For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.

He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science, and is a Master of Arts in Publishing.  He is a member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected into BEWA, The British Equestrian Writers' Association.

I'm sure the Nikon D850 would have been the perfect camera for me back then, and it's on my 'to-buy' list when a good-priced one comes up – not that 45MP needs to be in my workflow these days – but let this be a lesson to anyone looking at new cameras. Never get caught up on the specs too much or its resolution. Go out and try it in the real world, only then you will know if it will work. It's what I should have done with the Nikon D850, it's what I have done with every camera since!

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He is familiar with and shows great interest in street, medium, and large format photography with products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2 shooting Street photography or general life as he sees it, usually in Black and White.

That mindset made me forgo possibly the best DSLR ever made – the Nikon D850, DCW's most loved camera, just because it wasn't 50 megapixels at the time and that was a MASSIVE mistake on my part!

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I took this as a sign to stay with Nikon and that they would come out with a 50MP monster to tackle the Canon EOS 5DR – that camera was the Nikon D850, and I knew what it was going to be called through word of mouth by friends who will be unnamed here – back in the days before leaks online!

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It could capture up to 5 frames-per-second, had USB 3.0, and even had a handy built-in crop factor of either 1.3x or 1.6x giving you 30.5MP or 19.6MP stills respectively meaning it could be used for any client work and I was hooked!

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I was convinced because of the '50' in its name it would be a 50MP sensor, and when it was launched I remember being heartbroken that this new revolutionary camera was 'only' 45.7MP, and that put me off the whole camera entirety and made me keep my Nikon D800s – which looking back at it now was such a mistake!

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I even remember being in talks with Canon about testing two of them with a 200mm f/2 and a 600mm f/4, preparing myself to jump ship from my familiar Nikon kit of 10+ years at the time to go with the Canon 5DS if it could keep up with my workflow. However, I was told by a Nikon rep to 'hold fire, you'll enjoy what's coming'.

At the time the method behind my total madness was that Canon had just launched the Canon EOS 5DS and 5DS R, 50.6-megapixel cameras – the highest resolution DSLR ever then – and even to this day in 2024!

Not because my D800s were useless. Far from it. In fact, I still have one D800 today that I use frequently! It was the fact I never gave the D850 a chance, I should have trusted in the brand I set my whole career on for over a decade, but I got so hung up on the megapixels that's all I could think about.

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I feel my photographic journey has come full circle as I have gotten older, and I am possibly a little wiser! I used to chase megapixels, but now I chase pictures instead. Unfortunately, in my younger days, all I wanted was resolution to offer clients the best possible images during my professional sports photography career.

This is a total contrast to what I am shooting now. The Nikon D800 is my "high-res" camera, but my main camera is an 18MP Leica M-E – yep, that's right, an 18-megapixel camera. What was I thinking back in 2017?