Full-Size LED Light Bars - red bar lights
Note: Images of text do not scale as well as text because they tend to pixelate. It is also harder to change foreground and background contrast and color combinations for images of text, which is necessary for some users. Therefore, we suggest using text wherever possible, and when not, consider supplying an image of higher resolution.
Penso che la cosa migliore per capire sia come sempre un bel esempio pratico, immagina di possedere una fotocamera con fattore di crop pari a 2 e di voler fotografare una scena con un obiettivo con lunghezza focale pari a 35 mm.Per calcolare la focale equivalente devi semplicemente moltiplicare la lunghezza focale utilizzata (nel nostro caso 35mm) per il fattore di crop (nel nostro caso 2) ottenendo quindi una lunghezza focale equivalente di 70mm.
Distanza focale fotocamera
Note 2: Font size is the size when the content is delivered. It does not include resizing that may be done by a user.
Note 4: When using text without specifying the font size, the smallest font size used on major browsers for unspecified text would be a reasonable size to assume for the font. If a level 1 heading is rendered in 14pt bold or higher on major browsers, then it would be reasonable to assume it is large text. Relative scaling can be calculated from the default sizes in a similar fashion.
The contrast ratio of 7:1 was chosen for level AAA because it compensated for the loss in contrast sensitivity usually experienced by users with vision loss equivalent to approximately 20/80 vision. People with more than this degree of vision loss usually use assistive technologies to access their content (and the assistive technologies usually have contrast enhancing, as well as magnification capability built into them). The 7:1 level therefore generally provides compensation for the loss in contrast sensitivity experienced by users with low vision who do not use assistive technology and provides contrast enhancement for color deficiency as well.
Guardando la formula possiamo facilmente dedurre che esiste una correlazione inversa tra questa variabile e la lunghezza focale f.Questo significa che:
Note 1: When evaluating this success criterion, the font size in points should be obtained from the user agent or calculated on font metrics in the way that user agents do. Point sizes are based on the CSS pt size as defined in CSS3 Values. The ratio between sizes in points and CSS pixels is 1pt = 1.333px, therefore 14pt and 18pt are equivalent to approximately 18.5px and 24px.
Lunghezza focale telescopio
Tool to convert images based on color loss so that contrast is restored as luminance contrast when there was only color contrast (that was lost due to color deficiency)
Lunghezza focale e distanza dal soggetto
Text that is larger and has wider character strokes is easier to read at lower contrast. The contrast requirement for larger text is therefore lower. This allows authors to use a wider range of color choices for large text, which is helpful for design of pages, particularly titles. 18 point text or 14 point bold text is judged to be large enough to require a lower contrast ratio. (See The American Printing House for the Blind Guidelines for Large Printing and The Library of Congress Guidelines for Large Print under Resources). "18 point" and "bold" can both have different meanings in different fonts but, except for very thin or unusual fonts, they should be sufficient. Since there are so many different fonts, the general measures are used and a note regarding fancy or thin fonts is included.
Note 3: The actual size of the character that a user sees is dependent both on the author-defined size and the user's display or user-agent settings. For many mainstream body text fonts, 14 and 18 point is roughly equivalent to 1.2 and 1.5 em or to 120% or 150% of the default size for body text (assuming that the body font is 100%), but authors would need to check this for the particular fonts in use. When fonts are defined in relative units, the actual point size is calculated by the user agent for display. The point size should be obtained from the user agent, or calculated based on font metrics as the user agent does, when evaluating this success criterion. Users who have low vision would be responsible for choosing appropriate settings.
F83: Failure of Success Criterion 1.4.3 and 1.4.6 due to using background images that do not provide sufficient contrast with foreground text (or images of text)
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Apertura focale obiettivo
Allo stesso modo questo discorso deve essere esteso a tutti le fotocamere in commercio, usando il corretto fattore di crop quindi per esempio usando un obiettivo da 50 mm:
Note 2: Because different image editing applications default to different pixel densities (e.g. 72 PPI or 96 PPI), specifying point sizes for fonts from within an image editing application can be unreliable when it comes to presenting text at a specific size. When creating images of large-scale text, authors should ensure that the text in the resulting image is roughly equivalent to 1.2 and 1.5 em or to 120% or 150% of the default size for body text. For example, for a 72 PPI image, an author would need to use approximately 19 pt and 24 pt font sizes in order to successfully present images of large-scale text to a user.
The ANSI/HFS 100-1988 standard calls for the contribution from ambient light to be included in the calculation of L1 and L2. The .05 value used is based on Typical Viewing Flare from [IEC-4WD] and the [sRGB] paper by M. Stokes et al.
