;An offset command in inches ;If you have to do an offset while ;in an metric drawing this does it (defun C:2( / d) (setq d (getdist "Input distance (in): ")); in inches (setq d (* d 25.40))                  ; converts it to mm (command "._offset" d)                  ;sends value to offset command )

13mmto inches

I do realize that some of you would comment why not convert it after you draw it or why not scale... I just needed to know if there is a way to draw in this way??

AMD provides a parameterizable LogiCORE™ IP solution for the 10 Gigabit per second (Gbps) Ethernet Media Access Controller function used to interface to ...

Je ne vous mentirais pas si je vous disais que tous les photographes utilisent des logiciels de retouche. Lightroom étant le plus connu et le plus complet, celui-ci vous apportera tout ce dont vous avez besoin. N’hésitez pas à regarder différents tutoriels et à vous documenter pour approfondir vos connaissances. Depuis avril 2023 Adobe a rajouté l’IA « réduction du bruit » dans son interface. Cette technologie peut être utilisée quand trop de « bruit » apparaît sur vos photos à cause d’une faible luminosité.

Whenever you're using a bounce flash, you point it at a nearby surface, could be a wall or the ceiling, could also be the floor to bounce and diffuse light. It helps avoid harsh shadows.

Hanhphuc  cal has a heap of smart functions and is hardly ever used. I often use it to just do like multiply. you can do all sorts of things like 2 * rad for offset etc. bit slow though if having to type all the time.

(defun c:PL1(/ d p1 s)   (setq d (getreal "Input (in): "))(terpri)   (setq p1 (getpoint "Pick first point" ))(terpri)    (setq s (* d 25.4))    (command "._pline" p1 ....... s)    (princ)   )

Post processing or editing is an excellent way to give you images a softer look. If, for example, you've photographed in direct light/sunlight you can reduce the highlights and lift the shadows as basics to remove the harshness. You could also bring down the contrast to smooth over the image. Playing with saturation and other aspects are just part of finding the perfect balance to your image!

I do realize that some of you would comment why not convert it after you draw it or why not scale... I just needed to know if there is a way to draw in this way??

The ShiftCam Snaplight is a pocket sized ring light that goes everywhere you do to brighten your content with hands-free LED lighting.

Command: _offset Current settings: Erase source=No  Layer=Source  OFFSETGAPTYPE=0 Specify offset distance or [Through/Erase/Layer] <3.000>: 'cal >>>> Expression: 24.5*3

One thing though living in the land of metric depending on what your building should rounding be considered ? Would you build 100 or 101.6 a foot is 304 mm should you do it 300 mm if using say cut timber sheets they are exactly mm sizes like 1200x900 not  1219.2 x914.4 that 14.4mm would be a real problem 19.2 even bigger problem.

This is a space to share examples, stories, or insights that don’t fit into any of the previous sections. What else would you like to add?

I agree that ideally getting the shot right is the best way to insure you achieve the ideal photograph, but in reality that’s not always possible. Rather than setting the white balance in Photoshop, I’ve had success using the gray balance, and making sure there is a perfect gray element in the shot (even if it’s on the edge to be cropped out).

12mmto inches

I give myself personal projects to shoot. I am inspired by many things (music, art etc) and use these ideas to channel into my photography. I love working on my own projects as it allows me to take whatever creativity I have to a new level. The most important factor is light, practice with all kinds of light, see where the shadows are around your "hero", and where the reflections are. Backlight, or side lighting, darker mood or brighter mood - light really is one of the main factors for any kind of photography but more so in food photography. When I first got into food photography 15 years ago it took me a whole year to understand how natural light affects my images. Not only time of day but also time of year (Northern Hemisphere).

A lot of photographers prefer shooting on overcast days as clouds act as natural diffusers. If you're in England that's basically most days! However, the diffused light effects can also be achieved in other conditions by moving the subject in a shaded area where the lighting is still pretty good. Blue hour (after golden hour or at dawn) are also excellent times to shoot when you want a natural diffuser!

The best and easiest way for any portrait artist in my opinion is to wait for a cloudy day. The cloud serves perfectly as the soft box for the harsh sunlight and helps to create pictures with less and sometimes with no shadows. On any harsh light day, one can shoot in the open shade to avoid the contrasty light. The big windows can be used as a source of light to create great portraits. A small portable reflector can be used to further cut down the shadows depending on the amount of shadows you need on your subject.

it seems there is nothing you cannot do. It is actually nice to see that this works on all commands. Job WELL DONE!- so here is the follow up question...

