When you look at a photograph, one of the first things you notice is whether it is in focus or not. While there are some exceptional photos that stick in the mind despite being out of focus, getting the subject sharp is the aim and starting point of almost all photography. In the early days of autofocus photography (Canon's first SLR with AF was the T80 in 1985), the AF drive motor was frequently located in the camera body or attached to the lens and drove the lens mechanically. In 1987, with the introduction of the EF lens mount and its fully electronic connectors, Canon was able to miniaturise the autofocus motor to fit inside the lens itself. This raised the possibility that each AF motor could be optimised for the lens it was fitted into, thereby providing faster autofocus. However, there was still a need to create a high-powered AF motor for fast aperture lenses with larger focusing groups, which could work efficiently and deliver fast, smooth and quiet autofocusing. The result was the EF 300mm f/2.8L USM lens, with a ring-type Ultra Sonic Motor (USM) that was both fast and near silent. In 1990, advancements in manufacturing techniques lowered production costs, allowing Canon to introduce ring-type USM motors into lenses at a consumer-friendly price Two years later, in 1992, automated production lines led to the development of the Micro USM motor for use in consumer lenses. Ten years after that, in 2002, came the Micro USM II motor, which is only half the size of the original Micro USM motor.

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The latest development, VCM (Voice Coil Motor) is a powerful and responsive linear drive AF motor with a comparatively simple, brushless design. Rather than using ultrasonic vibration energy to move the focus lens group, it uses magnetic force for fast, fluid-focusing adjustments. The focus unit is attached to a coil of wire which is positioned between drive magnets. These drive magnets shift back and forth to adjust the position of the magnetic field, which in turn moves the coil and the focus unit linearly in the lens barrel. Like Nano USM, VCM combines the speed and precision that professional photographers require with the smooth, stable and near-silent autofocus needed for video. VCM motors, however, are more efficient at moving the heavier focus lens groups found in primes and zooms with fast maximum apertures. The Canon  RF 35mm F1.4L VCM was the first lens to include a VCM autofocus actuator, which in this case is paired with a smaller Nano USM. These focusing motors work in tandem, with the VCM controlling the four larger focusing lenses and the Nano USM adjusting a floating lens group. The two different lens groups can be moved simultaneously or independently, with the floating system helping to suppress focus breathing – making it ideal for cinematic focus when filming. A VCM lens requires power from the camera to hold the focusing lens group in position. This means that when the camera is turned off, or the lens is not attached to the camera, you may notice some noise and movement from the internal components; this is normal and does not affect the performance of the lens.

Plano-convexlens

The Canon RF 24-105mm F4L IS USM lens has a Nano USM motor (labelled Nano USM) controlled by a microprocessor (labelled Lens Microprocessor), which communicates at high speed with the Dual Pixel CMOS AF system in the sensor of EOS R System cameras and the camera's processor (labelled Image Processor), delivering super-fast autofocus performance.

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The three factors that affect background blur are: aperture (using a wide one), focal length (longer lenses enhance the affect), and distance to subject and subject’s distance to the background.

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I prefer the slightly longer 85mm because, besides using a large aperture, the focal length also plays a part in how much the background gets blurred.

Depth of focus

Last week we looked at using shutter speed and how it controls motion in your image. For that effect we used the Shutter Priority mode, for creating shallow depth of field we use the aperture so we’ll switch over to Aperture Priority mode.

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In this example, you can really see how the background starts to come in focus as you close the aperture down to a smaller and smaller opening. Look at the patio and the snow on the railing, compare the first and last images in that area. In the image using f1.8 the snow is so out of focus, it has almost started to become circles of white (ironically called circles of confusion, go figure!). Notice how far away that background is, and how widely out of focus I can throw it and have a good result, even using an aperture like f5.6

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So what can we take away from this experiment? Go out and try doing this yourself. Set your camera on Aperture Priority and run the full range. Make sure then when you get to the smaller apertures (f11, 16 or 22) that your shutter speed isn’t getting too slow for hand holding. If you need to, use a tripod to steady the camera. Don’t let your shutter speed go lower than 1 over the focal length of your lens (so using a 200mm lens you need to shoot at 1/200th of a second or faster to get no camera shake) . I pushed that a bit here using 1/60th with an 85mm lens but it still came out relatively sharp. I could have used a tripod or increased my ISO to give me a bit more shutter speed room.

The Canon EF-S 18-135mm f/3.5-5.6 IS USM lens introduced Nano USM technology, delivering high AF performance in an even more compact size than previous technologies.

