Equipped with a display, status LED, and a high-resolution encoder, the Orbiter Fresnel lens offers information that is easily accessible. The display backlight can be adjusted, and status information and zoom angle are available via the metadata for maintenance and postproduction needs.

You might also experiment with a black-and-white conversion, which will highlight the shape and form of your subject and emphasize the ethereal effects created by the magnifying glass:

Once you get an effect you like, go ahead and press that shutter button! But pay attention to your camera settings, and keep in mind that the extra layer of glass between the camera and the subject will cut down on the amount of light that actually reaches the sensor.

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Magnifying glass photography is a great way to capture unique and creative photos – but how does it work? And how can you get the best results?

So grab that magnifying glass, find a fun subject, and get started. Pretty soon, you’ll have a whole portfolio of creative shots!

I’d also encourage you to clean the magnifying glass with your cloth. (A lens wipe also works.) It’s important to remember that the glass in your average, run-of-the-mill magnifying glass is far less impressive than the glass inside your camera, so it’s good to always clean the glass element before use. That way, you can maximize image sharpness. (However, don’t worry if you don’t get pin-sharp images; the softness can actually add to the overall effect!)

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On the occasion of our 100th anniversary of ARRI Lighting in 2024, we are giving you 3 Open Face Optics (15°, 30°, 60°) on top of every Orbiter Beam Set.

is a photographer and writer based in Canberra, Australia. Both her writing and photography has been featured in numerous publications. More of Megan’s work can be viewed at her website or on Instagram at MK_photodiary.

For this example, I’m using flowers as my subject, but you can use pretty much anything: toys, food, electronics, books, or even people. I do recommend you choose a subject with plenty of detail; the more detail that’s present in the subject, the more the magnifying glass has to highlight!

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The yokes for Orbiter come with a newly developed release system that allows for quick change from a manual version lamphead to a pole operated version. The 28 mm spigot (Junior pin) is already mounted on the yoke. No tools needed for setting up Orbiter.

The Fresnel lighting character works best with a large aperture and a wide zoom range. Despite its large aperture, the Orbiter Fresnel lens housing is compact (approx. 340 mm x 380 mm x 370 mm / 13.4 in x 15 in x 14.6 in) and lightweight (~ 4.5 kg / 9.5 lbs). Its lens diameter of 285 mm / 11.2 in equals that of the True Blue ST2/3 and T5. The large zoom range of 15 to 65° is fully motorized and can be precisely positioned while being controlled locally via Orbiter’s Control Panel or remotely by DMX/RDM or IP based (ArtNet or sACN). The Orbiter Fresnel lens will be available in black.

Orbiter’s unique Quick Lighting Mount (QLM) system allows the Orbiter Fresnel lens to be mounted safely and quickly. ARRI accessories like the 4 and 8-leaf barndoors can be added to the new Orbiter Fresnel lens to enable a perfect cut. Physical gels can also be used in addition to the more than 300 already pre-programmed gels available for Orbiter.

Next, hold the magnifying glass over the front of your camera lens with your hand and look through the camera viewfinder. The image will probably be extremely out of focus, so you’ll need to either adjust the lens’s focus or move the magnifying glass forward and backward between the camera and the subject. This can be tricky, but I encourage you to persevere.

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Once you have a subject, adjust your camera’s position until the camera and the subject are close. (You may need to adjust the tripod legs, and it’s a good idea to prop your subject up on a table or other stable surface.) Your autofocus will likely get confused by the magnifying glass, so set your lens to focus manually.

In a sense, a magnifying glass can act as a budget macro lens, though the resulting photos tend to be a lot wackier than what a conventional macro lens might create! What’s nice about magnifying glasses is that they’re very cheap and many folks may already have them lying around the house, so they’re ultra-accessible. Plus, they offer endless opportunities for creative photos!

You might photograph flowers (either real or artificial) and position the magnifying glass far enough from the lens that it appears as a blur in the composition:

Start by turning on your camera and – if its lenses are interchangeable – mounting a lens in the 50mm-105mm range. (If the lens is too short, you may struggle to get the magnifying glass edges out of the frame, and if the lens is too long, it may be a bit unwieldy.)

You can use any type of camera to create beautiful magnifying glass photos; while a high-end mirrorless model will work great, you can also use a smartphone.

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Therefore, you may need to lower your shutter speed or raise your ISO until you get a reasonable result. You can also adjust the exposure compensation if your image turns out too dark or too light, and you should definitely experiment with the depth of field by adjusting the aperture, too. (A shallow depth of field can work great if you’re hoping to produce abstract photos!)

