Power: How strong will your light source be? You can zoom your strobe to use the light as a bounce/fill or you can power up to create flare lines.

Color: Will it be gelled for creative or corrective effect? Depending on your in-camera white balance setting, you can gel your flash to match your existing light or work against it.

Backlighting

When faced with challenging scenes or short on time, pulling out a pocket strobe and placing it behind our subjects creates something pretty spectacular.  Here are a the steps to using a flash as a backlight for impactful Images

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The goal of backlighting, from an artistic and technical standpoint, is usually to help separate a subject from a background, and bring emphasis to that subject in dark conditions, having a backlight can be especially helpful, and sometimes it can actually serve as the ONLY major light source in a dramatic silhouette photo.

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Low-keylighting

Since the actual technique is relatively simple, these tips are going to help you think creatively to get the most out of what is otherwise known as a silhouette. In the first example, when faced with a rather mundane hotel room, we first imagined what the room would look like underexposed, and then set our ambient exposure to the desired settings to create a backlit photo using this screen door. You can see the full tutorial on how we arrived at the final image on the right in Photographing the Couple.

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In post-production, dealing with backlighting can be difficult, if your subject is in deep shadow, however both silhouette images and brightly exposed images can work, if the editing fits the mood of the scene, pose, etc.

Backlight, or back lighting, is any light source that comes from behind your subject. However, backlighting is a more general term, and can be used to describe a broad range of lighting from rim light to a “kicker” light. Whether it is technically correct or not to use the term backlight to describe any and every form of lighting that comes from behind is not as important as simply understanding what another photographer is referring to.

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Finally, it’s time to add in our light. Here are the three most important characteristics to consider when perfecting your backlight:

Backlight can definitely come from any light source, including the sun on a bright day, or a wireless flash on a dark night.

Silhouettes are much more interesting when the subjects are placed against the brightest portion of the scene. If that doesn’t exist, then create a highlight with your backlight. If you are using your backlight to bring light into a darker part of the scene like the sample above, then find a unique composition that draws the attention to that point like we did with this mural.

Distance: How far will the light be from the subject(s)? The further away you place the light the more light spill you will have.