MagicQ also supports Show Export and Show Merging which enables individual groups of lights from particular shows to be extracted from the show files and then merged into other shows.

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Did someone accidentally kick a floor-base during a changeover and leave the light it was supporting out of position? With MagicQ you can relax and fix this at the lighting desk without a big hassle. Select the moving light, correct the position and press UPDATE PATCH OFFSET to apply that offset to all the programming. Avoiding having to update all the palettes where that moving light is used is a major time saver.

Effects (FX) are the lifeblood of most touring lighting designs. When moving lights were a new invention, the creation of those effects took forever and creating them on the fly was terribly impractical. Now, however, a built-in FX engine is standard in any board aimed at controlling this type of lighting fixture. So what sets MagicQ apart now that most boards have some kind of engine?

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Another scenario touring shows could encounter is the need to reorient moving lights, due to different hanging conditions. This can throw off all the saved looks and require a great deal of reprogramming if the board doesn’t help solve the problem. MagicQ has a useful feature that can make it easy and quick, by supporting offsets to be applied to channels in the patch. For example it is very quick to add a 90 degree offset to pan for a group of lights. The offset is applied at the patch stage and affects all programmed palettes and cues, just as if the light was hung in the correct position

This 3D scanner was made using low cost conventional items like a video projector and webcams. A structured-light 3D scanner is a 3D scanning device for ...

MagicQ Pixel Mapping enables large numbers of LED elements to be controlled with very simple programming, minimising the programming time and keeping the show file size to an absolute minimum.

MagicQ software offers powerful lighting control, full lighting visualisation, pixel mapping, and HD media playback that lighting designers rely on for everything from simple to the most complex shows.

2022117 — Using the light meter is simple. After taking the cap off the sensor, simply place it on a surface where a task is carried out such as the ...

MagicQ offers powerful lighting control on up to 256 universes with full lighting visualisation, pixel mapping, and HD media playback on up to 8 different layers, all integrated smoothly to streamline workflows, save time, and shorten learning curves on even the most complex lighting systems.

Not every production that needs lights also has video playing somewhere within it, but nearly every time a video clip makes an appearance on stage, it has to be controlled by something and served by something, before it gets to the equipment that ultimately displays that video. While ChamSys has their own Media Player, the MagicHD software which you can read about here. , some users might prefer or need to use something else. Whichever your choice, MagicQ gives you powerful tools that help organize and streamline the work being done with video. It has screens and features dedicated to controlling media servers that really elevate the process to a whole new level.

MagicQ PC is available free of charge for use on Windows, Mac and Linux with 64 universes of output fully enabled (via Art-net, sACN, Pathport) – no hardware required!

MagicQ supports FX based on Groups and Palettes. These FX are ideal for touring. In each new venue just update the groups and palettes, and MagicQ recreates the FX automatically.

QuickQ software offers a smart-phone like interface with icons and gesture support that help accelerate the learning process, making it easy even for inexperienced users to operate smaller lighting systems.

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Where do those numbers come from? Lenses are marked with a series of f-stops, each one lets in half as much light as the previous one. The light-gathering ability of a lens is determined by its area, and f-stops are determined by diameter. Area is related to diameter squared. The progression of f-stops, 1 - 1.4 - 2 - 2.8 - 4 - 5.6 - 8 - 11 - 16 - 22 - 32, are powers of the square root of 2. For a further explanation of f-stops, try this. Lens Focal Length Chart Nature photography requires an assortment of lenses depending on the subject. Typically normal to wide angle lenses are used for landscape photos and very long telephotos are used for wildlife. These eight photos were taken from the same place with different lenses. The subject is Longs Peak from Upper Beaver Meadows in Rocky Mountain National Park. 24mm 35mm 50mm 100mm 200mm 400mm 800mm 1200mm "I want to take a bluebird picture. What lens should I use?" It is a symptom of bird photography that your lenses never seem to be long enough. This is because birds are so small. When photographing large animals, a 400mm gives you decent image size from a reasonable distance. But remember, an elk is six or seven feet tall. A bird is barely six inches long, so when your subject is twelve times smaller, you have to be twelve times closer. As you can see, even a huge 800mm lens at the relatively close distance of 20 feet doesn't give the huge magnification you might expect. The field of view is about ten inches. It takes a big lens to photograph a small bird. Home © Copyright David Dahms

MagicVis is a powerful visualisation system fully integrated with ChamSys free MagicQ software to enable lighting designers to pre-visualise their shows, to program blind and to generate rigging paperwork including plots and patch lists.

