While the previous explanation might not be textbook material, it covers enough basics to provide an understanding of the significance of diffused light. Now, let’s delve into the exciting part—seeing it in action and exploring what you need to enhance the quality of your lighting equipment.

The color page "gallery" lets you organize, share and re‑use grades in several ways to help speed up your workflow. The fastest way to copy a grade is to simply middle click a clip in the film strip to copy its grade to the current shot in the viewer. You can also save grades by right clicking anywhere in the viewer and creating a "still." Stills can be organized into albums and are stored in the gallery, which is located at the top left of the screen. The "Apply Grade" command lets you copy a saved grade to another shot. If you have a series of shots from the same camera, you can select them, right click and create a group. Now, when you grade one of the shots they’ll all be graded!

Empty 2 bay Fairlight studio console chassis that can be populated with various faders, channel controls, edit and LCD monitors.

Includes large search dial in a design that includes only the specific keys needed for editing. Includes Bluetooth with battery for wireless use so it's more portable than a full sized keyboard!

When a light beam encounters a smooth surface, the majority of it reflects back with the same concentration, resulting in what is known as specular reflection. This type of reflection produces direct and intense light, with a mirror serving as a common example of a smooth surface leading to specular reflection.

A dedicated softbox lighting kit is an excellent starting point, offering a versatile option. Alternatively, an umbrella diffuser is effective, though not as adaptable as softboxes. Both options present relatively affordable ways to diffuse light in your video projects.

The Hue Vs Sat curve lets you alter the saturation of any hue within the image. This allows you to quickly boost the saturation of elements you want to catch the viewer’s eye, while reducing the saturation of those you don’t.

For an even softer lighting effect, consider using two layers of bubble wrap. This simple yet inventive technique adds a touch of creativity to light diffusion.

Even from the image above, a notable difference is evident. Diffused light creates a more natural, healthy appearance and, in an interesting twist, can assist in balancing color temperature when using the same light diffuser (or DIY material) on various lights.

Join us as we delve into the world of diffused light, exploring why it deserves your attention and how it can transform the way you perceive and experience the spaces around you.

Finding diffused light indoors is easily achieved through window light. Numerous natural-light photo studios strategically incorporate south-facing windows to harness consistent, diffused light throughout the day.

Procuring China balls is convenient, as they are accessible online, in most home décor stores, and at Asian markets. To grasp their application, envision hanging several lanterns from the ceiling to gently illuminate a scene, or opt for a single lantern to create a cozy ambiance in intimate settings, such as a restaurant dinner conversation.

Shared nodes offer the same functionality as standard corrector nodes, with the added ability to be active on multiple clips at the same time. Begin by creating a corrector node and apply some changes such as a creative look, a vignette for an interview, or a secondary color correction in a wide shot. Then, right click and save the node as a shared node with a unique label. From now on, this shared node will be available any time you right click in the node editor and select “add node”. By default, shared nodes are locked to prevent accidental changes across multiple clips. Once unlocked, you can make changes that will transfer across all of the other clips sharing the same node.

On a sunny day, when dealing with harsh sunlight, employing a light modifier becomes essential. An excellent choice is a 5-in-1 reflector, offering versatility without the need for additional lights, stands, or power sources.

Achieving diffused light outdoors involves considering the desired aesthetic and leveraging either personal interventions or the natural elements.

Complete Fairlight studio console with 2 channel faders, 2 channel controls, 1 audio editor, 3 LCD monitors and 3 bay chassis.

Upgrade to DaVinci Resolve Studio for even more creative tools such as 120 frames per second at a massive 32K resolution, support for multiple GPUs and more! You get a full suite of immersive audio tools including Dolby Atmos, plus Dolby Vision and HDR10+ grading and rendering, as well as the DaVinci Neural Engine which enables features such as facial recognition, speed warp retiming, and advanced color balancing and matching. Plus you get temporal and spatial noise reduction, motion effects, lens distortion correction, de‑interlacing, workflow and media asset management integration, remote scripting API, remote and networked color grading, rendering and encoder plug‑in support and more!

Using wipe and split screen modes in the viewer is a great way to compare shots. You can compare a string of clips in a scene to each other, to variants of grades in the gallery or to versions of grades within a single clip. Clicking on “image wipe” in the top left of the viewer lets you view frames from two different clips. There are options at the top right for displaying wipes horizontally, vertically, mixed, as an alpha, as a difference matte, and even as a picture in picture. When you click on split screen, it lets you display multiple full frames in the viewer at once, based on a wide variety of criteria, which you can select from the drop down menu at the top right.

The Hue Vs Lum curve lets you alter the lightness of elements of a specific color. It’s ideal for darkening specific hues to add richness and depth, or for lightening colorful elements to which you want to draw attention.

