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MIDI, which stands for Musical Instrument Digital Interface, isn’t a sound or instrument, it carries digital instructions to recreate the music. For example, if a chord progression is laid down via MIDI, those same chords’ notes, velocity, vibrato, panning, tempo, and pitch can be transmitted to an instrument that has MIDI capabilities. Every time a musician plays a MIDI instrument, the performance is transmitted into MIDI data. That data can then be transferred to a computer and played the same exact way through another MIDI instrument.

Standard MIDI cables are wired with pins 4 and 5 carrying the current, and pin 2 being used for the shielding to ground the cable. This means pins 1 and 3 aren’t needed and thus not wired. With a 5-pin discrete cable, all the pins are wired, allowing for any application that requires pins 1 and 3 to transmit something like power. Hosa MIDI cables are wired 5-pin discrete and can therefore be used for any standard MIDI cable function. Other MIDI cables without all pins wired could not perform the additional functions that require the connection of all five pins.

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Since MIDI cables don’t transfer audio, more emphasis should be put on the build quality, reliability, warranty, and secure connection. Hosa MIDI cables are built to withstand the damages that come from being plugged and unplugged, tugged, crammed into gig bags and confined spaces, being stepped on, and all manner of occupational hazards. Each comes with a lifetime warranty for replacement should your abuses exceed anything reasonable.

Our low-cost, high-quality Hosa MIDI cable is designed to interconnect MIDI devices. Unlike other cables, the Hosa MIDI cable is wired 5-pin discrete and compatible with all MIDI standards, including SysEx. These durable MIDI cables come in several lengths, from 1 foot to 25 feet, so you can get the right length for your needs.

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ARTA.EXE - program for the impulse response measurement, real-time spectrum analysis and frequency response measurements.

You can read ARTA as; Audio Real Time Analysis. ARTA software contains three programs: ARTA.EXE - program for the impulse response measurement, real-time spectrum analysis and frequency response measurements. STEPS.EXE - program for frequency response measurements with stepped-sine excitation. Simultaneously with a frequency response measurement the program estimates levels of 2nd, 3rd, 4th, 5th and higher order harmonic distortions.LIMP.EXE - program for the loudspeaker impedance measurement and loudspeaker parameters estimation. ARTA has functions of following measurement systems: Signal generator of random and deterministic signals Impulse response measurement system Frequency response measurement system Fourier analyzer Spectrum analyzer THD analyzer Storage scope With calibrated microphone, ARTA can be used as a virtual IEC class 1 SPL meter with a real time modes: Integrating SPL meter with 24 hours data logging, Octave SPL meter with noise rating (NR, NC, PNC, RC,NCB), Third octave SPL meter with report of loudness in sones and level in phones ARTA is also a powerful analyzer of Gated impulse response, Smoothed frequency response (in 1/n-octave bands), Step response, Impulse response envelope (ETC – curve), Cumulative spectral decay waterfall graphs and sonogram, Burst decay waterfall graphs and sonograms, Energy decay in reverberant environments, Room acoustical parameters, Directivity patterns, Speech intelligibility measures: MTF, STI, STIPA, %AL. ARTA software contains User manuals for all its programs (see Install section). Several Tutorials and Application Notes are presented in Support section. Latest news: March, 30, 2024; Important notice: The selling of ARTA license key has been stopped.   March, 5, 2024; Important notice: The lifetime of ARTA development has come to an end. After more than twenty years of ARTA software development I decided to stop development and take care of myself.    I have fullfilled my promise that ARTA users will get free update to all versions 1.x.x.. Note:  1) ARTA selling will be stopped on March, 30, 2024. 2) The firm ARTALABS be closed in April or May 2024. 3) The ARTALABS web site will be active until February, 2025. The last version and support files will be available for download. 4) I hope that you will be able to use ARTA software on Windows for many years (while Windows support 32-bit programs). Best regards, Ivo Mateljan   December, 27, 2023; New contact email address is: artalabs@outlook,com, December, 5, 2023; ARTA software version 1.9.7 is published.  (see  News and  Install sections). For more details, see News section. Screenshots from programs ARTA, LIMP and STEPS   Figure 1. The ARTA window for impulse response analysis.   Figure 2. The dialog box for measurement of impulse response using four types of signals: periodic noise, swept-sine, MLS and external impulse.   Figure 3. The ARTA spectrum analyzer window.   Figure 4. The Energy decay window with user interface for acoustical parameters estimation   Figure 5. The Cumulative Spectral Decay of two-way loudspeaker box.   Figure 6. The Shaped Burst Decay response of two-way loudspeaker box   Figure 7. The Directivity sonogram   Figure 8. The LIMP window for impedance measurement   Figure 9. The STEPS plot of frequency response, 2nd and 3rd harmonic distortion, measured with stepped-sine. A sample from registered user list: A sample list of well known registered users contains laboratories at Samsung Electronics, Phillips, Sony Corp., Siemens, Nokia, LG Electronics, Skype/Microsoft, Analog Devices, Maxim Semiconductors, Conexant Systems, Intel Technology - Poland, L-Acoustics, Beyerdynamic, Quadral, Genelec Oy, Ford Audio-Video, General Electric Global Research, Orban, Bose, Logitech, Visaton, Revox, MBL,QSC Audio Products LLC, Bang Olufsen - Deutschland ....

