Diffused lightexamples

Quick Overview 1.5- and 2.5-Stop Front Diffusers 1.5-Stop Removable Interior Diffuser 45° Fabric Grid Soft, Wraparound Quality of Light Product Description ...

The Alvium camera series is a camera platform that combines the advantages of embedded sensor modules with the performance of industrial cameras for image ...

Diffused lightphotography

I placed them side by side so the differences can be seen easily. Even though detail is evident in the first image, look how harsh the light is! They were both lit by a studio flash unit, but for the second one, I simply taped a piece of white copy paper over the flash head, a simple step that immediately reduced the glare of the light and made it more pleasing.

Diffused lightarchitecture

customized big size backlight illumination this product adopts imported ultra-thin LED design, which can effectively improve the brightness and uniformity ...

Equipped with a Spot SBAR UV 405, your camera will then be able to lead an infallible quality control, detecting straight away the optical brighteners of the glues or paints that you would have used. The materials lacks and the assembly defects will be immediately highlighted.

The correct way to use a ring light as your primary light source is to put the ring light around the camera lens to capture the focus in the eyes. But if you ...

Diffused LightHourglass

Introducing the LIGHT DOME MINI III: Your Compact Circular Softbox with All-New Quick-Folding, Flat-Pack Design Experience the revolution in softbox ...

The Spot SBAR UV 365 (or UV 385) is a high powerful spot that can be easily fixed, thank to the groove located in the back of the body, just as you would do for a bar. Equipped with a 365 nm UV led (or a 385 nm UV led), it can perfectly light circular areas, including in places where the size is a real constraint. The Spot SBAR UV 365 (or UV 385) is very useful to highlight any kind of product that reacts with ultraviolet light (glue, paint…). Thanks to this spot, you can easily control assembly defects, highlight materials lacks, and also read UV markings.

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In this picture I wanted to light the face but keep a bit of shadow to add some interest. You can see where the lights were placed by looking at the “catchlights” in the subject’s eyes. The big umbrella main light plus the smaller softbox fill-in produced this result. The image was made on location, but with the same setup I usually use in the studio.

Machine vision and robotics applications working with confined spaces often require high intensity spot illumination. TPL Vision’s spot lights are easily adapted to both short and long working distances, providing powerful illumination for inspecting specific features. Their small packaging ensures easy integration while maintaining high brightness and homogeneity.

The ThinLED 1 is a miniature spot that provides an incredible lighting, considering its size. Its global shape enables an easy set up. The ThinLED 1 is particularly recommended for controls in small spaces. It can be seriously considered as a competitive alternative to lighting fibre optic : its high powerful led fits the highest production rates. The ThinLED 1 is obviously the key lighting for industrial vision in confined spaces.

Diffused lightceiling

Set up either upwards or downwards, it enables the powerful lighting of confined spaces. Thanks to its directive intense or diffuse lighting, the Spot SBAR reveals its whole potential for the control of a circular surface. Finally, the inside electronics make it very easy to use : you just have to plug the Spot SBAR on a 24V power supply.

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Diffused lightlamp

The ThinLED 4 is a such a powerful lighting compact spot that it can be seriously considered as a competitive alternative to lighting fibre optic. It has been specially developed for the control in confined spaces. Its highly powerful 4 leds, in directive intense or diffuse lighting, fit the highest production rates. The ThinLED 4 is equipped with a fixing stirrup, that makes it easy to fix and orientate, either for a direct or a darkfield lighting. The ThinLED 4 can work in continuous or strobe mode.

Diffusedlighting interior design

Homogeneous high-power machine vision spot light featuring a built-in lockable zoom lens with position repeatability. Enclosed in a durable IP67 aluminium housing, the Z-SPOT features flexible M30 mounting, M12 5-pin connector, integrated current control and a powerful Auto-Strobe OverDrive mode.

Either upward or downward, the Spot SBAR UV 405 can be fixed very easily, just like a bar, thanks to the groove located in the back of the body. In continuous or strobe modes, the Spot SBAR UV 405 is perfectly adapted to the control of circular areas, in confined environments.