Finally, try to photograph some animals or insects! You’ll need to be fast, but you can certainly create some unusual images:

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Another idea is to capture a self-portrait. Set up your camera, then hold the magnifying glass in front of your face. It may take a lot of tweaking to get it right, but the results will be worth it! (If a self-portrait is too difficult, you could try photographing a friend or family member.)

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In this section, I share my approach to beautiful magnifying glass shots. Note that, for the purposes of this tutorial, I’ve chosen to photograph flowers. They’re colorful, interesting, and don’t move around, so they make good subjects for this technique. (And once you can create great images using inanimate objects, you can always move on to more animate subject matter later!)

Microscope Calculations: Field of View, Object Size, Drawing Magnification. When looking into a microscope, you will see a lit circular area. The distance ...

The ARRI Orbiter is a versatile, tuneable, and directional LED fixture including a six-color light engine. With its changeable optics, Orbiter can transform into many different types of lamphead.

Combined with Orbiter’s ARRI Spectra light engine, the high-end optical system is perfectly suited for cinematic application, broadcast studios, as well as theaters or live productions. The Orbiter Fresnel lens is a great addition to the already existing Orbiter Open Face Optics 15°, 30°, and 60°.

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This intuitive design makes changing colors or finding a setting easier than ever before. In addition, the control panel is removable and can be used handheld with the aid of a control panel cable.

The goal is to find a sweet spot where part or all of the image looks sharp, but don’t be too picky. It’s important to be open to how the magnifying glass alters the photograph!

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The Orbiter Fresnel Lens creates a precise light spot with a soft single shadow, and it delivers true Fresnel output with a real Gaussian field of light. The light output of Orbiter with the Fresnel lens is comparable to the ARRI L-Series L10 and True Blue ST2/3 with 2000 W Tungsten bulb.

Redesigned from the ground up, the Orbiter control panel is an evolutionary step in light fixture control. Including a 4" full-color display, quick navigation buttons, and integrated sensors, the Orbiter control panel allows for easy use with a graphic user interface. Simplified menu structure and reimagined user interfaces provide one-glance operational views and uncluttered screens.

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Also, if you want to increase your versatility, it’s a good idea to purchase a few magnifying glasses of varying sizes. Larger models work better if you want to create subject-focused images that don’t include the magnifying glass in the frame, but smaller models can also work well, especially if you’re looking to get creative.

The Orbiter Fresnel Lens creates a precise light spot with a soft single shadow, and it delivers true Fresnel output with a real Gaussian field of light. The light output of Orbiter with the Fresnel lens is comparable to the ARRI L-Series L10 and True Blue ST2/3 with 2000 W Tungsten bulb.

The Open Face Optics produce a high-output, directional beam of light in several different beam angles including 15°, 30°, and 60°. They are perfect for throwing light long distances or providing a broad swath of light. The accessory slot can be used with modifiers such as barndoors or snoots.

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Finally, a tripod can be helpful for a number of reasons: It’ll keep your camera stable while you hold the magnifying glass, and if you’re working indoors and in low light, it can prevent blur due to camera shake.

For instance, once you get a feel for photographing your subject through a single magnifying glass, why not try taping two magnifying glasses together for greater magnification? Or why not move from inanimate to animate objects and try photographing a person or pet? Or why not try moving the magnifying glass ultra-close or ultra-far from the subject? Even the slightest adjustment of the setup can render some unique results, so take the time to experiment and have fun!

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Your ARRI Sales representative will be happy to give you a demo—live or remotely. Please contact your local dealer at www.arri.com/en/contact to see when they have the Orbiter Fresnel Lens in stock.

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If you would like to receive an offer or have a specific request regarding the Orbiter Fresnel Lens, fill in the form and we will get in touch with you.

ARRI accessories like the 4- (L2.40950.0) and 8-leaf (L2.40960.0) barndoors can be added to the new Orbiter Fresnel Lens to enable a perfect cut. Physical gels can also be used in addition to the more than 300 already pre-programmed gels available for Orbiter.

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At this point, you know the mechanics; you just need to experiment. In my experience, constant testing makes for the best photos!

As the name suggests, magnifying glass photography is a technique that uses a magnifying glass along with a standard camera and lens setup. The magnifying glass goes between the lens and the subject to create all sorts of interesting creative effects.

In this article, I explain everything you need to know about capturing eye-catching photos with a magnifying glass, including:

You can also use a shallow depth of field to create a beautiful abstract photo (with plenty of gorgeous background blur):

The Orbiter Fresnel Lens has a zoom range of 15 to 65°. Also, it is fully motorized and can be precisely positioned while being controlled locally via Orbiter’s Control Panel or remotely by DMX/RDM or IP based (ArtNet or sACN).

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As I emphasized in the previous sections, you can capture beautiful magnifying glass shots of pretty much anything, but here are a few easy ideas that use materials from around the house!