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STEPS.EXE - program for frequency response measurements with stepped-sine excitation. Simultaneously with a frequency response measurement the program estimates levels of 2nd, 3rd, 4th, 5th and higher order harmonic distortions.LIMP.EXE - program for the loudspeaker impedance measurement and loudspeaker parameters estimation.

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Since 1984, Hosa has been providing cables and accessories across the audio, music, and video industries. Over that time, Hosa has become a trusted name to consumers and professionals alike, with its dedication to quality, innovation, and unparalleled customer service. Hosa stands behind each cable with a lifetime warranty because these are the tools people rely on to keep their signals strong.

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4) I hope that you will be able to use ARTA software on Windows for many years (while Windows support 32-bit programs).

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MIDI is a universally used and recognized format, making the same MIDI cable functional for uses across all corners of musical equipment. Whether it’s from a guitar amplifier to a channel switcher, or an electric keyboard to an audio interface, the same cable serves both equally. MIDI simplifies commands and is an easy organizational tool for professionals of all types.

ARTA is also a powerful analyzer of Gated impulse response, Smoothed frequency response (in 1/n-octave bands), Step response, Impulse response envelope (ETC – curve), Cumulative spectral decay waterfall graphs and sonogram, Burst decay waterfall graphs and sonograms, Energy decay in reverberant environments, Room acoustical parameters, Directivity patterns, Speech intelligibility measures: MTF, STI, STIPA, %AL.

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When you have multiple MIDI devices, it’s helpful to consider a MIDI interface, which will give you more MIDI ports and added flexibility. If you are looking to connect a single MIDI device to a desktop computer, a MIDI to USB interface, like the Hosa USM-422, is a simple and portable solution.

3) The ARTALABS web site will be active until February, 2025. The last version and support files will be available for download.

Figure 2. The dialog box for measurement of impulse response using four types of signals: periodic noise, swept-sine, MLS and external impulse.

Features include: • Nickel-plated plugs for rugged durability and efficient signal transfer • Oxygen-Free Copper (OFC) conductors for enhanced signal clarity • OFC spiral shield for effective EMI and RFI rejection and flexibility

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MIDI In is for the device to receive MIDI data in order to make changes. MIDI Out is for the device to send changes to a receiver. MIDI Thru passes an exact copy of the MIDI information that was received by that device to another receiver. The reason for MIDI Thru is that MIDI Out will usually contain added information from that device. Should you want to send additional unaffected MIDI data to a different receiver, MIDI Thru allows you to simplify complex signal chains.