This requirement applies to situations in which images of text were intended to be understood as text. Incidental text, such as in photographs that happen to include a street sign, are not included. Nor is text that for some reason is designed to be invisible to all viewers. Stylized text, such as in corporate logos, should be treated in terms of its function on the page, which may or may not warrant including the content in the text alternative. Corporate visual guidelines beyond logo and logotype are not included in the exception.
The previously-mentioned contrast requirements for text also apply to images of text (text that has been rendered into pixels and then stored in an image format) as stated in Success Criterion 1.4.3.
G148: Not specifying background color, not specifying text color, and not using technology features that change those defaults
Note: Some people with cognitive disabilities require color combinations or hues that have low contrast, and therefore we allow and encourage authors to provide mechanisms to adjust the foreground and background colors of the content. Some of the combinations that could be chosen may have contrast levels that will be lower than those found in the Success Criteria. This is not a violation of this Success Criteria provided there is a mechanism that will return to the default values set out in the Success Criteria.
Analizziamo ora questo esempio avendo le conoscenze pregresse di lunghezza focale e angolo di campo, per capire il ruolo della lunghezza focale equivalente in termini pratici.
People with low vision often have difficulty reading text that does not contrast with its background. This can be exacerbated if the person has a color vision deficiency that lowers the contrast even further. Providing a minimum luminance contrast ratio between the text and its background can make the text more readable even if the person does not see the full range of colors. It also works for the rare individuals who see no color.
In this provision there is an exception that reads "that are part of a picture that contains significant other visual content,". This exception is intended to separate pictures that have text in them from images of text that are done to replace text in order to get a particular look.
G174: Providing a control with a sufficient contrast ratio that allows users to switch to a presentation that uses sufficient contrast
The intent of this Success Criterion is to provide enough contrast between text and its background so that it can be read by people with moderately low vision (who do not use contrast-enhancing assistive technology). For people without color deficiencies, hue and saturation have minimal or no effect on legibility as assessed by reading performance (Knoblauch et al., 1991). Color deficiencies can affect luminance contrast somewhat. Therefore, in the recommendation, the contrast is calculated in such a way that color is not a key factor so that people who have a color vision deficit will also have adequate contrast between the text and the background.
Hues are perceived differently by users with color vision deficiencies (both congenital and acquired) resulting in different colors and relative luminance contrasts than for normally sighted users. Because of this, effective contrast and readability are different for this population. However, color deficiencies are so diverse that prescribing effective general use color pairs (for contrast) based on quantitative data is not feasible. Requiring good luminance contrast accommodates this by requiring contrast that is independent of color perception. Fortunately, most of the luminance contribution is from the mid and long wave receptors which largely overlap in their spectral responses. The result is that effective luminance contrast can generally be computed without regard to specific color deficiency, except for the use of predominantly long wavelength colors against darker colors (generally appearing black) for those who have protanopia. (We provide an advisory technique on avoiding red on black for that reason). For more information see [ARDITI-KNOBLAUCH] [ARDITI-KNOBLAUCH-1996] [ARDITI].
Ti invito a provare questo semplice programma gratuito ideato da Nikon per capire visivamente l'angolo di campo.Nelle figure sottostanti puoi invece osservare il variare dell'angolo di campo in base alla lunghezza focale utilizzata.
sequence of characters that can be programmatically determined, where the sequence is expressing something in human language
Conversion from nonlinear to linear RGB values is based on IEC/4WD 61966-2-1 [IEC-4WD] and on "A Standard Default Color Space for the Internet - sRGB" [sRGB].
1.4.3 Contrast (Minimum): The visual presentation of text and images of text has a contrast ratio of at least 4.5:1, except for the following: (Level AA)
Puoi facilmente capire da questi numeri come sia diversa la composizione della stessa scena utilizzando queste diverse accoppiate obiettivo/fotocamera, una composizione che andrà sempre più nel dettaglio all'aumentare del fattore di crop.
G174: Providing a control with a sufficient contrast ratio that allows users to switch to a presentation that uses sufficient contrast
Instructions: Select the situation below that matches your content. Each situation includes techniques or combinations of techniques that are known and documented to be sufficient for that situation.
Ma se noi andiamo a rivedere la formula per calcolare l'angolo di campo che abbiamo scritto precedentemente, possiamo notare come ci sia un altro elemento da prendere in considerazione per capire l'ampiezza dell'angolo di campo, la dimensione del sensore fotografico.