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Notice how different the last shot above looks than the first one! Keep in mind you do NOT have to buy expensive $2000+ lenses to get this look. Sure you can if you feel rich, but if wanna save your pennies opt for a less expensive fixed lens with a wide aperture such as a 50mm f1.8 (less than $150 usually) or an 85mm f1.8 (around $600 or so).

The ring-type USM motor is the most widely used AF motor in the Canon EF lens range. To be effective, a ring-type USM motor needs to meet certain requirements. It must be powerful enough to drive the focusing lens group quickly and easily at low speed, so as to avoid the need for a gear system to reduce the speed. It must exhibit high levels of holding power, so that once the motor is switched off, the focusing lens group is held in place without any further input needed. It should be simple to manufacture, and should start and stop quickly to ensure the best focus response. It should also be as quiet as possible in use. In addition to these features, ring-type motors are also highly efficient and have low power consumption to maximise the camera battery life. Being ring-shaped, they are ideal for fitting within the lens barrel. Their focusing speed is very controlled, and they are stable across a wide range of temperatures, from -30°C to +60°C. The ring-type USM is actually very simple in operation. It is composed of a rotor and a stator – an elastic body with a piezoelectric ceramic voltage element attached to it. Applying an AC current with a resonant frequency around 30kHz to the stator creates vibrations that cause the rotor to rotate continuously. The frequency of 30kHz is in the ultrasonic range, and this is where the USM motors derive their name. The piezoelectric element generates ultrasonic waves which, a bit like ocean waves propelling a surfer, cause the rotor to create a rotational force that moves the focusing group. Switching the current between two different phases changes the direction of the ultrasonic waves. Consequently, the focusing group can be made to move in different directions, giving control over the direction, speed and degree of focus adjustment.

As the name suggests, Dual Nano USM uses two Nano USM motors, each driving different lens groups. Not only do these groups work together to produce faster, more efficient focusing, they can be controlled independently to suppress focus breathing when shooting video. Launched in October 2019, the RF 70-200mm f/2.8L IS USM was the first lens to feature Dual Nano USM technology. This has since become a staple feature of professional RF telephoto lenses, including the RF 100-300mm F2.8L IS USM and RF 70-200mm F4L IS USM, and hybrid video/stills lenses such as the RF 24-105mm F2.8L IS USM Z.

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Larger STM lenses incorporate a lead-screw type STM system, which is bulkier than the gear type STM units used in more compact lenses but faster and quieter in operation.

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Ring-type USM motors have a relatively simple construction and arrangement of the rotor and stator. The stator is the toothed ring at the rear.

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A decade later, in 2012, a new type of focusing motor was introduced, STM, named after its use of stepper motors. This was developed with video particularly in mind because it enables very smooth, quiet focus changes. In 2016 Canon introduced Nano USM focusing, which combines the speed of ring-type USM with the quietness and smoothness of STM focusing. Three years later, Dual Nano USM focusing debuted in the RF 70-200mm F2.8L IS USM. Nano USM motors enable two different lens groups to be moved independently, helping to minimise focus breathing and provide smooth, fast and near-silent continuous focusing. That totals to five types of USM motor – the ring-type, Micro, Micro II, Nano and Dual Nano types. Like all autofocus motors, their purpose is to convert electromagnetic force into rotational motion, which drives the lens's focusing elements. What sets USM motors apart is their use of ultrasonic vibration energy, which is converted into rotational force. A new type of Canon autofocus motor was revealed in June 2024. The Voice Coil Motor (VCM) actuator uses a magnetic field to drive the focusing elements and deliver high-thrust, high-precision autofocus. VCM is an exceptionally smooth and quiet AF motor, making it ideally suited to a new generation of hybrid RF lenses for filmmakers and photographers.

Have you ever noticed everything you shoot with wide lens all seems to be in focus? While the depth of field mathematically is actually the same as with a longer lens – the wide makes everything appear more in focus, partly because of distance to subject.

You can use the widest aperture, and the longest lens but if you put your subject right up next to the background you’ll never get it blurred. The further away from the background the subject is, the more out of focus you can make it.

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The three factors that affect background blur are: aperture, focal length, and distance of the subject to the background

Canon’s Voice Coil Motor (VCM) actuator was introduced in the RF 35mm F1.4L VCM lens. This type of AF motor uses magnetic force to drive focus lenses swiftly and smoothly.

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On a Canon camera you will want to choose the Av (which means aperture value) setting, and on Nikon choose A. That will put you in aperture priority where you will be choosing the aperture setting and the camera will be choosing the shutter speed to make the correct exposure.

