A telephoto zoom lens is my favorite piece of glass. Over the years I’ve photographed with Canon, Nikon and Sigma telephoto zoom lens. Before we let you in on the secrets of using these long lenses, we’ll first discuss a couple of basics.

As you begin your professional photography journey, you’ll hear lots of talk about flat lights as well as several other kinds of lights. And photographers have come up with about six dozen ways to describe light. Flat light. open shade, dappled light…so many terms it can be hard to keep them all straight!

And study the work of others.  Look at their images and evaluate the light in the scene.  Would you call it flat light Does the photographer create separation between the background and subject with rim lighting or backlighting?  How would different lighting change the tone and feel of the image?

So ask questions about flat light.  Ask questions about your gear.  Ask questions about composition.  Flat flight, skunky light… learn what they mean, how to use them and you’ll be well on your way to becoming a pro yourself!

Interested in how to use a ring light in your photography? We’re here to explain the use of ring lights and when they are beneficial! “Why don’t my beauty and fashion images look this good?” Many beginning photographers ask this question. Sometimes, an apparent lack of quality is caused by a missing piece of equipment…

Rim lighting can help outline the subject and separate it from the background. When a rim light hits only the hair, it’s also called a hair light.

All lenses require different techniques for photographers to grasp. Just because you know how to use one lens doesn’t mean you can use the same technique on the next. As strange as it sounds, telephoto and macro lenses have a lot in common. Personally I treat them much the same way.

Blurring backgrounds is easier with a telephoto lens than it is with a wide angle lens. Set your camera aperture on f/8 or lower, zoom the lens out to its longest focal length, and get as close to the subject as possible while still being able to focus. You also need to ensure as much distance as possible between the subject and any background elements. You won’t see any blur if the subject is against a brick wall.

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Learn Why and How to Use Off Camera Flash for Daytime Portraits! It’s no secret that photographers despise taking portraits under harsh, midday sunlight.  The midday sun can be overpowering, cause unwanted shadows and simply make it hard on your subjects to be comfortable and not squint in every photo.  But sometimes, a high noon…

If you find yourself shooting in dappled light, be mindful of those distracting spots.  Sometimes you can simply shift your subjects a few inches in any direction and you’ll eliminate those bright spots. If you can’t eliminate all those bright spots, make sure there aren’t any on faces or upper torsos.

However, backlighting isn’t limited to sunsets or sunrises.  Any situation where the soft light behind your subject is brighter than the light falling on your subject is actually backlighting.  Doorways, screens or windows can all create amazing backlighting!

Why is this important to know? There has been many instances where I’ll be trying to photograph a subject that is only a few meters from me and the lens keeps swimming in and out, not able to focus. I’ve fixed this problem every time by setting the correct metering. ie I set 1.8m -∞ for subjects closer than 6.5 meters away, and set 6.5m-∞ for everything 6.5 meters or further in distance.

On the other hand, blue hour is the hour after sunset or before sunrise.  The sun has set or hasn’t risen yet, but there is still some residual sunlight in the atmosphere, giving the sky a beautiful blue.  Instead of being solid inky black, the sky is often a lovely gradient from horizon to sky.  Blue hour is a great time to shoot cityscapes, landscapes and seascapes.

Flat lighting takes its name from how the resulting image can look…flat and lifeless. Flat lights are caused by even lighting in an environment. Overcast skies, direct flash, and really well-lit situations can all produce flat lighting.

For example, I live in a coastal town where I photograph boats anchored out at sea with islands in the background. If I use a wide angle landscape lens, the islands in the background seem much smaller and insignificant than when I use my telephoto zoom lens. For these types of shots I prefer to see layers. Hence, I’ll use my telephoto zoom lens.

Flat lighting isn’t always bad. There are some conditions where you can use it to your advantage. In the example, the ladies’ expressions add life to the shot even if the light is flat.  And there are times when flat lighting is actually desirable!

Zoom lens are used for instances where you want to fill the frame with a subject that is far in distance and you wish it to appear much closer. Good examples would be sports or animal photography where you cannot be physically close to the subject. Or maybe it is possible but you’d rather not disturb the subject, choosing instead to photograph it naturally. This is particularly useful for street photography where you don’t want the person to know they are being photographed until after the shot is taken.

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Look on the side of your lens and check if it has a focus limit switch. You will recognize it because it will have a distance metering associated with it. For example my Canon lens has a switch on the side that says 1.8m -∞, as well as 6.5m-∞. If your lens doesn’t have this switch then ignore this section.

Have you ever struggled with bad lights, leading to dark and grainy photos? You’re not the first person to grapple with this and you won’t be the last. Luckily there are a few ways you can improve. Which Type Of Light Is Used In Photography? There are two main types of lights in photography: natural…

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As a photographer, you know how angles also play a role in catching rich, dynamic lighting. In fact, an excellent composition can save images taken in uninteresting or flat light.

Golden hour is the hour before sunset or after sunrise. It happens when the sun is low in the sky and closer to the ground, relatively speaking. The light becomes softer and takes on a richer hue.  You’ll see reds, orange, blues and pinks in addition to that beautiful golden hue.