The TSPOT 4, highly powerful, is your camera’s best partner to get an optimized control, in continuous or strobe mode. The TSPOT 4 is very easy to set up and quite autonomous, since it gets its own power supply with current control. Moreover, the fixing stirrup helps to orientate the lighting, in direct or darkfield ways. This spot is really appropriate wherever space is a real constraint. Either in directive intense lighting or in diffuse lighting, its 4 leds fit the highest paces of work.

Diffused lightfor plants

This light modifier is actually about 18″ x 24″. It attaches to a light head and allows light to bounce around inside it and then it is dispersed through a translucent material that serves as a diffusion screen. So it is a combination of a bounce light as well as a diffused one.

Outdoor lighting adds a welcoming touch to your home.

There are many ways to use light in a studio situation. The thinking process comes first. Photographers must determine what the final use of the image will be and that helps them decide what kind of light they will use.

The TSPOT 1 is a very powerful compact spot light. It belongs to TPL Vision’s ‘easy-to-use’ product family ; it is easy to configure through the use of an integral current controller. Its powerful direct light enables controls in confined spaces. It can be made in very high production volumes. Everything in the TSPOT 1 has been built and optimized for simple and efficient use.

Set of Spotlights isolated on transparent background. Vector glowing light effect with gold rays and beams.

Dramatic lightings are produced usually without using any extra lights on the set. Other lights can sometimes be used to bring out some detail when it is wanted, but they are created mostly with the use of just one light.

Note that in this image there is virtually no shadow on the face. This is because it is being lit from opposite sides with very diffuse light. The top, MAIN LIGHT is made with my large umbrella and the bottom light is produced by a medium sized softbox. Here is what the softbox looks like:

In order to make DIFFUSED LIGHT you need to place a translucent material over the source. It will scatter the light rays and create a softer, overall light on your subject. This is the same effect that a cloudy day affords. Light rays from a point light source such as the sun, are diffused over a wider area than the direct light and therefore produces less shadows and SOFTER lighting effects.

As I have mentioned before, specially designed umbrellas that are way bigger than the subject, produce the softest light. This is the one I use every day and it is shown with its companion, the softbox fill-in light:

This image was produced with just one flash positioned about 45degrees off the camera axis to produce a REMBRANDT LIGHT. The shadow was intended to be in context with other, more dramatic images on this company’s website.

Working with beginning STUDIO LIGHTING students is great fun because it forces one to get back to basics when talking about and demonstrating various types of lighting. I have often written about how studio photographers are always looking for SOFT LIGHT. The reason is that it is much more flattering to subjects and it can reveal detail that much harsher, direct light obscures with deep shadows. Here are two images. One is lit with a DIRECT LIGHT, the other with a DIFFUSED LIGHT:

The FLOOD Light by TPL Vision is a high power flat illumination, which can illuminate large areas from a distance. It is specifically dedicated to the logistics market, and in particular to the control of palletizing process. The FLOOD Light has very thin edges and offers homogeneous light from the entire working surface, including from the edges. Thanks to the hole in the center of the Flood Light, you can insert your camera. And using the TPL Vision mounting accessories (in option), you can easily integrate it thanks to the mounting plate. Equipped with a satin diffuser and ±17° lenses, it is available in two sizes (200x300mm and 300x600mm) and in several wavelengths (white, blue, red and infrared).

With this said, the way to achieve really soft lighting effects is to make sure the MAIN LIGHT IS MUCH LARGER THAN THE SUBJECT. For this reason, I use a very large and deep umbrella that not only spreads the light over a greater area, but also makes it soft by being so big compared to the subject. Here’s an example of what a large MAIN LIGHT does:

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This image was made by a SIDE LIGHT with the opposite side of the face kept in shadow to produce a graphic look for this graphic designer’s brochure. And, of course for really dramatic images, use a simple EDGE LIGHT:

Equipped with a powerful LED, the Spot SBAR is the ideal compromise between the spot and the bar : the Spot SBAR provides a very powerful lighting, just like a spot, and can be easily fixed, thanks to the groove behind, like a bar.