Arducam offers C Mount adapters for Canon and Nikon lenses. Therefore, the C-CS adapter is required if you are using the DSLR lenses on a CS-Mount camera.

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Discover key insights on Display Image Size in Audiovisual Systems, including ease of use, flexibility, and percent element height. Let these tips simplify your experience with the standard. Thanks to Rod Brown.

Most of Arducam camera modules are compatible with 18mm and 20mm hole spacing, which match the majority of the lens holder’s. Here is a video showing how to do that.

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#absorption is a physical or chemical process in which one substance is incorporated into another. When people consider the term absorption, ...

Excited to attend GDC in San Francisco this year! Eager to connect with people in the industry, share insights about the work we do at DICE and the Battlefield Franchise! Let me know if you want to chat! Don't miss out the roundtable discussions with Lydia Andrew!

The principal focus of a lens is generally defined as the point at which the rays passing parallel to the principle converge in the case of a convex lens.

21 Reasons to attend OVC USA24 : Reason 2: Ready to Workshop Your Way to Voice Acting Glory? Ever feel like your voice acting skills are a little… flat? Or maybe your character voices all sound suspiciously like your Aunt Carol? Well, fret no more, because the One Voice Conference USA 2024 (OVCUSA24) has got your back—and your vocal cords! https://lnkd.in/dMbPiucJ Get ready to roll up your sleeves and dive into some seriously fun and hands-on educational workshops. These aren’t your run-of-the-mill, snooze-fest sessions. Oh no, we’re talking about interactive, skill-boosting, mind-blowing workshops that will take your voice acting game to a whole new level. Imagine this: you’re in a room full of fellow voice actors, learning the secrets of character development, mastering technical vocal techniques, and maybe even discovering you can do a killer impression of a squirrel. Yep, these workshops are designed to make you better, bolder, and a heck of a lot more versatile. You'll get to learn from the best in the biz—real experts who know their stuff and are ready to share their golden nuggets of wisdom with you. Think of it like voice acting boot camp, but with way more laughs and zero push-ups. So, are you ready to become the voice acting superstar you were always meant to be? Pack your enthusiasm, bring your A-game, and let’s workshop our way to voice acting glory! See you there, workshop warrior! Team OVCUSA24 P.S. Did I mention there might be snacks? Because let’s be honest, who doesn’t love a good workshop snack break? https://lnkd.in/dMbPiucJ

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This week I'm taking a quick moment to step away from our regular content to bring you an exclusive behind-the-scenes look at the mix process for the upcoming film, "My Spy 2: The Eternal City." As we were wrapping up the mix on this exciting film, I had the rare opportunity to dive into an educational and informative discussion about print mastering with none other than Dolby genius Andy Potvin, right from dub stage 6 at Warner Brothers. 🔊🎚 Andy Potvin, one of the industry's most knowledgeable and engaging Dolby print master technicians (and an all-around awesome human being), breaks down the complex yet fascinating process of print mastering. If you've ever wondered how a film's audio transitions from the mix stage to theater-ready perfection, this episode is for you! What's a Print Master? In simple terms, it's the final mastering pass that ensures our mix translates perfectly in theaters, just as we intended. But there's so much more to it, and Andy lays it all out in a way that's both insightful and educational. Your support means the world to me, and I am excited for you to experience this episode. 👉 Watch the full episode here: https: https://lnkd.in/ge3Zf-Jx hashtag #postproductionsound #myspy2 #dolbyprintmaster #warnerbros #soundmixing #filmmaking #behindthescenes #masteringpostproductionsound #creativecollaboration #industryinsights

May 29, 2023 — USB 1.0 and 2.0 were the first versions, with 2.0 supporting a maximum transfer rate of 480 Mbps. USB 3.0, also known as USB 3.1 Gen 1, ...

PRESENSE.2 — Outdoor Audiovisual Installation The artwork surrounds the viewer with pillars of light and affects the hearing with a multi-channel acoustic system. It invokes the sense of something moving around the viewer through physical impact of light and sound. #audiovisualart #audiovisualinstallation #lightinstallation #lightart #newmediaart #touchdesigner #multimediaart #creativetechnology #digitalart

Needed a quick worksheet to solidify the parts of the camera in my student's heads before we really got practicing and using our cameras so I developed this - ...

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Today, a virtual event is likely to be just as big (if not bigger) than one in-person! But having your audience on the other side of a screen means the equipment you use to reach them needs to be the top of the line, and the preparation needs to be professional. Read about our skills in virtual event production and reach out to make your next stream a success! 💻 https://brnw.ch/21wH92c #virtualevent #eventplanning #audiovisual #MetroTechnicalServices #eventproduction

The flange focal distance is 17.526 millimeters (0.6900 in) for a C-Mount. CS-Mount has a flange focal distance of 12.526 millimeters (0.4931 in) but is otherwise the same as C-Mount, including the fact that lenses for many different formats are made for it.