G156: Using a technology that has commonly-available user agents that can change the foreground and background of blocks of text
Lunghezza focale e zoom
Abbiamo detto che la lunghezza focale è una caratteristica intrinseca di ogni obiettivo e quindi non cambiano le caratteristiche che una determinata lente può darti.Se quindi noi utilizziamo un 35mm possiamo montarlo su qualsiasi fotocamera e possiamo essere sicuri che per esempio non cambieranno: la sua morbidezza nello sfocato o la forma del bokeh e la sua tolleranza ai Lens flare.
Ma possiamo altrettanto essere sicuri che ci sarà un grande cambiamento nell'angolo di campo di un 35mm a seconda di quale fotocamera venga utilizzata.E per capire l'entità di questa differenza ci viene in aiuto il concetto di lunghezza focale equivalente che abbiamo appena analizzato:
Although this Success Criterion only applies to text, similar issues occur for content presented in charts, graphs, diagrams, and other non-text-based information. Content presented in this manner should also have good contrast to ensure that more users can access the information.
Note 1: When evaluating this success criterion, the font size in points should be obtained from the user agent or calculated on font metrics in the way that user agents do. Point sizes are based on the CSS pt size as defined in CSS3 Values. The ratio between sizes in points and CSS pixels is 1pt = 1.333px, therefore 14pt and 18pt are equivalent to approximately 18.5px and 24px.
G18: Ensuring that a contrast ratio of at least 4.5:1 exists between text (and images of text) and background behind the text
The contrast ratio of 4.5:1 was chosen for level AA because it compensated for the loss in contrast sensitivity usually experienced by users with vision loss equivalent to approximately 20/40 vision. (20/40 calculates to approximately 4.5:1.) 20/40 is commonly reported as typical visual acuity of elders at roughly age 80. [GITTINGS-FOZARD]
F24: Failure of Success Criterion 1.4.3, 1.4.6 and 1.4.8 due to specifying foreground colors without specifying background colors or vice versa
This Success Criterion and its definitions use the terms "contrast ratio" and "relative luminance" rather than "luminance" to reflect the fact that Web content does not emit light itself. The contrast ratio gives a measure of the relative luminance that would result when displayed. (Because it is a ratio, it is dimensionless.)
Punto focale
Un'altra variabile strettamente correlata con la lunghezza focale equivalente è l'angolo di campo, ossia l'ampiezza della porzione di scena che verrà inquadrata dal nostro obiettivo durante la fase di scatto.Fisicamente questa variabile rappresenta l’angolo che si viene a formare tra due linee ideali, che partono dal sensore della macchina fotografica e vanno a toccare la lente frontale dell'obiettivo. L'angolo di campo viene calcolato grazie alla seguente formula matematica: α = 2*atan(d2/f)
Il rapporto esistente tra fattore di crop e angolo di campo è direttamente proporzionale, visto che più grande è la dimensione del sensore e maggiore sarà la porzione di scena che verrà impressa sullo scatto finale.Cerchiamo di spiegare meglio questo concetto visto che il fattore di crop determina la lunghezza focale equivalente che andremo realmente ad utilizzare.
G148: Not specifying background color, not specifying text color, and not using technology features that change those defaults
Note 2: Because authors do not have control over user settings as to how text is rendered (for example font smoothing or anti-aliasing), the contrast ratio for text can be evaluated with anti-aliasing turned off.
Focale significato
Note 3: For the purpose of Success Criteria 1.4.3 and 1.4.6, contrast is measured with respect to the specified background over which the text is rendered in normal usage. If no background color is specified, then white is assumed.
Prima di approfondire il concetto di lunghezza focale equivalente bisogna parlare di tre importanti variabili strettamente collegate con questo argomento:
Bisogna infatti sempre tenere presente che le lunghezze focali indicate sugli obiettivi che usiamo quotidianamente sono rapportate alla dimensione standard del sensore, che è universalmente riconosciuta come 24 mm x 36 mm (questa dimensione è il formato 35 mm delle vecchie pellicole).Questa tipologia di sensore è presente solo in alcuni corpi macchina professionali che vengono chiamati full-frame, mentre nella stragrande maggioranza delle fotocamere in commercio il sensore presenta dimensioni inferiori a 24x36mm.
Note 1: Multiple user interface components may be implemented as a single programmatic element. Components here is not tied to programming techniques, but rather to what the user perceives as separate controls.
Focale sinonimo
Questo fattore non ha mai avuto importanza nella fotografia analogica viste le dimensioni standard che generalmente hanno le pellicole ma riveste invece una grande importanza nella fotografia digitale.Nelle fotocamere moderne abbiamo infatti una grande differenza nelle dimensioni del sensore e questo fattore ha una grande influenza sulla lunghezza focale e sull'angolo di campo.