Typically, professional silks are fabrics positioned between the light source and the subject to achieve a diffused lighting effect. While white bed sheets and clear shower curtain liners work effectively, you can unleash your creativity and still attain pleasing, soft light with alternative options.

Another significant effect of employing soft light is the broader beam angle it provides. This proves beneficial when illuminating larger areas, especially if your lights have a narrow and concentrated spread.

Ensure that the light source is aimed away from the subject, allowing only the bounced light to be utilized, not direct light. This technique enhances the overall lighting quality by softening shadows and providing a pleasing, diffused illumination for your subject.

Powerful capture and playback! Get 12G‑SDI and HDMI for Ultra HD up to 2160p60 in a half rack width design. Includes front panel with LCD, menus, mic input, headphone connection and SD card reader.

ResolveFX Beauty features an ultra beauty mode that gives you advanced control when performing corrective beauty work. Developed with feedback from professional colorists, the tool features stronger filtering algorithms that produce more natural results. Simply drag and drop the beauty effect on a corrector node, and ultra beauty will activate as the default mode. You can easily address general imperfections with the smoothing parameter without affecting facial features, and then recover texture to produce a result that truly compliments the face. Perfect for scenes with harsh lighting that accentuate imperfections like corporate interviews, or even the bride and groom in wedding videos.

Diffused light finds widespread use in interviews, commercials, and films for several reasons, primarily owing to its flattering quality. Soft light minimizes the harsh definition of wrinkles and facial features, resulting in a more aesthetically pleasing appearance.

Off-Stamp SW9000

Imagine you’re filming outdoors, and the noonday sun is casting harsh shadows on your subject. Erecting an overhead sheet may not be practical, but waiting for a passing cloud can act as a natural diffuser, producing even light distribution.

These accessories easily attach to your camera and employ various materials to soften the harshness of the flash. The market offers diverse models, each presenting a unique approach to light diffusion. Some diffusers work by bouncing light off the ceiling and channeling the rest directly toward the subject through the fabric, while others reflect the flash off a panel within the diffuser before guiding it through the fabric towards the subject.

Used by Hollywood and broadcasters, these large consoles make it easy to mix large projects with a massive number of channels and tracks. Modular design allows customizing 2, 3, 4, or 5 bay consoles!

Alternatively, on cloudy days, nature provides an advantageous setting. Overcast conditions may not yield the most dramatic landscape photos, but the diffuse light created by the flat skies serves as a natural and effective diffuser, particularly beneficial for portrait photography.

The color page lets you manipulate color in creative and artistic ways that dramatically affect the mood of a scene, making it an incredibly powerful part of the storytelling process. Whether you’re a student, online creator or professional Hollywood colorist, you get hundreds of artistic tools in an easy to learn node based interface that makes experimenting with color fast and exciting! You get support for a huge range of formats, including wide color gamut and HDR images, along with DaVinci’s legendary 32‑bit image processing for high quality, professional results. You can balance and match footage from different sources to create stunning, unique images that are impossible on other systems!

Speed up your workflow by separating different parts of the grading process into groups of clips with similar needs. Normally all grades happen at the clip level. When you use groups, you can grade the group before the individual clip grades, as well as after it. For example, you can place all clips from a particular scene into their own group then use the pre‑clip group mode to balance all of the clips. Then use standard clip mode to address the unique requirements of each shot within that group. You can grade the group after individual clip grades to apply specific looks or effects to the whole group. Group grading saves you time as you can change a grade on one clip and they all change!

Curves let you adjust luminance and color based on tonal areas you define. For example, you can create smooth cinematic contrast adjustments, boost the red in your highlights while lowering it in the shadows, and much more.

One intriguing aspect of using a diffuser is its compatibility with reflective materials for bouncing light. This combination offers control over the light’s direction, intensity, and the level of detail it reveals.

While this method may not yield identical results to a more sophisticated professional diffuser, it does contribute to light softening and aids in minimizing harsh transitions and shadows. Any light-colored sheer fabric can be utilized as a diffuser, and in a pinch, even a tissue can serve the purpose of a makeshift diffuser.

However, these solutions primarily address video production in a controlled set environment. If you’re shooting outdoors or in a location with natural lighting, relying solely on a softbox or umbrella may not suffice. Perhaps you’re on a budget and can’t invest in a new lighting kit, but you still aspire to create diffused light for your upcoming project. What alternatives are available?

