If you’re working with a RAW file, you can also correct the perspective in Adobe Camera Raw. Just follow the instructions I gave for distortion correction in Lightroom (above).

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is a photographer and artistic researcher. She has been awarded and exhibited in Mexico, Italy, and the Netherlands. Through theory and practice, she explores the cultural aspect of photography, how it helps us relate to each other, the world, and ourselves. She has also a passion for teaching, communication, and social media. You can find more about her and her work at her website or acquire some of her works here.

Perspective distortion, on the other hand, technically isn’t lens distortion (though it often gets labeled as such). Instead, perspective distortion is created by the position of the camera in relation to the subject.

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Also, whatever software or technique you use, make sure your horizon is straight before you do any perspective correction.

Compression comes with several pleasing effects, so certain photographers, such as portrait, wildlife, and bird snappers, deliberately try to produce it. For instance, compression helps smooth out backgrounds (which in turn enhances the subject).

It’s a complex topic – but with a basic understanding of distortion, you can avoid both optical and perspective distortion in your photos, and you can take steps to correct it when necessary.

You’ll notice a pincushion effect mostly when you’re photographing with a telephoto lens or when you’re using the telephoto end of a zoom.

Pincushion distortion is the opposite of barrel distortion. Instead of producing lines that bow outward, pincushion distortion pushes lines inward, like this:

You’ve probably identified perspective distortion in your own photos, even if you didn’t know what to call it; it can get pretty obvious, especially in wide-angle, telephoto, and cityscape photography.

By the time you’ve finished, you’ll be a distortion expert – and you’ll know how to deal with any and all distortion in your photos.

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Aspheric lenses stand out in optical applications, offering distinctive advantages over traditional spherical lenses. This discussion will delve into these benefits and explore potential drawbacks, drawing insights from various sources.

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This effect is especially noticeable when using wide-angle lenses, as wide-angle photography often takes place close to the camera. However, it is not directly caused by wide-angle lenses, and you can still get extension distortion when using telephoto lenses.

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If you prefer to correct distortion in Photoshop, however (or you’re editing a JPEG file), then open the Filter menu and click on the Lens Correction option.

Of course, 50mm isn’t suitable for all types of photography. If you need to shoot with a wide-angle or telephoto lens, you can check test charts prior to purchasing new gear and pick lenses with the least distortion, or you can fix the distortion in post-production, which is surprisingly simple:

Barrel distortion is one of the most common lens distortions in photography, and it generally happens when you use a wide-angle lens (or the wide portion of a zoom). Keep in mind that the shorter the focal length, the more pronounced the distortion.

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Aspheric lenses significantly enhance optical performance by correcting aberrations, providing clearer vision, and improving peripheral vision. Their aesthetic advantages, including a slimmer profile, further contribute to their appeal. However, they come with limitations such as a smaller light area and potential adjustment challenges for individuals accustomed to spherical lenses.

For example, have you ever taken a group selfie and noticed how the person closest to the camera (generally the one holding the phone) looks wider? Or have you ever taken a shot of a tall building and noticed how the building appears to get narrower and narrower as it extends up toward the sky (to the point that it seems like it might fall backward)?

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Mustache distortion is the third type of lens distortion. It combines barrel distortion and pincushion distortion for a mustache-like effect:

You can try clicking the Auto option, or you can adjust the Vertical and Horizontal sliders until you get a nice result.

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If Lightroom doesn’t recognize your lens or does a poor job correcting distortion, you can always click the Manual option and adjust the Distortion slider until you get a result you like.

Here, you’ll find plenty of tools under Auto-Correction. To fix optical lens distortion, click the Geometric Distortion option.

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You know how big barrels have a narrow top and bottom but an expanded center? Well, that’s exactly what happens to straight lines in a photo with barrel distortion.

(In fact, the barrel distortion in fisheye lenses is so intense that photographers use it creatively instead of trying to correct it.)

Optical distortion is caused by the construction of your lens. Note that a lens can be plagued by three kinds of optical distortion, which I explore in greater depth below:

After you use the Main and Edge sliders to correct optical distortion (see above), use the Vertical and Horizontal sliders to fix any perspective distortion issues.

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So if you do plan to allow for perspective distortion and only make corrections afterward, aim to compose slightly wider than necessary (to give yourself room to crop at the end).

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You’ll often notice perspective distortion when photographing buildings. Because you’re shooting from the ground up, the bottom of the building (the part nearer to your lens) will expand, while the top of the building (the part farthest from your lens) will compress. Ultimately, the building will appear to converge toward the top.

The focal length, the design, the number of glass elements, and other factors together determine the amount and type of optical distortion a lens will produce – so some lenses feature significant distortion, while others are completely (or nearly) distortion-free. Interestingly, some zoom lenses actually produce multiple types of distortion depending on which focal lengths you test.

Compression distortion is often referred to as compression due to focal length, but this is incorrect; telephoto focal lengths do tend to exhibit more obvious compression distortion, but only because telephoto photography is generally done at a distance.

How do you plan to deal with lens distortion? Will you avoid it in camera? Correct it when editing? Both? Share your thoughts in the comments below!

Optical distortion is easy to deal with, and most professional and semi-professional editing software has a tool that lets you make quick corrections.

If you try to open a RAW file in Photoshop, it will automatically pop up in Adobe Camera Raw; here, the interface is practically identical to Lightroom, so you can follow the instructions I’ve given above.

Extension distortion, also called wide-angle distortion, is when objects close to the camera appear unnaturally large (or far apart).

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To correct perspective distortion in Lightroom, start by opening your image in the Develop panel. Find the Transform section.

Advances in manufacturing have made aspheric lenses more affordable and versatile, allowing them to replace multiple spherical lenses in various applications. This results in cost-effective and high-performance optical systems, making them a preferred choice in diverse fields.

Some types of perspective distortion can be fixed in post-processing, though note that you’ll lose pixels in the process.

To avoid this effect, try to shoot from a higher or farther vantage point – perhaps from the opposite side of the street or from a window. Alternatively, you can use tilt-shift lenses. These are capable of producing distortion-free photos (though they do tend to be relatively pricey!).

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Compression distortion is the opposite of extension distortion, and it’s when objects far from the camera appear unnaturally small (or close together).

Subtle pincushion distortion can be flattering for portraits, which is why telephoto lenses that range from 85mm to 105mm are often used by portrait photographers. But too much pincushion distortion can become problematic, so it’s always a good idea to keep an eye out for pincushion effects!

To see extension distortion in action, grab a wide-angle setup (your smartphone will work just fine!), then put your nose close to the lens and take a photo. See how your nose looks huge in relation to the rest of your face?

Unfortunately, mustache distortion is difficult to fix; fortunately, it’s also pretty rare, and if you’re lucky, it won’t affect any of your lenses.

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In fact, lens manufacturers generally provide software developers with lens correction data. Then, when you import an image into your editing software, the program recognizes your lens type and automatically applies distortion correction (though you’ll generally need to activate this process). Nice, right?

As I discussed above, perspective distortion isn’t technically lens distortion; instead, it’s caused by the distance between the subject and the camera/lens.

Selfie distortion is another common issue. To avoid it, try working with a selfie stick; you might also try mounting your camera on a tripod, activating the self-timer, and taking a few steps back. The idea is to get farther away from your camera to prevent your face (or nose) from appearing unnaturally large.