Likewise, the shades cannot be pure in color, because they are obtained by adding either complementary pigments or black paint. For example, in order to obtain shades of the orange color, we can add to it a bit of blue, which is complementary to orange. However, this will only work until step number 9, because it is as dark as the pure blue is. To make the orange shades even darker, black paint has to be added for steps 10, 11 and 12.

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A self-study, self-paced course where you can learn how to paint in watercolor by watching video lessons and doing assignments

The two colored squares are now complete; when we check how they appear in black-and-white, we can see that the tonal values are very closely matched. I would strongly advise you to practice all of the exercises presented in this video lesson, in order to develop a more advanced ability to fill the tonal values, and skills of diluting and mixing pigments.

In watercolor, tints are achieved by diluting paints with water. Therefore, for every color, I create a scale of tints by mixing pigments with water, in order to match the tonal values in accordance with the grayscale steps.

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The Woven Royalty series highlights the Royal Jewels as a symbol of the monarchy and delves into the impact of colonisation and England's Royal Family. This innovative approach is a powerful act of reclamation by blakifying these jewels to confront what European settlers took from Indigenous peoples in the name of the Crown.

Because the pure yellow color is very light, in order to make a darker shade, I have to mix it with a complementary color located opposite on the color circle. Thus, by adding a little bit of violet paint into the pure yellow pigment, I make it one step darker. To increase the tonal values of the yellow hue, I would have to keep adding more and more complementary color, which for yellow is violet. However, this way of producing shades has its limit, because when I reach step number 9, which is as dark as pure violet is, I can't go any darker by adding more complementary violet color. So, for the remaining steps, I add a little bit of black pigment into the mix.

Space takes on new light in this mind-bending installation from Japanese artist Shohei Fujimoto. For the first time in Australia, intangible #form takes over The University of Adelaide’s historic Bonython Hall, using state of the art projections and lasers to create fluid, ever-changing structures that feel both real and intangible, high-tech and magical.

Before applying the next layer, the previous one has to be totally dry. It is very important to paint every layer on the dry paper surface. This way, there will be a clear border between each step, because when painting wet-on-dry, the paint will not flow uncontrollably from one box to another.

For example, orange and red-orange colors, which are similar in hue, also have very similar tonal values. However, red and green, which although are very different in color to one another, also have a very low light-dark contrast, because their values are almost identical.

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Akurra Pila (Two Serpents) tell the story of the two Akurras, the serpents that created the landscape of Adnyamathanha Yarta, the Flinders Ranges in South Australia.

The yellow-green color is somewhere between step number 4 and 5. I will put it at the fourth step, although your swatch may be a but darker and more suited for the fifth cell.

Walking in two worlds: one being a culturally rich traditional world, and the other being a western world, can be extremely difficult. This work explores the importance of connecting both worlds and ensuring culture is still present in every aspect of daily life.

Are you ready to party like its 1599? Some of Art Gallery of South Australia’s works from their Reimagining the Renaissance exhibition have escaped from the walls and made it to the front – and they’re demanding to be heard! French immersive artists INOOK have created a Renaissance choir, taking faces from the works and creating new art with AI technology. Sing and dance along to pop hits with faces new and old!

Illuminate Adelaide Foundation Ltd., ABN 67 639 517 838. A not-for-profit organisation listed on the Register of the Australian Charities and Not for Profits Commission. Presented in association with the Government of South Australia.Illuminate Adelaide is a proud member of Festival City Adelaide.

Always was, always will be. Illuminate Adelaide acknowledges the Kaurna People of the Adelaide Plains, the Traditional Owners of the lands we live, learn and work on and pay our respects to Elders past and present.

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Munaintyanangku, tunturri. Illuminate Adelaiderlu Kaurna Miyurna yaitya mathanya Wama Tarntanyaku tampinthi. Yaintya yartangka ngadlu tikanthi, kuma tirkanthi, kuma warpulayinthi. Ngadlurlu Purkarna pukinangku, yalarra, kuma tarrkarritya tampinthi.

I now write numbers next to the grayscale swatches – from 1 to 12 – as you will need exactly the same 12 steps of tonal values for the next exercise.

Enjoy a forest of a different kind in Kaktos, a field of giant, inflatable, illuminated cacti from Sydney studio Amigo and Amigo. Vibrant colours and unique designs make these famously spiky succulents look cute, cuddly, and completely huggable! Wander through the towering 'garden' as Kaktos guides you into Flinders City Campus, where there's even more to explore.

