Ektar last month for about $20 each, in perfect condition except for the helix lubricant being more than a little stiff. Bausch and Lomb made a line called Animars, which are greatly underrated and so very cheap (like, $10). The last, coated version of the f2.7 one inch Animar is a very sharp lens. Brands best avoided: Som-Berthiot, Elgeet, Wollensak (except some extraordinary wide angle lenses made for the military) This is of course, just an off-the-cuff selection from a universe of glass, and most makers occasionally produce a dud. Another thing that interferes with image quality: the flange to focal plane distance in video cameras is not always what it should be. Some companies (e.g., the Fire-i400) provide a means for the user to adjust this, an excellent feature. What they should tell you and don't is that the adjustment should be made with a wide-angle lens known to be properly mounted (i.e., tested by an optician). The greater depth of field of normal and long focal length lenses makes finding the plane of focus more difficult. Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.

Polarization

Polarized 3Dimages

2013126 — In summary, eyeglasses work by correcting the defects in a converging lens. The glasses help put the light on the right path, while the inside ...

In the under $500 category: Zeiss Planars, Distagons (very rare in C-mt in the USA, but maybe in Europe...) Standard on the Arriflex. Cooke and Taylor-Hobson-Cooke (English), but not the early uncoated stuff, which you see a lot of on the used market. Kinoptik Apochromats (and the Tegea). Really nice lenses. Angenieux. Canon has made some fabulous 16mm zooms, and I hear they made non-video c-mts, but I never saw one. In the under $200 category: Cine-Nikkors. Personally, I think these are okay but not great. Switars. Watch out for the RX lenses, which have a nonstandard flange to film distance to accommodate the reflex prism in Bolexes. Yvars are not as good. The 15mm Angenieux. These are plentiful, and so cheap. Century Precision Optics telephoto lenses. In the under $100 category. Kodak Ektars (not the earlier, uncoated Kodak Anastigmats). These are cheap because they come with a strange mount that requires the Kodak C-mount adapter. These days, that adapter can cost more than the lens! I picked up a 63mm and 102mm Ektar last month for about $20 each, in perfect condition except for the helix lubricant being more than a little stiff. Bausch and Lomb made a line called Animars, which are greatly underrated and so very cheap (like, $10). The last, coated version of the f2.7 one inch Animar is a very sharp lens. Brands best avoided: Som-Berthiot, Elgeet, Wollensak (except some extraordinary wide angle lenses made for the military) This is of course, just an off-the-cuff selection from a universe of glass, and most makers occasionally produce a dud. Another thing that interferes with image quality: the flange to focal plane distance in video cameras is not always what it should be. Some companies (e.g., the Fire-i400) provide a means for the user to adjust this, an excellent feature. What they should tell you and don't is that the adjustment should be made with a wide-angle lens known to be properly mounted (i.e., tested by an optician). The greater depth of field of normal and long focal length lenses makes finding the plane of focus more difficult. Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.

Another thing that interferes with image quality: the flange to focal plane distance in video cameras is not always what it should be. Some companies (e.g., the Fire-i400) provide a means for the user to adjust this, an excellent feature. What they should tell you and don't is that the adjustment should be made with a wide-angle lens known to be properly mounted (i.e., tested by an optician). The greater depth of field of normal and long focal length lenses makes finding the plane of focus more difficult. Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.

Polarized 3Dglasses test

Jul 13, 2024 — Key Points · Lighting diffusers come in three main types: frosted, opal, and prismatic, each with unique properties for light distribution and ...

Yes, if you're using video surveillance lenses like the Cosmicars you would get a pretty low opinion of c-mt lenses. Such lens were made to be only as good as they had to be, which was not very good. Even so, it was amazing what a difference replacing such lens with a photographic lens made on the monitor image. Of course, if the camera has a c-mount, one can use the many c-mount adapters available that enable it to accept, for example, lenses in Arriflex standard mount, etc. Arguably the best current 16mm prime lenses are the Zeiss superspeeds; a set of 5 runs around $35,000 I believe. To be realistic, one would look at the used lens market. Avoid all the early uncoated lenses. Depending on one's pocketbook: In the under $500 category: Zeiss Planars, Distagons (very rare in C-mt in the USA, but maybe in Europe...) Standard on the Arriflex. Cooke and Taylor-Hobson-Cooke (English), but not the early uncoated stuff, which you see a lot of on the used market. Kinoptik Apochromats (and the Tegea). Really nice lenses. Angenieux. Canon has made some fabulous 16mm zooms, and I hear they made non-video c-mts, but I never saw one. In the under $200 category: Cine-Nikkors. Personally, I think these are okay but not great. Switars. Watch out for the RX lenses, which have a nonstandard flange to film distance to accommodate the reflex prism in Bolexes. Yvars are not as good. The 15mm Angenieux. These are plentiful, and so cheap. Century Precision Optics telephoto lenses. In the under $100 category. Kodak Ektars (not the earlier, uncoated Kodak Anastigmats). These are cheap because they come with a strange mount that requires the Kodak C-mount adapter. These days, that adapter can cost more than the lens! I picked up a 63mm and 102mm Ektar last month for about $20 each, in perfect condition except for the helix lubricant being more than a little stiff. Bausch and Lomb made a line called Animars, which are greatly underrated and so very cheap (like, $10). The last, coated version of the f2.7 one inch Animar is a very sharp lens. Brands best avoided: Som-Berthiot, Elgeet, Wollensak (except some extraordinary wide angle lenses made for the military) This is of course, just an off-the-cuff selection from a universe of glass, and most makers occasionally produce a dud. Another thing that interferes with image quality: the flange to focal plane distance in video cameras is not always what it should be. Some companies (e.g., the Fire-i400) provide a means for the user to adjust this, an excellent feature. What they should tell you and don't is that the adjustment should be made with a wide-angle lens known to be properly mounted (i.e., tested by an optician). The greater depth of field of normal and long focal length lenses makes finding the plane of focus more difficult. Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.