When sunlight fills the frame, and you lose image clarity, you can use a reflector for popping some of the light back into your subject. Ideally, hold the reflector opposite the light source, then adjust the angle to guide the light where you need it. Moving it closer to the subject generates more illumination.

Also known as frontal shadowless light, flat lighting is the least dramatic of all photography lighting techniques. Flat lights produce uniform illumination across the subject and over much of a shot.

Flat light doesn’t accentuate shadows or highlights, which can make any scenery lifeless. Hence, the colors and textures of your landscape shots won’t pop out.

Artificial light is any man-made lighting.  It can come from lamps, flashes, or overhead fluorescent lights.  It’s the opposite of natural light, which is sunlight.

Scouting a location is essential in all kinds of photography, as this can help you plan what gear to bring, how to find the best light, and manage the corresponding camera settings.

Flat lighting is a common occurrence in photography, as flat lights can either be accidental or deliberate. You get flat lights mostly when you put broad and direct lighting to a subject or scene. The intense light hides details and depth, resulting in a flat, dull or two-dimensional image.

The first time I used my Canon EF 70-200mm f/4L USM lens on a tripod, was to photograph beautiful night shots of the Opera House in Sydney. Looking at the images on my computer I saw they were all out of focus and appeared to have symptoms of camera shake. I later found that by keeping this switch turned on, VR / IS will look for camera vibration and when it doesn’t find it, it keeps looking. Hence in itself causing camera shake. So I went out the next night with IS turned off and captured the image seen below.

More than that, flat lighting from midday sun results in the stark contrast between shadows and highlights. This effect is the reason why you need to change angles when using natural light for outdoor photography.

Meanwhile, deep shade is where very little ambient lighting reflects back into the scene.  The edge of trees can provide open shade, whereas under a deep awning or in a tunnel would be deep shade.

The sun is the biggest natural light available at your disposal. While it’s a fantastic light source of illumination most of the time, the sun can also be too bright and harsh around noon.

Flat lighting is also helpful when shooting big group shots.  If there’s just a single light source coming at the subjects from straight on and up high, you minimize competing shadows and all the group members are evenly lit.  Perfect for team and class photos or wedding party photos!

Rim lighting is a lot like backlighting, but instead of hitting your subject from behind, the light hits them from behind and to the side.

Using TTL flash but disappointed with the results? Check out our beginner’s guide on TTL…how to use it and how to make it work better for you! Learning flash is one of the hardest skills in photography for many people. Between all the gear and the lighting and terminology, it feels really intimidating and complicated….

If you are photographing long exposures or landscapes with a telephoto lens then it is best to use a tripod. If using a tripod, look on the side of your lens for letters VR (vibration reduction for Nikon) or IS (image stabilization for Canon) and turn them off.

Backlighting is simply light illuminating the back of your subject.  In the right conditions, backlighting can enhance your images by creating lots of contrast and drama. It creates those beautiful sunset silhouettes or puts a soft light around your subject’s hair.

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Fashion and beauty photography use flat lighting a lot.  It helps hide skin imperfections, minimizes wrinkles, and smooths out the skin. The flat light fills in blemishes and cracks, making the skin flawless and flattering.

Golden hour creates long, soft light and shadows.  It makes beautiful illumination for portraits, architecture, and landscape images.

This is why a lot of shooters who know how to work with light often point their flash upwards to avoid flat lights. In some cases, they use off-camera flash to bounce the light and form shadows.

It can be intimidating to ask a professional photographer’s basic photography questions.  So let’s break down all these different types of lighting while we talk about flat lights.

However you do need to make sure your shutter speed is longer than the focal length of the lens. For example, when you zoom your lens out to 200mm, make sure the shutter speed is at minimum 1/200th of a second or faster. If you zoom it to 300mm focal length, then the shutter speed needs to be at least 1/300th of a second and so forth. This will give you the best chance of getting a sharp image while hand holding your camera.

Buildings, trees, or shades can create a flat light. Such information can help explain to clients why there’s a need to reschedule the shoot or change locations. Should a client insist on shooting at a site, time, and weather conditions that guarantee flat light, you can think of a plan to counter it.

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Flat light. Golden hour. We’ll decode these and all the other lights professional photographers are talking about for you here!

Overcast skies mean clouds cover the whole sky, resulting in flat lighting. When the sun comes out, the concentrated light slowly spreads out, producing a more direct, extreme lighting below the sun, yet less intense in other angles.

In case you only have an on-camera flash, you can still avoid flat light by changing your shooting angles. Take test shots and see which combination of perspective and light gives you the result you need. Sometimes, it’s merely a matter of repositioning yourself or the subject.

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Using a telephoto zoom lens will totally change the overall feel of the image. Especially when photographing subjects that are further in distance from you. Not only does it bring the main subject closer, but it also brings all the background elements closer as well.

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Just because it’s a long lens doesn’t mean you need to use a tripod. In fact I rarely use a tripod when using my telephoto lens. I find them too restrictive when photographing birds and wildlife.