The color page has an extremely versatile and deep set of features designed to help you create great looking images. Whether you’re a video editor that’s new to color, an aspiring colorist, or a seasoned Hollywood colorist, you’ll find creative tools for expressing your vision, along with technical tools that help you work faster and deliver the highest possible quality images. You get a complete color management system and support for the latest HDR formats with tools specifically designed for high dynamic range work. In addition, you get powerful face retouching and beauty tools, paint for removing blemishes or unwanted objects, advanced noise reduction, film grain, restoration tools and more!

Adds analog and digital connections, preamps for mics and instruments, sample rate conversion and sync at any standard frame rate.

Selecting a specific area for color correction is called "secondary grading." For example, you might want to change the color of a shirt without affecting the rest of the image. The qualifier palette lets you select and adjust part of an image based on hue, saturation or luminance. To start, click the eyedropper in the toolbar and then click and drag on the viewer to select the area you want. The selection is highlighted in the hue, saturation and luminance strips. Click the magic wand icon in the viewer to see the selection or "key". Use the controls in the qualifier palette to enhance the selection, then use the wheels, curves and other tools to adjust the image until it’s perfect!

Off Stampsw

To mitigate these challenges, utilizing light diffusers on both newly-added sources and existing ones is a more effective approach. Diffused light permeates every corner, providing a natural scene without compromising artistic focus or plunging the image into excessive darkness.

The color page has 8 unique image restoration tools in Resolve FX Revival. Simply drag and drop any of them onto a node to use them. There’s an automatic dirt removal tool for reducing or eliminating dirt and scratches, along with a dust buster plug‑in for removing dust and a deflicker plug‑in, all of which are great for cleaning up old film scans. The chromatic aberration plug‑in can reduce color fringe and artifacts caused by inferior lenses, the dead pixel fixer removes dead or stuck pixels, and the deband filter will smooth out pixelated gradients from digital cameras and highly compressed footage. The object removal and patch replacer let you quickly paint small objects out of an image.

In contrast, hard light creates sharp shadows and a more focused light distribution. Neither soft nor hard light is inherently superior; the choice depends on the desired look and feel for the image.

Experiment with an array of materials and objects to discover the range of diffusion possibilities. Consider using items like bath towels, visqueen, paper towels, white t-shirts or dress shirts, printer paper, and even opaque Tupperware. This experimentation allows for a personalized touch, enabling you to achieve unique and soft lighting effects tailored to your specific needs.

There are many ways to preview your work and capture footage in DaVinci Resolve. For professional capture and playback, Blackmagic DeckLink and UltraStudio products give you frame accurate input and output, standard connections such as SDI, broadcast quality images for color critical workflows, and support for all standard broadcast and film formats. You can choose from a wide range of models that support everything from 10‑bit YUV HD and Ultra HD all the way up to the latest 8K and 12‑bit RGB HDR standards. The free DaVinci Resolve version supports full screen playback on a single screen while DaVinci Resolve Studio adds support for full screen playback on a second attached computer display.

Previously, we touched on motivated lighting, which involves any out-of-frame light source enhancing, spreading, or influencing the practical light in the scene. Utilizing a light diffuser is instrumental in achieving motivated lighting.

The Sat Vs Sat curve is used to adjust a specific range of saturation without affecting the rest of the image. Simply click in the viewer to choose a value and increase saturation to make it "pop" or decrease to tone it down.

The Hue Vs Hue curve lets you change any hue to any other hue. It’s great for subtly altering elements that require minor adjustments. For example, a sky that appears a bit too cyan can be made into a richer shade of blue.

Diffused light refers to light with a uniform concentration throughout its beam. Also recognized as “soft light,” it evenly scatters light across a surface or subject, resulting in softened shadows and a more flattering image.

Features HDMI, SDI inputs for video and computer monitoring and Ethernet for graphics display of channel status and meters.

The standard curve tools let you sculpt color and contrast in a variety of creative ways. The new color warper goes even further, allowing you to set a Hue vs. Hue color grade for specific saturations. This lets you give a completely new feel to images! It also allows you to warp color based on luminance, or brightness. When you click the color warper palette, you’ll see a web or grid display of all the hues and saturations in an image. Simply select any hue or range of hues on either the web or directly in the image viewer, then drag that range to another hue and saturation point on the web in the palette. It’s an entirely new, innovative way to transform color in your images!

DaVinci Resolve Studio features the world’s most advanced tools for grading wide color gamut and high dynamic range (HDR) images. HDR grading is made possible thanks to 32-bit image processing, industry standard HDR output and Resolve color management. You get Dolby Vision, HDR10+ and new HDR Vivid metadata palettes, HDR mode node adjustments, HDR colorspace transforms supporting ST.2084 and HLG tone mapping, and HDR monitoring using built-in scopes. DaVinci Resolve includes a next generation HDR Primary Grading Palette with customizable zone based exposure and color controls, along with perceptually color-constant image processing, giving you total control over HDR grades.