25mmto inches

Professional photographer with over 20 years of communications experience in international organizations, cultural heritage institutions, and online and print media.

My favorite is the bounce flash technique which involves redirecting your flash off a surface like a wall or ceiling (white is the preferred color). This creates a soft, diffused light similar to natural window or skylight illumination, reducing harsh shadows and the red-eye effect.

Question: is it possible to use similar methods to upon executing the command (say PL1), start pline in inches in a metric cad file?

20mmto inches

Question: is it possible to use similar methods to upon executing the command (say PL1), start pline in inches in a metric cad file?

You can post now and register later. If you have an account, sign in now to post with your account. Note: Your post will require moderator approval before it will be visible.

If you want end result as pline do a cons of (entlast) as you make lines can then join them into a pline at end or pedit last and join new as you go.

Hanhphuc  cal has a heap of smart functions and is hardly ever used. I often use it to just do like multiply. you can do all sorts of things like 2 * rad for offset etc. bit slow though if having to type all the time.

The telecentric lens machine vision is a high-end industrial lens, usually with superior image quality, especially suitable for size measurement applications.

40mmto inches

14.4 mmto inchesfraction

Administrator September 15, 2023 A.I. in industries, A.I. OCR tool, Artificial intelligence ... , Camera system for deep learning inspection, Cognex ViDi ...

Aim to make photos from artificial lighting to look like they were taken with natural lighting, and you will be in on a good path to mastering photography.

As I mostly shoot in my studio, during diffused light is an integral part of my shoot, especially in product photography. I always diffusion panels or scrim to diffuse the light. When it comes to diffusion panels, I often have to use double diffusion depending on the intensity of light I use.

I consider myself a natural light photographer, meaning, I have no control over the forecast! This means that I have to maneuver myself and move around in order to find the perfect lighting. Alternatively, if I'm photographing indoors, I can use sheer curtains or parchment/butter paper to give my images that soft diffused feel. You can also invest in artificial light and experiment with those and see what work for you.

; input feet then inches then fractions as many as required. ; 123.11.5 is 123 feet 11 inches + 0.5 of a inch 3/8 is 0.375

The best way is practice and education. Understanding light is photography. Inverse Square Law . Basically soft diffused light is is the lights size relation to the subject. This can be achieved in many many way. Examples pull a light source like a strobe which is undiffued makes it larger to the source making softer light. The eaisest may is using a soft box or other diffuser that essentially spreads the light masking it larger. Much more involved . I do cover this on many of my education platforms for those who want to learn more

; input feet then inches then fractions as many as required. ; 123.11.5 is 123 feet 11 inches + 0.5 of a inch 3/8 is 0.375

📸 J’attire et rassure vos clients • Créez et développez enfin une vraie image de marque • La référence de la photographie : corporate, branding, portrait féminin, mariage haut de gamme, formation à la photo

Le meilleur moyen pour utiliser les différentes lumières à bonne escient c’est de pratiquer, tester, essayer. Internet regorge d’informations concernant celles-ci. À vous de savoir quelle lumière vous souhaitez utiliser ! Alors plutôt naturelle ou artificielle ?

Basler Standard Ring Lights are commonly placed around the camera and can be used in various applications for bright field lighting.

Diffused light is light that has been scattered or reflected by a medium, such as clouds, fog, water, or a translucent material. Diffused light reduces the contrast, shadows, and highlights in your scene, creating a more even and gentle illumination. Diffused light is often preferred for portraits, landscapes, and still life photography, as it can enhance the colors, textures, and details of your subject.

Specify next point or [Arc/Close/Halfwidth/Length/Undo/Width]: 3            <-- mouse pointing to west or polar tracking Specify next point or [Arc/Close/Halfwidth/Length/Undo/Width]: 'dd

When I was getting started with photography, experimenting (especially with light) greatly benefitted me and gave me the insight I needed to understand that photography really is about light at the end of the day, and how you can manipulate or work it to your advantage. From experimenting in-camera when it comes to lighting, to switching up your environment and using diffusers to see how that impacts light. Explore, experiment and most of all - enjoy getting to know the relationship between yourself, lighting and the end result that is your photo.