Let’s do one more example, using that subject to background distance factor I mentioned above. In the following images I focused on the tree which was fairly close to me. The background house, yard, etc, is quite a distance away. Let’s see how the same settings we used above play out in this scenario.

The next focusing motor technology developed was a little different. First introduced in 2012, STM lenses are good for stills but they're great for video because the STM (stepper) motor produces smooth, quiet focusing movement. A stepper motor uses DC (direct current) passing through multiple coils organised into groups. Supplying current to the groups in a sequence rotates the motor one step at a time. More groups enable more precise steps or movements to be made. When compact size is paramount, Canon uses gear type STM technology. This uses helical gears to drive the focus without taking up much space. Larger lenses use a lead-screw type STM system. This is bigger than gear type STM units but it's faster and quieter.

The focusing lens group in a VCM motor is attached to a coil, which is moved linearly back and forth along a magnetic field created by drive magnets.

The following images were all shot with an 85mm f1.8 lens (that just means the largest aperture possible on it is f1.8). With such a lens it is possible to get the background way out of focus.

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The Micro USM II motor is essentially a reduced size version of the Micro USM motor. It functions in a very similar way, but the length of the unit has been greatly reduced to allow it to be used in ultra-compact zoom lenses. The reduction in size has been achieved by reconfiguring the rotor and stator so that, instead of the two being aligned in a row, part of the stator is placed inside the rotor. This required the creation of a new format of vibration, so that the resonant frequency of the piezoelectric elements was not too high, resulting in insufficient vibrational amplitude. The outcome is that the Micro USM II is about half the size and half the weight of a Micro USM motor, and yet retains almost the same performance characteristics. Its small size means the Micro USM II is well suited to use in compact zoom lenses. However, Micro USM and Micro USM II are less common today, because of the introduction of more advanced lens motor technologies.

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So DO go try this at home. Try it with something close to the background, then far away. Try it with a 12mm lens, 50mm lens, then a 200mm and see what happens. Share your results in the comments section and please share this article using the social media links below if you enjoyed it.

If you want to make a nice out of focus background, and utilize shallow depth of field choose a large aperture opening, the biggest you have on your lens. Aperture settings can be a bit confusing because they are inverse of what you’d expect. The largest aperture opening is actually represented by the smallest number. An example of that would be f1.8 or 2.8. Choosing a small aperture like f22 of f32 will give you a large depth of field where it’s possible to get your entire scene in sharp focus. Each setting has applications in certain scenarios, it’s important to know which aperture to use to get the affect you desire.

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Nano USM technology was introduced in 2016. The aim was to produce a motor that can deliver the speed photographers want for stills with the smooth, steady adjustment required for video. Like earlier USM motors, Nano USM uses ultrasonic vibration to create movement, but it's very small and still delivers high autofocus performance. Like other USM units, the Nano USM motor has an elastic metal body, a ceramic voltage element and a drive unit. Sending current and varying the voltage applied to the ceramic elements creates two types of vibrations, which enable the motor to precisely control the speed and direction of the drive unit. However, the movement is linear rather than rotational – the lens focus elements are driven by a rack, with guide bars to control the forward and backward movement. The outcome is smooth focusing with fine control over speed and near-silent operation.

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Unlike the ring USM, where the stator and rotor are separate parts, in the Micro USM design the rotor, stator and drive gear are combined into one unit roughly half the weight of a ring-type USM motor. While the more powerful ring-type USM is designed to fit in the circular barrel of a lens, making it ideal for use in large professional zoom lenses, the Micro USM motor was created to fit in a wide range of lenses without being restricted to the size of the lens barrel. Micro motors are also cheaper to produce, making them more suitable for use in consumer lenses where cost is an issue. In principle, the Micro USM works in a similar way to a ring-type USM, with ultrasonic vibrations created by piezoelectric elements. There are four piezoelectric layers, each constructed from two alternating phase piezoelectric elements. These elements are offset from each other in alternating phases by 90°. Applying an AC current to only the A-phase causes the stator to vibrate left and right. If current is applied to the B-phase, the stator will rotor forwards and backwards. When current is applied to both the A-phase and the B-phase, the resulting motion is rotational as the tip of the stator moves, for example, left, back, right, forward, left, back, right, forward. This rotational force is applied to the main drive gear, which in turn is used to drive the gears of the focusing mechanism.

If you’ve ever wanted to create images with a beautiful, soft out of focus background this article will give you some tips and guidelines to do just that. We’re going to look at how to use Depth of Field (which is simply how much of your image is in focus) and what settings to use to optimize this effect.

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