The curtains used are generally the liner and come in two flavors, opaque like 216 or frosted like opal. I only use the 216 lookalikes because if I’m using a shower curtain it’s because I want a big, cheap diffusion source. Frosted won’t give me a big soft source right.

Picture lights, typically mounted around the frame of a painting, offer a classic and elegant way to illuminate individual artworks. These custom lights are worth considering for enhancing the presentation of certain pieces.

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But if we shine that same light through diffusion, here this round silk that’s part of my 5-in-1 reflector, we now have a wider source of light. Light from the center, the edges, all of it, is lighting our talent. This wider source “wraps” around our subject more than a small, point source of light. It, therefore, fills in its own shadows.

You can buy this material online, link in the description. You can also use fold up silks as I did from my 5-in-one kit. You can grip them in a c-stand or use this handy device to adapt them to a light stand.

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The advantage of industry produced diffusion like 216 is it can handle the heat, especially when clothes pinned to a tungsten lights barn door. But with LED’s today and other low-heat lights like full spectrum fluorescents, heats not really much of an issue.

Let's look at that silk again. You’ll notice a hot spot. This means our the diffusion frame, as a diffuse light source, is uneven. Our subject will be lit less evenly by this frame.

Different exhibitions may call for varying levels of brightness and ambiance. Lighting with dimmable and color control features can be invaluable for creating the desired atmosphere.

Now, this only touches on the main types of diffusion which is probably all you need. We don’t get into grid cloth, big 20 by silks and others. Future episodes. But if you play with these forms of diffusion, you’ll be fine. Shoot tests. Play around with different materials. And Would love to see them.

Consulting Lighting Designers or Experts: Experienced lighting designers can help create a lighting plan tailored to your gallery’s unique needs and requirements.

Solais offers downlights like Stretta that provide general illumination for gallery spaces. They are not only affordable but also versatile, making them suitable for remodel installations. Pendant lights, a form of downlight, can be used to create a unique lighting arrangement while adding aesthetic value to the space.

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Spotlights are perfect for drawing attention to individual artworks. Solais’ VNSP Optic Lamp is designed for spot lighting and can replace AR 111 bulbs. The adjustability and precision of trackheads ensure that the narrow beam angle of the VNSP lamp creates focused and controlled illumination, making it an exceptional choice for highlighting specific pieces with unrivaled accuracy.

What’s the alternative? Gel sheets. They come usually 21”x 22” square but also come in other sizes like 10”x10.” You can buy them at your camera/video store or online.

You can also use the popular low budget diffusion used in the indie world forever: the shower curtain. It was so popular back in the day there used to be a gel sheet sold called shower curtain.

Direct lighting involves pointing light sources onto artworks, creating distinct highlights and shadows. Indirect lighting, on the other hand, bounces light off surfaces, creating soft, even illumination. A balanced combination of both techniques can create a dynamic and visually appealing gallery.

Importance of Mock Lighting Setups: Before finalizing the lighting design, it’s advisable to set up mock lighting arrangements to assess their effectiveness in enhancing the artworks.

Adding a second layer of diffusion can help us even out the spread of light from our light source, by creating a wider source of light that then illuminates our silk.

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Wall wash lighting is essential for creating even illumination while limiting excessive light exposure. Solais’ LWW Wall Wash allows you to customize ambience with different optics, ensuring that artwork textures and details are highlighted without glare.

We’re going to talk about diffusion. We’ll look at how to use it. The different types used professionally and how you can create it with household materials.

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We can create our own by using 2x3’ showcard. You may be used to using a collapsible frame for bouncing sun or daylight as fill but you can also use it inside. Grifflon is a material used on bigger frames as a large bounce on exteriors.

You can buy the same nylon “silk” material used in flags. I bought a 1 yard by 60” piece that’s perfect, for a little over $7 bucks.

They not only contain all the spill from your bulbs but the reflected interior sends it forward, helping to give us an even spread.

Collaborating with Artists for Input: Involve the artists themselves in the lighting decisions, as they can offer valuable insights into how their works should be illuminated.

Nov 14, 2023 — LED TVs are a type of flat panel display that uses LED backlighting instead of CCFLs (cold cathode fluorescent lamps).

I want max light output towards my talent so I use LED par bulbs that focus a lot of light in one direction, and that’s usually through my diffusion.