Post-processing is an important factor for photography. If you are shooting in RAW format then to transfer it to a usable file format you have to use some kind of software so this first step is already "post-processing." I do think that every photographer regardless of amateur or professional post-processes and there is absolutely nothing wrong about that. Having said that, I would still advise getting as much "right" while behind the camera and shooting the images. Paying attention to detail, light, colour etc. is advisable while shooting rather than spending hours with post-processing software editing for hours. This way you are able to focus on editing the basic things and get back to the next shoot and next photo job!

To bounce the light from the on-camera flash, point the flashgun head towards the ceiling of the side walls as per the shot's requirement. A white ceiling or wall is desired to point the flashgun towards to avoid any colour cast and even spread of the light. Most flashguns have inbuilt bounce cards that can be utilized to fill the light on the subject. Suppose the ceiling has a beam or other structure that parts the top in more than one section. Then, keep the subject and the flashgun in the same section only. Otherwise, the beam or other elements may block the light from reaching the subject, and the shot will be underexposed.

Bounce flash is a technique that involves bouncing the light from your flash off a reflective surface, such as a wall, a ceiling, or a reflector. Bounce flash can create a soft, diffused light effect in your photographs, as it mimics the natural light from a window or a skylight. Bounce flash can also reduce the harsh shadows and red-eye effect that direct flash can cause. To use bounce flash, you need to adjust the angle and power of your flash, as well as the color and distance of the reflective surface. For example, you can tilt your flash upwards or sideways, use a low or medium power setting, and bounce the light off a white or neutral-colored surface.

Lot of photographers specially the younger generation rely on post process. There is no doubt that these softwares are great help to us but at the same time as a photographer we should be getting the right shot at the first place. Imagine if a client ask you to look at the shot at the back of the screen, what would you like to explain to him. You cannot tell him that you will fix it later in the post process. As a photographer, our credibility is our best tool. During my portrait shoots, I try my best to establish my client's trust in me,as I then able to get the expression and emotions out of them.Once they have faith in me, they know that they will have great images after the session and participate in the shoot.

Place a white sheet between your subject and a floodlight, we would get much softer shadows than if we simply hit the subject directly with the floodlight.While a softbox may produce soft shadows on a human when 5 ft away, it will likely produce sharp shadows on a car. In ideal soft lighting scenarios there’s a direct relationship between the size of your subject and the recommended size of your source light. As your subject gets bigger, so should the size of your light source if you want soft shadows. You can find a lot of diffusers that may help on Amazon.

14.4 mmtocm

Use diffusers like a photography umbrella, softbox, or a reflector with a diffuser panel to soften harsh sunlight or studio lights. These tools scatter and soften the light before it reaches your subject.

About this app. arrow_forward. Pulsar Music Player has long been one of the best music players on Android. It is an offline audio player without advertisements.

Kondensor Abbe N.A. 1,25 (mit Aperturblende) Mikroskopkondensoren - OBB-A1380.

Another way to create a soft, diffused light effect in your photographs is to use artificial diffusers, such as umbrellas, softboxes, reflectors, or diffuser panels. These tools can modify and diffuse the light from your flash, strobe, or other artificial light source, creating a more natural and pleasing light. To use artificial diffusers, you need to consider the size, shape, and distance of the diffuser, as well as the angle and position of the light source. For example, you can use a large and round diffuser, such as an umbrella or a softbox, close to your subject, and at a 45-degree angle from the camera.

Hanhphuc your right about the bearing I normally use ddd.mmss have done so since the 1990's. Working in metric just makes life so much easier.

The catadioptric telescopes use both lenses and curved mirrors in their optical system. The primary mirror forms an image and the lenses are designed to ...

Use your hand with the modelling light to test the quality of your light! Scrunch your fist into a ball and rotate it around to see how your light will effect your subject! Old trick i learnt assisting!

Mass communications professor, award-winning community journalist, radio DJ, sports communications director, public relations specialist, book editor, Little League baseball coach and Sunday School teacher.

Personally, I prefer the artificial light more than the natural one because I get to control every aspect (e.g. brightness, distance, shape, etc.) The key to experimenting with artificial lights is to start with a near 100% dark environment. I personally practice in my garage studio, where it cuts almost all natural lights. (If your environment is too bright, increase your shutter speed to reduce the light, and then add your artificial light sources.) Once you have your room darkness set to your liking, then pick a subject and setup your light. I do portrait photography a lot, so I have a mannequin as a subject when I practice. Next, shoot -> adjust -> shoot -> adjust & repeat. Online tutorials are great, but nothing replaces practice!