BLLS-Lighting - Illuminate your space with Top-Rated innovations, unique, and best hardscape lighting from luminaire – Info lighting to transform your space.

Fairlight studio console legs at 8º angle for when you require a slightly angled working surface. Required for all Fairlight Studio Consoles.

The vectorscope monitor displays a circular graph of your image data that represents its hue and saturation levels. It is commonly used to check if skin tones are shifted toward unflattering colors such as green, yellow or magenta.

In summary, whether harnessing the soft glow of natural window light or utilizing sophisticated light modifiers, the possibilities for creating diverse and appealing indoor lighting are extensive.

Professional 8K PCIe capture and playback card designed for feature film production, includes quad link 12G-SDI and HDMI 2.1 connections to support all SD, HD, Ultra HD, 4K and 8K standards.

These light-diffusing materials are cost-effective. In case of improvisation, consider using wax paper for a similar effect. However, it’s crucial to note that wax paper should only be employed for diffusing LED lighting. Exercise caution and avoid using wax paper with tungsten lights, as there is a potential fire hazard associated with such usage.

Off Stampvape

Get incredibly fast audio editing for sound engineers working on tight deadlines! Includes LCD screen, touch sensitive control knobs, built in search dial and full keyboard with multi function keys.

Empty 4 bay Fairlight studio console chassis that can be populated with various faders, channel controls, edit and LCD monitors.

Off-Stamp SW16000

However, it’s essential to note a potential drawback of diffusing light sources: a reduction in output. The addition of diffusion material softens the light but simultaneously decreases the exposure on the subject.

Bubble wrap, a plastic packing material featuring tiny air-filled bubbles, serves as a cushioning material. To diffuse light using bubble wrap, cut a two-foot-long strip and securely wrap it around your camera’s flash. Fasten it in place using Velcro, gaffer’s tape, or a rubber band. Ensure that there is ample space left over the top after wrapping the bubble material around the flash.

DaVinci Resolve color panels let you adjust multiple parameters at once, so you can create unique looks that are simply impossible with a mouse and keyboard. The incredibly small DaVinci Resolve Micro Panel is great for new colorists that are just getting started or anyone that needs a portable panel. It features three high quality trackballs that correspond to the color wheels, knobs for primary adjustment controls and buttons for playback and navigation. The DaVinci Resolve Mini Panel features additional controls and screens for accessing virtually all palettes and tools, including the ability to move Power Windows. The DaVinci Resolve Advanced Panel allows every feature and command to be mapped to a specific button!

DaVinci Resolve's stereoscopic tools support a variety of industry standard 3D workflows. Capture and format raw 3D video, edit stereoscopic clips and grade the resulting program to deliver spectacular 3D imagery. Use the stereoscopic palette to adjust stereo specific properties to ensure that every clip is uniquely optimized for 3D viewing. The stereo align feature can even automatically correct camera alignment for left and right eye images for more accurate convergence in 3D space. When working with UltraStudio or DeckLink capture and playback devices, you can set preferences to display one or both eyes on a single output monitor or dual displays with perfect synchronization between eyes!

DaVinci Resolve is the world’s only post production software that lets everyone work together on the same project, at the same time! Built on a powerful multi user database, you get a universal timeline that lets colorists start grading while the editor is still cutting picture. You no longer have to wait for editorial to “lock” the picture before you start working on color and, best of all, you’ll never have to conform again because you’re working on the same timeline. That means you’ll have more time to be more creative! DaVinci Resolve features bin and timeline locking, shared markers, customizable user cacheing and monitoring, secure built in chat, timeline comparison tools and more!

Similar to softboxes, an umbrella is affixed to the light source and is commonly crafted from white fabric or a metallic silver material. Both types effectively diffuse light and are budget-friendly, with some options costing less than twelve dollars.

Similar to the parade, the waveform displays the luminance and color values overlaid on top of each other at the current frame. When the colors line up, they appear white, which indicates that each channel has an equal intensity.

Softboxes, also known as lightbanks, are rectangular enclosures positioned over the light source, typically a flash, to impart a softening effect. These versatile devices generate diffused and directional light, akin to the gentle illumination filtering through a window.

Portable audio control surface includes 12 premium touch sensitive flying faders, channel LCDs for advanced processing, automation and transport controls plus HDMI for an external graphics display.

The tracker lets you automatically animate Power Windows to follow moving objects in a scene. To open the tracker palette, click on the cross hair icon in the toolbar. You’ll see a playhead, along with options for analyzing the pan, tilt, zoom, rotation, and 3D perspective of the shot. With your Power Window still selected, choose the options that best match the camera’s movement, move the playhead to the beginning of the clip, and click the track forward button. The clip is analyzed and the Power Window will be automatically animated to follow the object in your shot! The tracker can also be used to stabilize images or to attach effects, such as a lens flare, to specific objects in a scene.