C/CS Mount Lenses on the High Quality IMX477](https://www.arducam.com/raspberry-pi-high-quality-camera-c-cs-mount-lens/)

Struggling to land a placement in the sync industry? Pay attention to the smallest details for success. 🏆🎬 1. Polite, respectful, and personalized emails are key. 2. Ensure your songs are of high quality, recorded and mixed to perfection. Don’t forget to check your metadata too! 3. Research your contacts and align your tracks with their campaigns or film projects. 4. Timing is crucial, so be patient. Remember these factors for successful pitching. 🔊 voiceover by our Creative Director Skye Tazmin #SyncIndustry #MusicIndustry #PlacementStruggles #PitchingTips #MusicBusiness #Sync101 #SyncLicensing

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https://lnkd.in/eA4DhA9M The history of voice acting can be traced back to the 1900s, when innovative figures like Reginald Fessenden laid the groundwork for modern voice communication. In 1900, Fessenden achieved a milestone by transmitting the first voice via radio waves, laying the foundation for future developments in voice technology and shaping the early history of voice-acting.

Did you hear? At this year's GDC, the Audio Directors' Roundtable on March 21 will feature our very own Studio Head of Creative, Lydia Andrew - https://bit.ly/3TmJCLO Check it out if you're planning to attend GDC, and don't miss an opportunity to meet Amanda Franell & Anna Wedin from our Talent Acquisition team. See you in SF!

The HQ camera with C/CS-Mount is a big step forward Lens is a crucial part in a camera system that needs flexibility. A single lens cannot meet all needs because the use case varies from Read more…

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Since CS-Mount is basically the same as C-Mount except for the flange focal distance, you can adapter a CS-Mount to C Mount by adding a 5mm C-CS adapter to a CS-Mount to use with C-Mount lenses.

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If you are using Arducam camera modules with CS-Mount, you can easily replace the CS-mount with an M12 mount by changing the lens holder.

The Importance of ADR in Post-Production 🎙️ Automated Dialogue Replacement (ADR) is a vital process in post-production that ensures dialogue clarity and consistency. Whether it’s due to on-set noise, technical issues, or the need for additional lines, ADR allows actors to re-record their dialogue in a controlled studio environment. This process not only improves audio quality but also enhances the overall storytelling by ensuring good intelligibility. ADR can be challenging, requiring precise timing and performance to match the original scene and 'lip-sync', but the results are well worth the effort. Have you ever noticed a line of ADR stand out on a film or show?

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Modulation transfer function (MTF) is one of the most important parameters by which image quality is measured.

In some circumstances, you might want to convert the C/CS-Mount to an M12 mount. There are two ways to achieve that depending on the type of the CS Mount to be adapted.

I help empower sound pros to navigate, believe, and thrive in the post-production sound industry | Emmy® Nominated Sound Re-Recording Mixer | Supervising Sound Editor | Founder Mastering Post-Production Sound.

The Raspberry Pi High Quality Camera, on the other hand, is not the same case. It’s lens holders – officially called the main housing – is not designed to be easily interchangeable.

A C-Mount is a type of lens mount commonly found on CCTV cameras, machine vision cameras, and microscopes. C-mount lenses provide a male thread, which mates with a female thread on the camera. The thread is nominally 1 inch (25.4 mm) in diameter, with 32 threads per inch (0.794 mm pitch).

Therefore, to adapter a CS-mount camera like this, you need an M12 to CS-Mount adapter. Here is an illustration of how that works.

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TipThe flange focal distance is 17.526 millimeters (0.6900 in) for a C-Mount. CS-Mount has a flange focal distance of 12.526 millimeters (0.4931 in) but is otherwise the same as C-Mount, including the fact that lenses for many different formats are made for it.

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Therefore, if you find you cannot manage to focus a CS-Mount lens, check if you leave the 5mm C-CS adapter on the thread.

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May 16, 2023 — The ways to get a long focal length such as 1000mm are: 1. to start with a pair of individual convex lenses that are 2000mm or longer. 2 ...

Some of the most practical tips I've ever received about evaluating my video-format work with an accessibility lens were this: 1. Play your video with your eyes closed - do you still understand what's going on? 2. Next, play the video with your ears covered - do you still understand what's going on? This was part of my mental checklist before I approved anything in post-production and once things were uploaded in the digital space. Small actions we can take that make a big difference for a lot of people. This is something I feel would be relevant for live theatre and makes me wonder how many theatres have closed captioning and audio description devices available for their audience.