There are many styles of shooting where we can utilize natural diffusers. Clouds are the easiest way to use as a natural diffuser. They help to cut the harshness of the sunlight. Be it during the morning or evening golden hours; utilizing cloud cover will help your images have that 'POP' that we all are looking for. If its hard to setup times when the clouds are out in the sky, having a sheet of paper or a white sheet between your flash and the subject can help achieve similar results.

Among genotyped calves, 237 of them were progenies of 50 sires having German origin (DE), while 26 claves originated from 10 Austrian sires (AT). ... View ...

Bouncing the flash off the white surface is always a great way to mimic the soft light created by a huge soft box. There are two important things to keep I mind though: first, one needs to use more power from the flash unit which means if you are using batteries you are draining them at a faster rate. Second, one might be using a bigger aperture to compensate the light which means less depth of field.

Current line-width is 0.0000 Specify next point or [Arc/Halfwidth/Length/Undo/Width]: 'dd DIST_dd_mm_ss : 5 36 52 12                <-- dist dd mm ss (3.00001 3.99999 0.0)

Pour créer un effet de lumière douce et diffuse dans vos photographies, plusieurs techniques peuvent être employées. L'utilisation de diffuseurs, comme des softboxes ou des parapluies en photographie de studio, aide à adoucir la lumière. En extérieur, tirer parti de la lumière naturelle, surtout durant les heures dorées du matin ou du soir, peut produire une lumière douce. L'utilisation de réflecteurs pour diriger la lumière naturelle ou artificielle de manière plus uniforme est également efficace. De plus, expérimenter avec des filtres de diffusion ou même des matériaux translucides devant la source lumineuse peut aider à adoucir les ombres et à créer une atmosphère plus douce et plus flatteuse dans vos images.

Équipez-vous ou préférez la « débrouille » : à vous de choisir ! L’éclairage de qualité studio n’est pas réservé qu’aux photographes professionnels possédant un équipement onéreux. Vous pouvez jouer avec une lumière diffuse, quel que soit votre budget. Quasiment toutes les techniques de diffusion reposent sur le même principe : placer un écran, une feuille ou un filtre translucide entre la source lumineuse et le sujet pour réorienter les rayons de lumière dure et ainsi adoucir l’éclairage.

I found that chaging the camera system reframes your mindset quite fast. If you shoot digital, get a 35mm camera and put a few rolls of film through it. If you shoot full frame, get a medium or large format camera and change your perspective. The more you work within one format, especially without new imput and research, the less creative you will be. Because you get stuck in a rut and follow the same patterns. Also, forcing yourself to shoot a different style or subject type could push you out of your confort zone and into new creative areas.

It can though be all to no avail, for here in say AUS, old towers would have been built to say inch standard, new towers are possibly now true metric sizes. A lot of stuff though is still built to old standards.

Post-processing is another technique that can help you create a soft, diffused light effect in your photographs, using software such as Photoshop, Lightroom, or GIMP. Post-processing can allow you to fine-tune and enhance the light, color, contrast, and sharpness of your images, as well as apply filters and effects that can simulate a diffused light. To use post-processing, you need to have a good understanding of the tools and features of your software, as well as the principles of exposure, white balance, and color grading. For example, you can use the curves, levels, or exposure adjustments to brighten and soften your image, use the white balance and color balance adjustments to correct and warm up your image, and use the blur, glow, or soft focus effects to create a diffused light effect.

When in the studio, set up your lightning equipment, your softboxes or your umbrellas. Decide on the direction and angle of your light, most photographers or art creators commonly used 45 degrees. You could make yours unique, Not more than 50 degrees and less that 43 degrees. This allows you create a pleasant lightning. Most importantly, consider the background you're using. The background should not contradict either the subject.

Soft, diffused light is a desirable effect for many photographers, as it can create a flattering, natural, and dreamy mood in your images. However, achieving this effect can be challenging, especially when you have to work with harsh, direct, or artificial light sources. In this article, we will explore some of the most effective techniques for creating a soft, diffused light effect in your photographs, using different tools and methods.

Shoot in front of a window and use white sheer drapes to create the same effect. Or use white plastic bags or even paper towels taped to the window to create the same diffusion. Get creative with everyday subjects that anyone had on hand.