Adds 3 MADI I/O connections to the single MADI on the accelerator card, for a total of 256 inputs and outputs at 24 bit and 48kHz.

In cinematography, the avoidance of harsh shadows is often crucial to maintain the intended mood or style of a scene. Soft light, with its ability to create subtle and less distracting shadows, becomes a preferred choice.

These lanterns offer the advantage of diffusing light in multiple directions simultaneously, showcasing their versatility. Chinese lanterns are available in various sizes and colors, with the all-white ones being particularly effective for traditional light diffusion. For more unconventional lighting effects, consider experimenting with colored lanterns.

The lightbox, which can be turned on by clicking its icon at the top right of the screen, displays every clip in your timeline as a thumbnail with grades applied. This is a great way to see how your shots look side by side and evaluate how the grade is affecting the story. It’s also a great tool for spotting differences between shots, or to simply see if there are any shots that you missed! Use the zoom slider to see a range of clips or the complete timeline. As the story progresses, you should see the color palette and the mood of the grade reflected in each scene. Any clip that "pops" out probably needs more attention. Just select a thumbnail and turn off the lightbox to jump to that clip’s grade!

The mechanism of most softboxes involves a reflective material lining that bounces light through a sheer fabric, contributing to the desired softened effect. When opting for a softbox, ensure that it can handle the wattage of the light source to avoid potential fire hazards associated with mismatched equipment.

Fairlight studio console legs at 0º angle for when you require a flat working surface. Required for all Fairlight Studio Consoles.

The primary palette contains incredibly powerful primary adjustment controls that let you quickly adjust image contrast, saturation, hue, temperature, tint, midtone detail, color boost shadows, highlights and more. They’re an indispensable set of creative tools that you’ll use every day! For example, midtone detail lets you adjust contrast in areas with high edge detail to increase or decrease image definition or sharpness. Color boost, also referred to as vibrance, intelligently adjusts areas of an image with low saturation, resulting in a subtle and more natural looking increase of color. Whatever your grading experience, these tools will help you quickly produce amazing results!

The primary bars are an alternative to the primary wheels that allow for more subtle changes to individual color channels and luminance. They’re great when you need to make minor adjustments to color and balance.

The color page features a library of over 90 GPU and CPU accelerated Resolve FX plug-ins that you can use to enhance images and add effects. They’re organized by category in the Open FX library at the top right of the screen. There are a variety of blurs, color effects, glows and lens flares, vignettes, refinement and beauty tools, image restoration, sharpening, stylize, texture, transformation and warpers that you can add to any shot. To add an effect, drag it to any node. The library will switch to an inspector showing you the settings for that plug-in. You can adjust and keyframe different values similarly to the edit page! Third party Open FX plug-ins also show up in the library.

Photography umbrellas serve as user-friendly tools that diffuse light in two distinct ways – by reflecting light off their surface or by diffusing it through the material.

You can remove unwanted objects in a shot using a combination of Power Windows, tracking, and the object removal plug‑in found in DaVinci Resolve Studio. First, draw a window around the object you want to remove and track it. Next, add a new node and connect the alpha channel output from the tracked window into the new node. Finally, add the object removal plug‑in and click on the "scene analysis" button. The DaVinci Neural Engine analyzes the shot, using machine learning and AI to determine how to remove the object from the scene. You can adjust the search range, blend mode and clean plate settings until the object disappears!

Nodes are the building blocks of color correction in DaVinci Resolve. The first node is usually used for image balancing, while additional nodes are used for more creative work. For example, your first node may be a primary correction, the second might isolate and improve the sky, and a third node could smooth out skin tones. Nodes let you create unique looks without compromising image quality as you would grading with layers. The node editor at the top right is like a flow chart. The image starts at the left and is passed through each color correction or effect node until it reaches the output on the right. Nodes can be connected by dragging the output of one to the input of another.

For light diffusion through reflection, direct the light source towards a silver or white umbrella, redirecting the light away from the subject. To diffuse light through the umbrella, opt for one made from sheer material, and position it in front of the light source with the aim of illuminating the subject effectively.

Modern digital cinema cameras can capture 13 to 19 stops of dynamic range, which offers incredible potential for producing imagery that closely mimics human vision. However, extremely bright highlights or very dark shadows can be challenging to balance using traditional tools. The HDR palette allows you to address the different tonal ranges of the image, from shadows and highlights, to super blacks and specular whites. You can also create new color wheels and define your own custom tonal ranges in each image, enabling you to adjust tonality and colors based on the media’s unique requirements. The HDR grading palette gives you a level of creative control that has never been possible before!