Dec 23, 2022 — Holiday glasses utilize diffraction gratings to transform light into shapes. A computer-generated diffraction grating creates the lenses. Using ...

Hello Damien, Yes, if you're using video surveillance lenses like the Cosmicars you would get a pretty low opinion of c-mt lenses. Such lens were made to be only as good as they had to be, which was not very good. Even so, it was amazing what a difference replacing such lens with a photographic lens made on the monitor image. Of course, if the camera has a c-mount, one can use the many c-mount adapters available that enable it to accept, for example, lenses in Arriflex standard mount, etc. Arguably the best current 16mm prime lenses are the Zeiss superspeeds; a set of 5 runs around $35,000 I believe. To be realistic, one would look at the used lens market. Avoid all the early uncoated lenses. Depending on one's pocketbook: In the under $500 category: Zeiss Planars, Distagons (very rare in C-mt in the USA, but maybe in Europe...) Standard on the Arriflex. Cooke and Taylor-Hobson-Cooke (English), but not the early uncoated stuff, which you see a lot of on the used market. Kinoptik Apochromats (and the Tegea). Really nice lenses. Angenieux. Canon has made some fabulous 16mm zooms, and I hear they made non-video c-mts, but I never saw one. In the under $200 category: Cine-Nikkors. Personally, I think these are okay but not great. Switars. Watch out for the RX lenses, which have a nonstandard flange to film distance to accommodate the reflex prism in Bolexes. Yvars are not as good. The 15mm Angenieux. These are plentiful, and so cheap. Century Precision Optics telephoto lenses. In the under $100 category. Kodak Ektars (not the earlier, uncoated Kodak Anastigmats). These are cheap because they come with a strange mount that requires the Kodak C-mount adapter. These days, that adapter can cost more than the lens! I picked up a 63mm and 102mm Ektar last month for about $20 each, in perfect condition except for the helix lubricant being more than a little stiff. Bausch and Lomb made a line called Animars, which are greatly underrated and so very cheap (like, $10). The last, coated version of the f2.7 one inch Animar is a very sharp lens. Brands best avoided: Som-Berthiot, Elgeet, Wollensak (except some extraordinary wide angle lenses made for the military) This is of course, just an off-the-cuff selection from a universe of glass, and most makers occasionally produce a dud. Another thing that interferes with image quality: the flange to focal plane distance in video cameras is not always what it should be. Some companies (e.g., the Fire-i400) provide a means for the user to adjust this, an excellent feature. What they should tell you and don't is that the adjustment should be made with a wide-angle lens known to be properly mounted (i.e., tested by an optician). The greater depth of field of normal and long focal length lenses makes finding the plane of focus more difficult. Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.

Of course, if the camera has a c-mount, one can use the many c-mount adapters available that enable it to accept, for example, lenses in Arriflex standard mount, etc. Arguably the best current 16mm prime lenses are the Zeiss superspeeds; a set of 5 runs around $35,000 I believe. To be realistic, one would look at the used lens market. Avoid all the early uncoated lenses. Depending on one's pocketbook: In the under $500 category: Zeiss Planars, Distagons (very rare in C-mt in the USA, but maybe in Europe...) Standard on the Arriflex. Cooke and Taylor-Hobson-Cooke (English), but not the early uncoated stuff, which you see a lot of on the used market. Kinoptik Apochromats (and the Tegea). Really nice lenses. Angenieux. Canon has made some fabulous 16mm zooms, and I hear they made non-video c-mts, but I never saw one. In the under $200 category: Cine-Nikkors. Personally, I think these are okay but not great. Switars. Watch out for the RX lenses, which have a nonstandard flange to film distance to accommodate the reflex prism in Bolexes. Yvars are not as good. The 15mm Angenieux. These are plentiful, and so cheap. Century Precision Optics telephoto lenses. In the under $100 category. Kodak Ektars (not the earlier, uncoated Kodak Anastigmats). These are cheap because they come with a strange mount that requires the Kodak C-mount adapter. These days, that adapter can cost more than the lens! I picked up a 63mm and 102mm Ektar last month for about $20 each, in perfect condition except for the helix lubricant being more than a little stiff. Bausch and Lomb made a line called Animars, which are greatly underrated and so very cheap (like, $10). The last, coated version of the f2.7 one inch Animar is a very sharp lens. Brands best avoided: Som-Berthiot, Elgeet, Wollensak (except some extraordinary wide angle lenses made for the military) This is of course, just an off-the-cuff selection from a universe of glass, and most makers occasionally produce a dud. Another thing that interferes with image quality: the flange to focal plane distance in video cameras is not always what it should be. Some companies (e.g., the Fire-i400) provide a means for the user to adjust this, an excellent feature. What they should tell you and don't is that the adjustment should be made with a wide-angle lens known to be properly mounted (i.e., tested by an optician). The greater depth of field of normal and long focal length lenses makes finding the plane of focus more difficult. Lastly, there is some talk that, unlike film, the wells in CCD sensors are very sensitive to the angle at which the light hits the sensor (i.e., vignetting beyond that caused by the geometry). If this is so, one would think that a lens with a large rear element might perform better than one with a small element, other things being equal. One manufacturer has started to produce such lenses for digital still cameras. We'll see. Other links: Linux 1394 project libdc1394: linux IEEE1394 digital camera control library Coriander: Linux GUI for controlling a digital camera. Schirmacher's Linux 1394 link pages.