Scattered throughout Adelaide's iconic East End, Urban Garden displays a collection of both large-scale and light installations presented by French company TILT in collaboration with Illuminate Adelaide. Get ready to warm up under these bright and colour lights in the darkness of winter.

To get a measurement of tonal values, we can divide the range from white to black into 12 equal steps. For this exercise, you will need a saucer, a paint brush and manufactured black watercolor paint.

It's Bailey Donovan's technicolour world, and we're just living in it! This year's Graduate Pathway Program recipient and South Australian glass artist, Bailey is taking inspiration from the colours, shapes, and sugary-sweetness of candy to create an illuminated pastel wonderland in The University of Adelaide's Fig Tree Lawns. Featuring over 40 unique hand-made works created in the heart of Adelaide at JamFactory, this is the World Premiere of Incandescent.

A forklift yield sign is projected on a concrete warehouse floor using a LED sign projector light.

Tarntanyangga Dreaming is the male red Kangaroo dreaming that is culturally significant to the Victoria Square. This work invites us to engage with cultural stories through the use of emerging technologies to learn and understand the Kaurna people's cultural and spiritual connection to country and place. Connection to country is extremely important to continue to uphold a strong and living culture, especially for future generations.

All light swatches of tints are now in place. They are located above this diagonal line. For some colors, like yellow, there is a very limited range of tints. However, there are a lot of steps below the saturated color. And for the violet color, it is opposite, with only a few steps below and many above. I will now take care of shades. Shades are darker tones of any particular color.

I place the red-violet color on the same seventh step; however, you may find that your color swatch may be better suited for step number 8.

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The task of this exercise is to fill in all of the remaining cells of this diagram, above the full-strength color swatches. Because the full strength of the yellow color is as dark as step number 3 of the grayscale, there are only two cells to be filled in: number 1 and 2.

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In order to prepare a very light gray tint, I dilute black pigment in the saucer, ensuring that the quantity of this mix is sufficient for the entire wash. It is a good idea to test this light gray color on a piece of paper, before painting grayscale swatches on the watercolor paper. The aim of this exercise is to make a range of gray swatches – from white to black – in 12 equal steps. To achieve a gradation of tonal values, I will apply 12 very transparent layers on top of each other, gradually reducing the painted area one step per each layer.

You can do similar exercises using any other colors of your choice. Step number 25, in this case, has to match the tonal value of the full-strength chosen color.

Gone are the days where the harp can only be played alone. Join your fellow musicians and take your place at Amigo & Amigo’s ChronoHarp, a walk-through, multi-player instrument that reverberates with light and sound. Accessible and interactive, the more people that join in, the better the tune!

So that you avoid watching paint drying, I will fast-forward the process of painting every layer. In short, the process of painting this grayscale is as follows: the first light gray layer covers the entire large rectangle from the first to the twelfth row. When the paper surface is dry, I apply the next layer, starting from the second row, and continuing with this wash to the very last row. Once again, after letting the paper dry, I paint the next layer, starting from the third row – I continue this to the end. Then, repeat this process several times, applying new layers one step down at a time. By following this process, you will end up with a gradation of grayscale swatches in 12 steps. The next exercise will be very useful in helping you to develop your sense of tonal values.

With the release of Sing 2 at the AFI Fest in November 2021, the studio was renamed to its current name. Logo (April 5, 2023-). Visuals: Scrolling with the ...

The Woven Royalty series highlights the Royal Jewels as a symbol of the monarchy and delves into the impact of colonisation and England's Royal Family. This innovative approach is a powerful act of reclamation by blakifying these jewels to confront what European settlers took from Indigenous peoples in the name of the Crown.

A self-study, self-paced course where you can learn how to paint in watercolor by watching video lessons and doing assignments

All pure colors have a high saturation only when they are applied in full-strength. Color tints are achieved by diluting watercolor paints with water. It is because they are diluted, that tints cannot have a high saturation.

So far, we have all 12 swatches painted in full-strength. Each color corresponds to a certain step of the grayscale values.

The blue-violet color also takes the eighth step. I have to say that, depending on the device screen settings, this swatch may not appear as a blue-violet color – this is due to the color correction of this video. Finally, the last violet swatch is the darkest; this takes the nineth step.