Una rappresentazione della differente porzione di scena inquadrata da una fotocamera Full frame (ritaglio rosso) e da una Apsc (ritaglio blu). by Ravedave
The minimum contrast success criterion (1.4.3) applies to text in the page, including placeholder text and text that is shown when a pointer is hovering over an object or when an object has keyboard focus. If any of these are used in a page, the text needs to provide sufficient contrast.
This Web page is part of Understanding WCAG 2.0: A guide to understanding and implementing WCAG 2.0 (see the latest version of this document). The entire document is also available as a single HTML file. See the The WCAG 2.0 Documents for an explanation of how this document fits in with other Web Content Accessibility Guidelines (WCAG) 2.0 documents. To send public comments, please follow the Instructions for Commenting on WCAG 2.0 Documents.
Note 2: See also Understanding Success Criterion 2.4.7 Focus Visible for techniques for indicating keyboard focus.
Note 4: Background color is the specified color of content over which the text is to be rendered in normal usage. It is a failure if no background color is specified when the text color is specified, because the user's default background color is unknown and cannot be evaluated for sufficient contrast. For the same reason, it is a failure if no text color is specified when a background color is specified.
Note 3: It is sometimes helpful for authors to not specify colors for certain sections of a page in order to help users who need to view content with specific color combinations to view the content in their preferred color scheme. Refer to Understanding Success Criterion 1.4.5 Images of Text for more information.
È la distanza misurata in millimetri presente tra il centro ottico dell’obiettivo e il sensore, questa variabile viene infatti anche definita con il termine di distanza focale.Si tratta di una caratteristica che dipende esclusivamente dalla struttura dell’obiettivo ed è quindi un valore intrinseco di questo elemento.Questo vuol dire che la lunghezza focale di un obiettivo non cambia al variare della fotocamera sui cui viene montato.Ogni obiettivo ha una determinata lunghezza focale, che generalmente puoi leggere sul bordo del barilotto o sulla lente anteriore.
Using colors that are composed predominantly of mid spectral components for the light and spectral extremes (blue and red wavelengths) for the dark
Note 5: The 18 and 14 point sizes for roman texts are taken from the minimum size for large print (14pt) and the larger standard font size (18pt). For other fonts such as CJK languages, the "equivalent" sizes would be the minimum large print size used for those languages and the next larger standard large print size.
Each numbered item in this section represents a technique or combination of techniques that the WCAG Working Group deems sufficient for meeting this Success Criterion. However, it is not necessary to use these particular techniques. For information on using other techniques, see Understanding Techniques for WCAG Success Criteria, particularly the "Other Techniques" section.
The rationale is based on a) adoption of the 3:1 contrast ratio for minimum acceptable contrast for normal observers, in the ANSI standard, and b) the empirical finding that in the population, visual acuity of 20/40 is associated with a contrast sensitivity loss of roughly 1.5 [ARDITI-FAYE]. A user with 20/40 would thus require a contrast ratio of 3 * 1.5 = 4.5 to 1. Following analogous empirical findings and the same logic, the user with 20/80 visual acuity would require contrast of about 7:1.
Text that is decorative and conveys no information is excluded. For example, if random words are used to create a background and the words could be rearranged or substituted without changing meaning, then it would be decorative and would not need to meet this criterion.
with at least 18 point or 14 point bold or font size that would yield equivalent size for Chinese, Japanese and Korean (CJK) fonts
Incidental: Text or images of text that are part of an inactive user interface component, that are pure decoration, that are not visible to anyone, or that are part of a picture that contains significant other visual content, have no contrast requirement.
Tralasciando il fatto che un sensore di dimensioni minori si traduce in una peggior qualità finale dello scatto, queste differenze esistenti hanno portato alla nascita di una nuova variabile fotografica, il famoso e temuto fattore di crop.Il fattore di crop è una grandezza adimensionale che indica quanto il sensore della nostra fotocamera sia più piccolo del formato standard (24x36mm).La sua definizione è infatti il rapporto esistente tra la diagonale di un sensore standard e la diagonale del sensore di un corpo macchina con crop factor.Questa variabile è chiaramente espressa su ogni manuale di istruzioni di una fotocamera ed è un valore da tenere in estrema considerazione in sede di acquisto, perché determina il reale angolo di campo che avremo con quella determinata accoppiata fotocamera/obiettivo.