Empty 3 bay Fairlight studio console chassis that can be populated with various faders, channel controls, edit and LCD monitors.

Full sized traditional QWERTY editor keyboard in a premium metal design. Featuring a metal search dial with clutch, plus extra edit, trim and timecode keys. Can be installed inset for flush mounting.

Off StampSW 9000

Get quick access to virtually every Fairlight feature! Includes a 12” LCD, graphical keyboard, macro keys, transport controls and more.

These professional silks, available in various sizes and typically mounted on a metal frame, effectively diffuse light when strategically placed in this setup. If you’re working within budget constraints, a comparable effect can be achieved using a sheer piece of fabric readily available, such as a white bed sheet or a clear shower curtain liner.

Add up to 2,000 tracks with real time processing of EQ, dynamics, 6 plug‑ins per track, plus MADI for extra 64 inputs and outputs.

Empty 5 bay Fairlight studio console chassis that can be populated with various faders, channel controls, edit and LCD monitors.

DaVinci Resolve works with virtually all native camera RAW formats. That means you can work with files directly from the camera’s sensor instead of compressed pixel data. Simply choose a RAW file and click the RAW icon located on the left side of the toolbar. The RAW palette gives you total control over highlight recovery, white balance, gamma, exposure, color temperature, tint, sharpness and more. RAW image processing is completely non-destructive and processes the clips before the node editor input. You’re simply re-interpreting the camera’s original sensor data. This allows you to change things, such as exposure, after the image has been shot, all without affecting image quality!

The primary color wheels let you adjust balance and brightness in overlapping tonal ranges called lift, gamma and gain (also known as shadows, midtones and highlights). The offset wheel adjusts the whole image.

All in one HD capture and playback in a compact 1/3rd rack width design. Powers from Thunderbolt 3 and includes deck control and reference. Supports 3G‑SDI and HDMI, plus upgradable front panel LCD.

Direct light tends to cast harsh, unnatural shadows, earning it the descriptor “sourcey” as it blatantly reveals the placement of off-screen light heads. This becomes particularly distracting when peculiar shadows obstruct an actor’s face, hindering the audience’s ability to perceive the conveyed emotions.

The chromaticity scope helps determine if colors are within the boundaries of your project’s delivery format as specified in project preferences. For example, when working in HD, colors falling outside of the Rec. 709 HD colorspace triangle will be clipped on HDTVs.

In the realm of lighting, the term “diffused light” holds more significance than one might initially realize. It transcends the boundaries of mere illumination, impacting the mood, aesthetics, and functionality of a space.

Features 12 motorized faders, rotary control knobs illuminated buttons for pan, solo, mute and call, plus bank select buttons.

The patch replacer lets you quickly paint parts of an image to clean it up. It’s like an image clone or rubber stamp tool that copies pixels from one location to another. It’s perfect for removing blemishes, painting out a piece of garbage, or hiding a small mark in an otherwise clean shot. Just drag the patch replacer from the plug‑in library onto a node. The two on screen controls show the area you're cloning and the part of the image it’s being applied to. Adjust position and size by dragging the on screen controls. Other settings such as the shape, softness and replacement detail, can be changed in the settings inspector. Add an FX tracker to attach it to a moving shot and you’re done!

Complete Fairlight studio console with 4 channel faders, 4 channel controls, 1 audio editor, 5 LCD monitors and 5 bay chassis.

To achieve a naturally diffused close-up, position your subject near a window not directly exposed to sunlight. For an even softer effect, consider drawing a curtain across the window, ensuring it has some level of translucency.

Understanding diffused light and its applications is not just for enthusiasts of interior design; it is a concept that can influence our daily lives in subtle yet profound ways. This form of lighting has the power to soften shadows, reduce glare, and create a more evenly illuminated environment.

The RGB mixer lets you adjust the presence of red, green and blue within the color channels of an image. Simply drag the sliders to increase or decrease the amount of color in any given channel and use the buttons at the bottom left to swap the color channels. The RGB Mixer can be used to modify LUTs, experiment with color casts or to tweak the appearance of on screen graphics. It’s also effective for working with black and white imagery. Click the "Monochrome" checkbox and then adjust the luminance of the RGB channels. You can achieve dramatic and elegant artistic results such as making trees look white against a black sky simply by raising the green channel and reducing the blue.

For further exploration into lighting terminology and its applications, including the meaning of CCT (Correlated Color Temperature), delve into our comprehensive guide on cct lighting meaning.