Dappled, by definition, means marked with spots or rounded patches.  You might have heard a spotted horse or dog referred to as dappled.   Small pockets of light are coming through into your frame. Trees, window shades or even stained glass windows can create dappled light.  It can create a pretty scenery, but dappled light on your subjects’ faces or clothing can create distracting patches of light.

In the image above, the window is creating some dappled light in the frame. There are pockets of light on the baby’s head, their legs, and torsos.

This also refers to the act when a photographer places a flash to the side or to the side and slightly behind so the outer edges of the subject are lit up ever so slightly.

We’ll talk about what these terms mean and why they are important.  That way you can start to better evaluate the flat light around you and use it to your advantage!

If the subject is facing the sun, then the sun might illuminate the face evenly and develop minimal contrast. Your shots may look flat due to even and direct lighting.

The good thing about flat light is that you can use it deliberately when necessary, and combat it when you need a different effect. These simple tips can help you avoid flat light, and consequently, add depth and details to your images.

Shooting any kind of photography involves choosing the best time of the day. Additionally, weather conditions can impact lighting. Dull, grayish skies or cloudy conditions can result in challenging lighting conditions.

In some cases, the clouds can diffuse lighting evenly, acting as a giant softbox, creating even soft light that’s ideal for portrait photography.

The focus limit switch tells the camera where to focus within certain ranges in distance. For example, if you set the switch to 6.5m-∞ then the camera knows not to worry about focussing on anything closer than 6.5 meters. Knowing this information, your camera will shoot faster.

Back when I hung out with a bunch of wildlife photographers but wasn’t much of a photog myself, I often heard the term skunky light.  I had NO idea what this term meant, and I was also feeling too self-conscious to ask.  I missed out on a great photography learning opportunity because I was afraid of looking foolish.

Understanding your camera and settings and nailing composition is important.  But the best shooters know light, its qualities, its shadows and the emotion it elicits.  They use it to not only flatter their subjects but also to tell a compelling story.

Long telephoto zoom lenses are perfect for photographing macro subjects. They allow you to stand further away from the subject so not to scare it away. This has its obvious advantages when shooting timid subjects like dragonflies and insects.

When photographers hear the term telephoto they usually imagine a long lens between 70 and 500mm focal length or longer. Personally I’ve used 3 different brands and the technique for using them is basically the same.

The next time you look at a portrait, take notice of the subject’s eyes. If the photographer has done a good job of lighting the subject, you will notice that the eyes are illuminated and have life in them. See those bright eyes? They sparkle. Those glimmers of light in a subject’s eyes are called…

A normal focal length is known to be 50mm. When you shoot with a lens set at 50mm focal length, the subject will be photographed in size as you saw it in real life. If you zoom your lens out to 100mm focal length, the image will now be magnified X 2 so the subject appears much closer. Therefore the definition of a telephoto zoom lens is one that can be magnified higher than 50mm focal length.

Want that dreamy glow?  Here are our tips and tricks for natural light photography! As photographers, we know that light is the most critical aspect of photography.  By why is light so important?  And how does it affect our images? First, we need to understand the basic concept of light in photography.  To take a picture,…

Use an off-camera Speedlight to add fill light, which can help you create shadows and highlights. Make sure to bring a light stand to keep it still. As long as you know how to operate a flash, you can improve the exposure of your images despite working in an environment with flat light.

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Have you ever noticed driver’s license pictures or passport photos that look flat? They look flat because these normally use on-camera flash, pointing the flash directly at the subject. In effect, flat lighting removes most contrasts and shadows.

Flat light does minimal dimensional effect to draw a viewer’s eye into an image. In the image above, flat lighting results in a lack of depth and interest. The light is very even, shadows are gradual and there isn’t much contrast in the view.

If flat light prevents you from achieving a dramatic effect on your photographs, then you need to make your own lighting. By analyzing the light source of flat light, you can practice using the following equipment to combat it.

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If you truly want to capture a shot in overcast weather, try not to include the sky in the composition. Reposition the camera in a way that the sun isn’t directly above you. Move until you find the angle that forms shadows and contrasts.

It’s typical that you need to deal with available light at the time you take pictures. The loss of depth makes flat light challenging for landscape and nature photography, especially if you want to capture striking shadows and glowing rays.

Midday may not be suitable for landscapes as the clouds cover the sun, scattering or blocking the light in various ways. If you want to practice outdoor photography, consider shooting early in the morning or late afternoon. Sunrise and sunset produce golden hours that minimize the chances of flat light.

As it turns out, skunky lighting was another term for flat light.  But what is flat lighting?  Basically, flat lighting is lighting that produces very little contrast in your scene. Flat means there’s very little difference (contrast) between the highlights and shadows in flat light.

Open shade is a soft light that is more flattering than direct sunlight.  Subjects aren’t squinting against the sun and the light source is less specular, meaning shadows are created gradually.

Study its direction and quality.  Watch how shadows affect your subject and how quickly an area goes from light to dark.  Then think about how you could use that light to create the effect you want in your image!

Understanding how to use light to your advantage is at the heart of photography.  Start evaluating the light around you at different times of the day.