MagicHD is a powerful Media Player that is seamlessly integrated with MagicQ software and MagicVis visualiser. MagicHD has been designed to make programming and operating of combined lighting and media shows simple and easy.

Group based FX are also ideal for lighting rigs with different numbers of heads in different positions – for example where one truss has 4 heads, another 5 and another 6 – group FX enables spreading the FX across each truss independently.

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Sometimes a tour stop isn’t just about working new lighting fixture models into the rig. The venue size can often vary and the rig needs to be able to adapt accordingly. MagicQ supports Head Cloning to enable you to upsize or downsize your show. A pre-programmed show can easily be expanded to support more of the same heads. Cloning options enable the user to choose whether all of the show data is copied to the new heads, or just the Palettes.

While it might be rare for any application to use more than half of these features at the same time, the ability to pick and choose which of them are needed without leaving the MagicQ product family makes it an extremely flexible and powerful choice in lighting control.

24mm 35mm 50mm 100mm 200mm 400mm 800mm 1200mm "I want to take a bluebird picture. What lens should I use?" It is a symptom of bird photography that your lenses never seem to be long enough. This is because birds are so small. When photographing large animals, a 400mm gives you decent image size from a reasonable distance. But remember, an elk is six or seven feet tall. A bird is barely six inches long, so when your subject is twelve times smaller, you have to be twelve times closer. As you can see, even a huge 800mm lens at the relatively close distance of 20 feet doesn't give the huge magnification you might expect. The field of view is about ten inches. It takes a big lens to photograph a small bird. Home © Copyright David Dahms

Nature photography requires an assortment of lenses depending on the subject. Typically normal to wide angle lenses are used for landscape photos and very long telephotos are used for wildlife. These eight photos were taken from the same place with different lenses. The subject is Longs Peak from Upper Beaver Meadows in Rocky Mountain National Park. 24mm 35mm 50mm 100mm 200mm 400mm 800mm 1200mm "I want to take a bluebird picture. What lens should I use?" It is a symptom of bird photography that your lenses never seem to be long enough. This is because birds are so small. When photographing large animals, a 400mm gives you decent image size from a reasonable distance. But remember, an elk is six or seven feet tall. A bird is barely six inches long, so when your subject is twelve times smaller, you have to be twelve times closer. As you can see, even a huge 800mm lens at the relatively close distance of 20 feet doesn't give the huge magnification you might expect. The field of view is about ten inches. It takes a big lens to photograph a small bird. Home © Copyright David Dahms

MagicQ includes in-built support for the FREE MagicQ Remote Control App to remote control MagicQ systems including MagicQ consoles and MagicQ PC Wing solutions.

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When a show tours, or is adapted to a new venue, the lighting designer may need to substitute new fixtures for the ones the show was programmed with originally. This can be very time-consuming if the console isn’t equipped with the right tools for the job. While other consoles may offer their own solutions to fill this need, the ChamSys approach is a standout feature that makes experienced operators request MagicQ as their first choice. MagicQ supports Head Morphing, which enables a seamless and quick substitution of one head type to another. MagicQ automatically transfers the programming from the old head type to the new head type, converting the show data as appropriate.

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MagicQ includes a powerful Pixel Mapping engine that enables images, movies, text and live feed streams to be mapped onto grids of LED fixtures, dimmers or even moving lights. The Pixel Mapper has support for mapping in both 2D and 3D.

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MagicQ products don’t get used in a vacuum; they get connected to other things. Unless they’re being pre-programmed offline to save a little time in the venue, they will at minimum be communicating with lighting fixtures, dimmers, and other equipment that they are meant to control. When they’re connected together with other MagicQ products, things start to get really interesting, and all sorts of advanced configurations are possible.

Download scientific diagram | S and P polarizations. The P polarization components of the incident and diffracted beams are polarized parallel to the ...