Questo discorso deve ovviamente essere esteso a tutte le ottiche in commercio, quindi se per esempio utilizziamo un 100 mm su una fotocamera con fattore di crop 2 è come se stessimo fotografando con un angolo di campo di un 200 mm, mentre se usiamo un 50 mm è come se stessimo fotografando con un angolo di campo di 100mm e via dicendo.
Se preferisci puoi approfondire questo e molti altri temi sul nostro canale Youtube.Iscriviti per non perdere le prossime uscite, due video alla settimana sulla fotografia e la post-produzione.
Note 5: When there is a border around the letter, the border can add contrast and would be used in calculating the contrast between the letter and its background. A narrow border around the letter would be used as the letter. A wide border around the letter that fills in the inner details of the letters acts as a halo and would be considered background.
Si tratta di argomenti che ho già ampiamente trattato in altri articoli quindi faremo solo una breve panoramica di queste tre variabili, potrai comunque approfondire ogni singolo concetto attraverso i molti link ipertestuali presenti su questa pagina.Se invece preferisci capire il concetto di lunghezza focale equivalente attraverso un video, puoi farlo attraverso una lezione del nostro videocorso di fotografia digitale.
Note 1: Refer to related resources for a list of tools that utilize the contrast ratio to analyze the contrast of Web content.
Although not required for conformance, the following additional techniques should be considered in order to make content more accessible. Not all techniques can be used or would be effective in all situations.
Note: Calculations in [ISO-9241-3] and [ANSI-HFES-100-1988] are for body text. A relaxed contrast ratio is provided for text that is much larger.
Using a light pastel background rather than a white background behind black text to create sufficient but not extreme contrast (future link)
Text that is larger and has wider character strokes is easier to read at lower contrast. The contrast requirement for larger text is therefore lower. This allows authors to use a wider range of color choices for large text, which is helpful for design of pages, particularly titles. 18 point text or 14 point bold text is judged to be large enough to require a lower contrast ratio. (See The American Printing House for the Blind Guidelines for Large Printing and The Library of Congress Guidelines for Large Print under Resources). "18 point" and "bold" can both have different meanings in different fonts but, except for very thin or unusual fonts, they should be sufficient. Since there are so many different fonts, the general measures are used and a note regarding fancy or thin fonts is included.
Note 2: Because different image editing applications default to different pixel densities (e.g. 72 PPI or 96 PPI), specifying point sizes for fonts from within an image editing application can be unreliable when it comes to presenting text at a specific size. When creating images of large-scale text, authors should ensure that the text in the resulting image is roughly equivalent to 1.2 and 1.5 em or to 120% or 150% of the default size for body text as rendered by the browser.
La lunghezza focale equivalente è un concetto fondamentale della fotografia digitale perché determina la reale porzione di scena che verrà impressa in uno scatto.Purtroppo questa variabile crea spesso un po' di confusione quando ci si avvicina al mondo della fotografia, soprattutto se si hanno esperienze solo con il formato analogico.Proprio per questo motivo ho pensato di scrivere quest'articolo dove cercheremo di capire cosa si intende con il concetto di lunghezza focale equivalente e soprattutto come calcolarla facilmente in ogni situazione in cui ti troverai.
G145: Ensuring that a contrast ratio of at least 3:1 exists between text (and images of text) and background behind the text
A contrast ratio of 3:1 is the minimum level recommended by [ISO-9241-3] and [ANSI-HFES-100-1988] for standard text and vision. The 4.5:1 ratio is used in this provision to account for the loss in contrast that results from moderately low visual acuity, congenital or acquired color deficiencies, or the loss of contrast sensitivity that typically accompanies aging.
Nell'articolo di oggi ho cercato di spiegare il concetto di lunghezza focale equivalente nella fotografia digitale.Come hai potuto notare questa variabile è strettamente connessa con altri parametri fondamentali, come l'angolo di campo e il fattore di crop, se quindi hai qualche dubbio o vuoi approfondire ogni singolo argomento ti suggerisco di usare i molti link disponibili su questa pagina.Ovviamente se hai qualche domanda o vuoi semplicemente dire la tua sull'argomento, puoi usare la sezione commenti e cercherò di risponderti nel minor tempo possibile.
Example: An applet has a "control" that can be used to move through content by line or page or random access. Since each of these would need to have a name and be settable independently, they would each be a "user interface component."
Note 1: Fonts with extraordinarily thin strokes or unusual features and characteristics that reduce the familiarity of their letter forms are harder to read, especially at lower contrast levels.
Note 6: WCAG conformance should be evaluated for color pairs specified in the content that an author would expect to appear adjacent in typical presentation. Authors need not consider unusual presentations, such as color changes made by the user agent, except where caused by authors' code.