A ‘particip-active’ installation hailing from Quebec, gather your group and enter a fun and exciting race to turn all of the interactive ‘reeds’ of 1ToMn's Roseaux installation into one colour. Using a vibrant soundscape alongside sensor-driven beams of colourful light, Roseaux is a sensory experience set to get everyone working together.

There’s a storm brewing as our digital and physical selves become more intrinsically linked. Our physical, social, and emotional worlds have begun to lean on technology to find regulation and information – but how much should we be letting the virtual seep into our everyday lives? Tim Gruchy’s STORM examines this and asks that when the physical and the digital combine, what happens to the soul?

I have completed the full diagram, with remaining shades. If we turn this image into black and white, you can see that all tints and shades have the same tonal values as the grayscale template on the left-hand side.

The story of Kondili, the whale who is the keeper of the spark of fire, Ngarrindjeri Ruwi is a tale that stretches from the Murray River to the sea. Created by Tjarutja Dance Theatre Collective, this unique dance and visual art work uses moving imagery and AI-generated filters to showcase the ancestral bond of dance artist Melanie Koolmatrie to her land, as told by Trevor Jamison.

Let's begin from the lightest color, which is yellow. Its tonal value corresponds to the third step on this grayscale. I cannot make this yellow color any darker, no matter how much pure yellow pigment I apply.

The light-dark contrast refers to the difference in values of various colors. Arguably, this contrast is most important in European and Asian art.

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Munaintyanangku, tunturri. Illuminate Adelaiderlu Kaurna Miyurna yaitya mathanya Wama Tarntanyaku tampinthi. Yaintya yartangka ngadlu tikanthi, kuma tirkanthi, kuma warpulayinthi. Ngadlurlu Purkarna pukinangku, yalarra, kuma tarrkarritya tampinthi.

You may be surprised that in watercolor painting, tonal values are more important than colors. Of course, it doesn't mean that you have to paint in monochrome or use black paint, but all other colors have tonal values as well. Making the grayscale exercise will help you to better understand the values of other colors, including their lighter tints and darker shades.

Filling in the remaining cells on the diagram with darker shades is a very good exercise, not only to practice the skills of matching tonal values, but also to get a good understanding of why shades and tints cannot be highly saturated. Diluting paints makes them pale and dim, and adding darker pigments to achieve shades, changes their color and makes them dull. To demonstrate this, I dilute the darkest shade of violet with water. Its color is dull and unsaturated.

Illuminate Adelaide Foundation Ltd., ABN 67 639 517 838. A not-for-profit organisation listed on the Register of the Australian Charities and Not for Profits Commission. Presented in association with the Government of South Australia.Illuminate Adelaide is a proud member of Festival City Adelaide.

Swing into winter with Spectrum of Happiness, an inclusive experience from Bangkok-based 27June Studio that creates a shared moment of lightness for people from all walks of life. With each swing tuned to its own colour, light, and musical sound, each unique swing moves together to create a perfect tune – a nod to how diversity in many forms brings brightness to all our lives.

The gradation of 12 steps tells us that there is no such color as pure dark yellow. Because after the third step, to make the yellow color darker, it has to be toned down by adding complimentary violet or even black pigments. So, all yellow shades from step number 4 to 12 cannot be pure yellow, because they have been toned down.

Coming back to the topic of this video lesson - the light-dark contrast – it is very apparent from this diagram that the largest difference in tonal values is between yellow and violet colors. Colors that occupy the same step on the grayscale values have no light-dark contrast at all; they have no difference in tonal values.

Moving on now, I will show you how to do tints. For example, if we take the red hue, its full-strength color corresponds to the sixth step. In order to fill in step number 3 with this hue, I have to dilute the red paint with water, to make the red color twice lighter.

Inspired by the cycles of the moon, GLOW is an interactive light installation from Amigo & Amigo that explores how lunar light sources draw people in across the world. With over 40 different sounds and lighting animations, wander through and play with the interactive ‘moons’, or find a quiet spot and enjoy it at your own pace.

This is one installation you can fully enjoy. Placed at different City Lights locations, ...please take a seat on a light bench, straight from light art studio lichtbankobjekte by M+V in Heinsberg, Germany. Join fellow City Lights travellers on a bench and positively glow at the world around you.

The watercolor paper is fixed to the board, and this board is titled at about 15 degrees, so the top end of this artwork is raised slightly higher than the other end. This helps to make a very smooth wash, because the liquid paint flows down to the bottom edge of the painted area and collects a bead.