Balancing color is the first step in the color correction process. This is done with the primary correction tools, which are located at the bottom left of the screen. Primary tools affect the entire image and you use them to adjust brightness and color levels to remove unwanted tints and to create a neutral starting point. Each wheel is mapped to a different part of the tonal range. You can simply click and drag inside a wheel to adjust that range’s color, then use the master dial below the wheel to change its overall level. This palette also has adjustment controls, primary bars and log controls. Once shots are balanced, you can begin the creative grading process to create unique "looks".

As a result, diffuse light is created—scattered light that undergoes a change in direction due to the surface irregularities. This scattering process is responsible for the diffusion and softening of the light beam.

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Portable DaVinci Resolve color panel with 3 high resolution trackballs, 12 primary corrector knobs and LCDs with menus and buttons for switching tools, adding color nodes, secondary grading and more!

The log grading wheels have more tightly defined tonal ranges for shadows, midtones and highlights than the primary wheels. They’re designed for film style grading and let you adjust one tonal area without affecting others.

Hollywood’s most popular solution for editing, visual effects, motion graphics, color correction and audio post production, all in a single software tool for Mac, Windows and Linux!

12 groups of touch sensitive rotary control knobs and illuminated buttons, assignable to fader strips, single channel or master bus.

The color page features some of the world’s most advanced temporal and spatial noise reduction, enabling you to clean up noisy images and dramatically improve clarity. They’re located in the motion effects palette at the bottom left. Temporal and spatial reduction can be applied in varying amounts to the chroma and luma noise in an image. Temporal noise reduction analyzes multiple frames to isolate the unwanted noise from the details you want to keep. Spatial noise reduction lets you smooth out areas of noise within a single frame, while preserving detail so it doesn’t become too soft. In general, it’s better to start with temporal and slowly add spatial until you get the results you want.

Off-Stamp 16000

Complete Fairlight studio console with 1 channel fader, 1 channel control, 1 audio editor, 2 LCD monitors and 2 bay chassis.

Balanced and matched shots make content from different cameras look consistent. You can use the auto balance tools to quickly balance a group of similar shots. Simply click the auto color button at the left of the color wheels palette to balance the shot’s color and contrast. You can also match the color between different shots. Select a clip, right click on another clip, and select "Shot Match to This Clip" from the menu. Resolve will match the color, contrast and brightness of the clip you’re working on with the one you’ve selected. If a shot contains a chip chart, click on the color match icon in the toolbar, select the type of chart used, line it up on the image and click match!

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The parade scope helps you quickly see if one color channel is stronger than the others. It can be set to display multiple waveforms for a variety of video signals in an image such as RGB, YRGB and Y Cb Cr, making it easy to spot and fix imbalances.

This histogram provides a graphical representation of each channel’s tonal distribution. This lets you evaluate tone, understand whether detail has been blown out in the highlights or crushed in the shadows, and to adjust brightness and contrast.

These papers deliver a uniform field of soft light, ideal for gently enhancing the overall appearance of a shot. Available in various finishes similar to tracing paper, they offer different lighting effects.

Designed in collaboration with professional Hollywood colorists, the DaVinci Resolve Advanced Panel features a massive number of controls for direct access to every DaVinci color correction feature.

Understanding diffuse lighting is crucial for achieving desired visual effects in various settings, whether it’s in photography, cinematography, or interior design. By dispersing light evenly across a surface, diffuse lighting eliminates harsh shadows and creates a soft, flattering illumination that enhances the overall atmosphere of a scene or space.

The face refinement tool in DaVinci Resolve Studio will find faces, automatically create masks for different parts of a face, and track them for you! That means you don’t have to manually isolate and track different parts of the the face. This saves you countless hours of work so you can focus on the creative aspects of refining and retouching faces. Simply drag the face refinement plug-in from the library onto a node and click analyze. Once it’s finished, use the sliders in the inspector window to sharpen and brighten the eyes, remove bags, lighten a brow, smooth out the cheeks or forehead, add blush, color lips and more! You can also use the beauty plug-in to gently smooth out skin if needed.

Powerful color panel gives you all the control you need to create cinematic images. Includes controls for refined color grading including adding windows. Connects via Bluetooth or USB‑C.

The control it provides not only enhances the visual appeal of your footage but also transforms any light source into a tool for adding depth, interest, or emotion to a shot. This kind of versatility is invaluable for a visual storyteller in any video shoot.

Editor panel specifically designed for multi-cam editing for news cutting and live sports replay. Includes buttons to make camera selection and editing extremely fast! Connects via Bluetooth or USB‑C.