Now one item we don’t have time to get into is containing all that spill from lighting diffusion. On set a 4’x4’ 216 frames would be contained by 4’x4’ solids, side, top and sometimes even the bottom. But on smaller sets with smaller crews, soft boxes come to the rescue.

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Gels on a film set are generally rolls. They’re 4’ wide and 25’ long. They’re cut and taped to 4x4’ frames and other uses. Rolls are wonderful but expensive.

Adapting Lighting for Changing Exhibits: Dimmability and color control become essential features when the gallery regularly hosts changing exhibitions, as they allow for flexibility and adaptability.

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In this blog, we’ll explore the importance of lighting in an art gallery, understand the basics of art gallery lighting, and delve into the best LED lights and fixtures for showcasing art.

So how do you create diffusion? A popular theory is you just put some white diffusion material in front of your light. But here’s the thing: diffusion doesn’t change the actual waves of light, it just creates a wider source of more scattered light. The size of your light source determines how diffuse it is on your subject.

Setting Up Temporary Lighting Arrangements: During the exhibition setup, temporary lighting can be used to fine-tune the lighting effects.Using trackheads that are easily put in and taken out help eliminate the need for temporary solutions and are more forgiving in this way, allowing for more exploration of placement over time.

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Track lighting offers flexibility in highlighting artworks. Solais’ Nano Lucie with different track versions can replace MR-16 bulbs, providing energy-efficient options. It’s ideal for directing adjustable light onto paintings, sculptures, or any other focal points in the gallery.

Double diffusion and a bounce card do eat up some of our light output so we have to keep that in mind. Some diffusion material can eat up 1 to 2 stops of light.

Remember, the actual light rays don’t change. We’re just creating a wider source of light relative to our subject. So why double?

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Frosts are more transparent. Think a thin cloud layer were you can still the sun or a frosted window. They maintain the shape and beam of a light but soften its edges.

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Color temperature, measured in Kelvins (K), influences the mood and appearance of artwork. Cooler temperatures (higher Kelvins) lend a contemporary feel, while warmer temperatures (lower Kelvins) create a sense of nurturing and connection. Selecting the right color temperature is crucial to complement the art’s theme and style.

Soliciting Feedback from Visitors and Artists: Collect feedback from visitors and artists to gauge their reactions to the lighting and make necessary adjustments.

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The synergy between artwork, lighting, and the gallery space can create an unforgettable and enriching experience for visitors. The choice of LED lights and fixtures plays a pivotal role in this synergy, enhancing the perception and appreciation of art.

You can also use tracing paper sheets like those used on china lanterns. And yes, you can use china lanterns but I only use them in a big space with high ceilings for ambient/background levels of light since they spread light everywhere.

If you’re embarking on an art gallery lighting project, whether for a new exhibition or a complete gallery overhaul, contact Solais lighting experts for assistance. We understand the unique requirements of art gallery lighting and can help you achieve the perfect illumination that showcases your art collection in its best light.

You see, a small light comes from one direction relative to our subject. It, therefore, creates harsh shadows. It’s what we call a point source of light.

What is diffusion? It’s the action of spreading light from a light source evenly so as to reduce glare and harsh shadows.

In the world of art, lighting is the brushstroke that adds depth, drama, and life to the canvas. The right lighting can transform an art gallery into a captivating and immersive space, enhancing the perception and appreciation of the artworks on display.

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Now if diffusion doesn’t change the quality of light, why do some gaffers double up their diffusion. Even some softboxes come with an extra inner layer of diffusion. I’ve even had people tell me it “doubles” the softness of the light rays. Really?

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Consider the overall aesthetics and theme of the gallery. The lighting should complement the gallery’s design and the intended mood for the exhibition.

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Now, let’s explore various types of light fixtures suitable for art galleries, including some Solais products that excel in these categories:

Another way to create an even spread is with what is called a book light. We bounce light into a card or reflector at an angle to our diffusion, here a sheet of Lee 216. The setup is like an open book, which gives us a more even spread on our diffusion frame.

The size and layout of the gallery space influence lighting decisions. Larger spaces may require more fixtures, while smaller galleries can create intimate atmospheres with careful placement of lighting.

Spotlights enhance your space, illuminate key features and bring out the best in your décor with a direct boost of brightness.