Returning after his 2023 commission with Illuminate Adelaide for the Graduate Pathway Program, multidisciplinary artist Miles Dunne’s Proximity State finds a new home at Lot Fourteen. Walk into the grid and see how your movement affects light and sound around you. Each path you take creates something new – come along and see what you can create.

Light, sounds, and colour are all at your fingertips with illumaphonium, a 3.5-metre-high structure where you’re part of a fun and spontaneous immersive music-making experience. 200 illuminated bars chime at your touch, creating ever evolving light patterns and soundscapes that become more brilliant and awe-inspiring as more people join in.

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Always was, always will be. Illuminate Adelaide acknowledges the Kaurna People of the Adelaide Plains, the Traditional Owners of the lands we live, learn and work on and pay our respects to Elders past and present.

How can we take better care of ourselves and our communities? Drained invites us to reflect on how we as individuals and society value and perceive our mental wellbeing.

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Looking at this diagram, you can understand why there is no such thing as highly saturated light blue. A light swatch of blue cannot be saturated, because it has already been diluted with water.

In Filip Roca's extraordinary visual art projection - reworked especially for Government House - time is definitely a construct. Captivating, dynamic, and ever-changing, Roca's work delves into the multi-faceted nature of perception and time, where rather than being linear, it's a rhythmic force interwoven into the fabric of existence. Imagination allows conventional boundaries between art and reality to dissolve, creating a transformative experience.

To make shades of violet color, there is no other way but to add the black paint. Likewise, the darker shades of violet cannot have a pure color, because they contain a black pigment.

The orange color goes on the fifth step. This is where red-orange goes as well, athough it is somewhere between the fifth and sixth steps.

Bringing works by local and international artists from around the globe and showcasing them at Adelaide’s iconic institutions and secret hideaways, City Lights returns with a whole-new free program of interactive surprises, thought-provoking installations, and breathtaking projections from the world’s leading creative studios.

I will now repeat the same range from almost white to black tones, this time however, doing it alla prima, and not in multiple layers. The term alla prima means 'from the first attempt'. So, the task is to mix a black paint on the palette to match the exact tonal value of a chosen row on the left-hand side. To make the task more difficult, you cannot start from the top or bottom, but somewhere randomly, such as in the middle. After doing this, pick another random cell, and match its tonal value. Every row has to be filled in – without making multiple layers – in one attempt. The aim of this exercise is to complete all 12 rows and make an exact replica of the grayscale values that have been previously done in layers. This is an excellent exercise to help you develop your sense of tonal values, and to learn how to mix a watercolor paint that will match the grayscale swatch.

See Earth in a new form in Tine Bech Studio’s The World Has Gone Pear Shaped. A commentary on the effects of a changing climate on Earth as we know it, The World Has Gone Pear Shaped beckons us to consider what we want our planet to be in years to come. Featuring 3D high-resolution imagery sourced from NASA, this blend of science, art, an technology begs us to reshape our view of our world.

For the fifth step, however, the tint of red paint is slightly lighter than the full-strength color. So, depending on the extent to which the paint is diluted with water, the color tint will be of a lighter tonal value, which will correspond to a particular step of the grayscale.

At the beginning of this lesson, I mentioned that the light-dark contrast is probably the most important one in painting. Despite the use of colors taking a very prominent role in painting, in order to create an illusion of the real world, an artist has to apply correct tonal values in an artwork. Light and dark tonal values in art are referred to as chiaroscuro, an Italian word literally meaning 'light and dark'. In the real world, there are infinite ranges of chiaroscuro, so dividing the tonal range into 12 or 25 steps is a simplification of this. There is no limit as to how many gradation steps exist between white and black colors. Of course, to keep things simple, the 25-step square is a great exercise to practice painting tonal values.

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I will now give you another very useful exercise: practicing painting different tonal values. In order to do this exercise, make a 5-by-5 square and randomly fill it with different grayscale tonal values – from 1 to 25. Here, each swatch has to be one step darker than the previous one; the darkest swatch (number 25) must have the same tonal value as the pure red color. Next to the grayscale checkboard, you have to make another one in color. This means that square number 25 will have a pure saturated red color. All other swatches have to be filled randomly one-by-one, with red color tints that match the same tonal values as on the grayscale checkboard. The purpose of this exercise is to practice your vision of tonal values, and to improve your skill of diluting paint with water, at the necessary proportion to achieve the required tonal values identical to the grayscale example. You should carry on randomly filling each square with the precise tonal value, matching the grayscale template.