While qualifiers target an area of the image based on color, luminance, or saturation, Power Windows let you define a selection by drawing shapes around specific objects in a scene. When you click on the Power Window icon, the palette shows you different geometric shapes, along with a pen tool and a gradient tool. Click on the icon for the shape you want and it will appear in the viewer. Drag the on screen controls to adjust its size, soften the edges, and place it exactly where you want. There are also options for manually adjusting size, pan, rotation, softness and much more. Once it’s set, you can apply color corrections to the area inside or outside of the shape!

If you already possess some lighting equipment, you might consider individual diffusers, although acquiring them separately may not be as cost-effective as buying a bundled kit.

The most powerful DaVinci Resolve adds DaVinci Neural Engine for automatic AI region tracking, stereoscopic tools, more Resolve FX filters, more Fairlight FX audio plugins and advanced HDR grading.

Whether it’s a white poster board, a whiteboard, or even white walls/ceilings, these surfaces can effectively bounce soft light. To achieve light diffusion through bouncing, direct your light source toward the chosen semi-reflective white surface. The light reflects off this surface, creating a secondary source that bathes your subject in diffused light.

As a cinematographer, your objective is to immerse the audience in the narrative, making them forget they’re watching a film. The use of diffused light facilitates this by concealing the origin of each light source striking the subject.

While the primary wheels give you broad control, curves let you sculpt the color and contrast of an image with much finer detail. Curves can be displayed by clicking on the first icon in the center palette. Each curve lets you adjust a customizable region of the image based on hue, luminance or saturation. The default "custom" curves let you adjust red, green, blue and luminance curves independently, while displaying a live histogram to help guide adjustments. There are also five curves that let you select one thing, such as hue, and change another aspect of it such as luminance or saturation. For example, Hue Vs Sat lets you select a hue and then change the saturation of that hue.

Color is displayed inconsistently on every screen, and even our eyes can interpret an image differently under various lighting conditions. Professional scopes give you a consistent way to see image data. The scopes palette, located at the bottom right of the screen, features five different scopes that give you objective tools for measuring and evaluating color in an image. They can be used to check tonal ranges, adjust skin tones, balance footage and match clips to one another. Scopes let you see the relative strength and range of color components such as luminance, chrominance, saturation, hue, color gamut, white point, individual RGB channels and more.

In addition to color correction and creative grading tools, the color page features plug-ins and tools for adding extremely realistic, organic lighting effects to your footage. You get individual tools for aperture diffraction, glows, lens flares, lens reflections and light rays. Simply drag a Resolve FX light tool from the library onto an empty node and adjust its settings. You can use them to create subtle light bleeds, gentle light bounces off of a lens, heavenly glows, or dramatic lens flares that look like they were all shot in camera. There are even pre-sets that allow you to simulate the golden hour of late afternoon sun, instantly create car headlights, sci‑fi flares and much more!

Additionally, direct light has limitations in creating a balanced and even frame around the subject. Scattered, diffuse light gracefully fills the space, avoiding overwhelming brightness or dark voids. Achieving a uniformly lit frame is crucial for cinematic shots, enhancing the depth of the scene. This can be challenging when relying solely on direct light sources, especially in confined spaces.

Blank panel to fill in the LCD monitor area of the Fairlight studio console when you're not using the standard Fairlight LCD monitor.

Color management lets you control the conversion of color between digital film cameras and scanners, computer monitors, broadcast displays and digital cinema projectors. The goal is to achieve more consistent decoding of the camera images and the display of colors across various formats and monitors. DaVinci Resolve supports its own system of color management and the Academy Color Encoding System (ACES) as defined by the Academy of Motion Picture Arts and Sciences. To set it up, open project settings from the file menu and click on color management. You get options for setting up color science, along with input, timeline and output color transformations, tone mapping, LUT application and more.

For those seeking complete control over lighting, employing a softbox or other light modifier is a valuable option. Positioning the softbox at a thirty-degree angle from your subject produces a flattering look, or you can experiment with different light positions to discover a variety of looks and moods achievable with just one or two lights.

To counteract this, it is advisable to use stronger light sources when planning to diffuse them, ensuring proper scene exposure even after the diffusion process.

Conversely, on rough surfaces, even microscopic irregularities contribute to the overall surface roughness. While this phenomenon adheres to the law of reflection, wherein each ray reflects back at the same angle it initially struck the object, the direction of reflection varies.

Complete Fairlight studio console with 3 channel faders, 3 channel controls, 1 audio editor, 4 LCD monitors and 4 bay chassis.

However, relying on agreeable clouds is not always feasible. In such cases, your most practical solution is to acquire a good lighting kit, ideally one that incorporates a diffuser.

The Lum Vs Sat curve increases or decreases saturation in different tonal areas of the image with a nice smooth falloff. For example, you can boost saturation in the midtones while reducing it in the shadows to add depth.