Chromatic Aberration | Nikon's MicroscopyU - chromatic aberration
Unlike the aberrations mentioned above, distortions do not generally affect image sharpness and cannot be minimized by stopping down the lens. However, barrel and pincushion distortions can be efficiently corrected using software like Adobe Lightroom, and most modern cameras automatically apply the appropriate corrections when taking a picture. Correcting complex distortions is also possible but requires a correction profile that accurately maps the structure of the warped geometry.
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Dimensions are 38.5" Wide x 72.25" High.
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Linear distortions refer to deviations from an ideal rectilinear projection. Rectilinear lenses are designed to render straight elements in a scene as straight lines in the image. There are three main types of distortion: barrel (convex), pincushion (concave), and complex (sometimes called ‘moustache’ distortion).
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Barrel and pincushion distortions are often associated with specific focal lengths. For instance, short-focus lenses tend to exhibit barrel distortion, while long-focus lenses are more prone to pincushion distortion. Zoom lenses commonly show both types of distortion, with barrel distortion appearing at the wide end and transitioning to pincushion distortion at the telephoto end of the zoom range. This behaviour is consistent regardless of the absolute focal length of the zoom lens. For example, both 16–35 mm and 70–200 mm lenses will show barrel distortion at 16 mm and 70 mm, respectively, and pincushion distortion at 35 mm and 200 mm, respectively.
Optical aberrations are imperfections in the way lenses converge rays of light to a point. These lens aberrations can be categorized into two types: the imperfect convergence of light to a focused point (affecting sharpness) and flawed geometric projection of the scene (manifesting as distortions or warping). When designing a lens, optical engineers face a series of complex compromises to minimize aberrations. Since no lens is perfect, engineers must make the best possible trade-offs within the constraints of the intended use, features, production costs, and target price. While there is little you can do about aberrations in your lenses (apart from stopping down the aperture), it’s helpful to understand them when considering a new purchase. More importantly, as a photographer, being aware of your lenses’ limitations allows you to leverage their strengths and avoid emphasizing their weaknesses.
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Aberrations are the primary cause of reduced acuity in lenses that are correctly focused. There are five types you should know about, chromatic aberration, spherical aberration, curvature of field, coma, and astigmatism.
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Astigmatism causes a subject point located away from the lens axis to appear as a highly stretched oval at one focus distance, as a highly stretched oval perpendicular to the first at another focus distance, and as a blurry disc in between. There are two types: tangential and sagittal astigmatism. In tangential astigmatism, the elongation of subject points occurs along an imaginary line radiating from the optical axis. In sagittal astigmatism, the elongation is perpendicular to this line, appearing as if it follows imaginary rings circling the optical axis. Like most other types of aberration, astigmatism can be reduced by stopping down the aperture.
Field Curvature occurs when a lens cannot focus a flat subject perpendicular to its optical axis onto a flat image plane. To some extent, this aberration is not problematic for portrait, landscape, or street photography; however, it is highly undesirable in fields that feature prominent flat planes, such as architectural, technical, and macro photography. The effects of field curvature can be reduced by stopping down the aperture.
Spherical aberrations result in soft-focused images that lack fine contrast. They occur when light passing through the edges of a lens focuses closer to the lens than light passing through its centre. In most lenses, spherical aberration is considered an undesirable technical flaw. However, in the past, controlled spherical aberration was intentionally used in “soft-focus” portrait lenses. This type of aberration can be reduced by stopping down the aperture.
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Coma refers to a lens’s reduced ability to render a sharp point image that originates away from the lens axis. As the name suggests, the resulting image of such a point source has a shape resembling a comet’s tail. Coma can be minimized by stopping down the aperture.
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Chromatic aberrations manifest themselves as fringes of colour on high-contrast edges. They are caused by different wavelengths of light (i.e., different colours) undergoing varying degrees of refraction and being focused at different positions as they pass through the lens. Two types of chromatic aberration exist: axial (or longitudinal) and transverse (or lateral). Axial chromatic aberrations are caused by different wavelengths of light focusing at varying distances from the lens. Blue-violet light focuses closer to the lens than red, with green coming into focus between them. Axial chromatic aberrations can be minimized by stopping down your aperture, which brings the wavelengths into acceptable focus. Transverse chromatic aberrations occur when different wavelengths of light focus on different positions of the focal plane (i.e., on the image sensor). These issues typically occur with short-focus lenses, particularly ultra-wide lenses. Transverse chromatic aberrations cannot be reduced by stopping down the aperture but can be effectively minimized in raw files using software like Adobe Lightroom.
Despite the presence of optical distortions in many lenses, their effects are often subtle and hard to notice in most photographs. Distortions become most evident in images that feature straight lines running parallel and close to the edges of the frame.
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