Light EVO Series Delivers Up To four wavelengths: 755 nm, 532 nm, 1064 nm and 1320 nm For Laser Hair Removal And Vascular Lesion Treatments.

Social Media, Content Marketing and SEO Professional | Content Creator | Photographer | @Inspiring_SA Top 5 South African Women to Watch 2021

Is it then possible to have '3 for inputting feet&inches, example '2 4&8 = 4 feet and 8 inches (1st * 304.8 & 2nd * 25.4) ?

The final technique for creating a soft, diffused light effect in your photographs is to experiment and practice with different combinations of the techniques mentioned above. Experimenting and practicing can help you discover new ways to create a diffused light effect, as well as improve your skills and confidence as a photographer. To experiment and practice, you need to have a curious and creative mindset, as well as a willingness to learn from your mistakes and feedback. For example, you can try different light sources, diffusers, angles, positions, settings, and effects, and compare the results and see what works best for you and your style.

In the art of product photography for advertising, creativity consistently delivers the most impactful outcomes. To achieve optimal lighting conditions and generate soft, flattering shadows, I utilize translucent papers, such as Savage Translucent or more economical alternatives like tracing paper. By strategically positioning and manipulating the light source, I endeavor to capture the essence of the product in a visually compelling manner.

10mmto inches

If you want end result as pline do a cons of (entlast) as you make lines can then join them into a pline at end or pedit last and join new as you go.

Be mindful when you habitually use diffused lighting. A beautiful diffused light can also make your subject a flat, under-dramatic look. Which in many cases may not be the look you are looking for, but you are stuck with it thinking that it is best practice.

Nice routine though combing the distance and bearing into a string. I would have used dist.dec,DDD.mmss so no problems with a space terminating a string input.

;An offset command in inches ;If you have to do an offset while ;in an metric drawing this does it (defun C:2( / d) (setq d (getdist "Input distance (in): ")); in inches (setq d (* d 25.40))                  ; converts it to mm (command "._offset" d)                  ;sends value to offset command )

In the studio I use sheer curtains that are hanging above the windows. Other equipment would be diffusion panels or a cheap trick is also using rolls of thin tracing paper and sticking it to the window. It gives a wonderful soft light.

The multi getvals.lsp  above can have the default reset every time if you want for distance and bearing save a bit of typing as you may say do repeated brg's but different lengths.

(dt_dd_mm_ss  25.4  "0.19685  36 52 12") returns (4.99999 0.643503) ;distance & angle (related to user units sysvar i.e: angdir , angbase)

Le flash rebond, aussi appelé flash cobra s’utilise facilement sur tout types d’appareils photo. Lorsque votre lumière est faible et que vous devez utiliser votre flash, vous pouvez utiliser le réflecteur pour faire rebondir la lumière de votre flash. C’est dans ces situations-là qu’il faudrait peut-être recourir à des techniques d’utilisation plus avancées, dont celle du rebond.

In my practice, to achieve a soft light in the portraits, I tend to use a bigger diffused light source relative to the subject. Bringing the light source closer to the subject adds more to the softness.

In my experience as a beach sunset photographer I have come to appreciate the beach itself as a studio. The white sand of our beach is a huge reflector. But mostly the expanse of open sky and water really helps soften the background. You can start one hour before sunset and get an incredible array of effects by shooting in all directions. You have fun with your subjects moving them around. My favorite time is that magic moment when the sun is really low, and the light is shifting from gold to red. Stand with the sun at your back so your people are facing the sun. The light will be so soft they won’t need to squint or wear sunglasses. They will be bathed in light and your sky will be rich in color.

There are so many modifiers available in the market which can be used to alter the intensity of light falling on the subject. The softboxes are great if one is shooting in the studio whereas umbrellas are great if someone is shooting outdoors as it is much faster to close them and move to the next location. For outdoor shoots, i usually prefer to work with umbrellas and collapsible reflectors, as, I then concentrate more on my subject and composition rather than get myself busy with the equipments.

One of the easiest ways to create a soft, diffused light effect in your photographs is to use natural diffusers, such as clouds, fog, mist, or haze. These elements can filter and soften the sunlight, creating a more flattering and atmospheric light. To use natural diffusers, you need to pay attention to the weather, the time of day, and the direction of the light. For example, you can shoot during overcast days, early mornings, or late afternoons, when the sun is low and less intense. You can also position yourself and your subject in relation to the light source, such as facing away from the sun, or using a backlight or a side light.