That’s what i’m doing for my short, perhaps it can give you some idea:  my short movie the character will have only a torch and a bit of blue backlight from a (fake) window. But this means that nothing will actually light his face: you put a torch in front of you, not on you… My possible solution: in some shots the torch will be visible (that’s the motivation), but in the close ups it won’t and i’ll give him 2 or 3 torches and place a bouncing surface at the right angle in front  of him.  Since it will create a lot bouncing lights i’ll place a black flag right behind him to make the room darker. My goal is creating the right contrast ratio between him and the background while keeping the ISO as low as i can. It should work, as long as i manage to keep all of this stuff out of camera in a really small space.

– if you want to shape the lights you could use some (black) flag to reduce the bouncing on the wall and the ambient light, if you manage to avoid to make the flag visible in camera (in a small space may be tricky, be creative with camera angles!)

You may want to reduce the number of lights but add ‘detail’ to the room itself (textured wallpapers, pictures, blankets, pillows, magazines, clothes ect).

I would like to know if you have any advice on lighting on small spaces with practicals with out overflooding it with lights, since i wanna creat small pockets of lights and shadows across the room.

Practical lighting refers to the use of on-set light sources, such as lamps, candles, or any visible fixtures within a scene, to enhance realism and atmosphere.

SECOLITE

We're on a mission to combine festive and atmosphere lighting, tailor-made design, and use our decades of experience to build on the unique properties of ...

Free Returns ✓ Free Shipping✓. LED Selfie Light, Rechargeable Phone Selfie Lamp, Computer Video Conference Lighting, Portable Mini Light, Christmas Gift- ...

2 hour fire ratedcement board

Find Transmit Band Pass Filters and get Free Shipping on Most Orders Over $99 at DX Engineering!

Just a tangent to the OP’s question – I find what separates amateurish looking scenes from professional ones is the set dressing. Stip – the examples you included are a perfect example. So much texture and personal items fill up the intimate space in frame. It seems many lower budget films skip this and the intimate scenes have bare walls in the background. The set dressing really sells it I feel. I realize this is not the DP’s job, but certainly there’s a discussion to be had there.

Just a tangent to the OP’s question – I find what separates amateurish looking scenes from professional ones is the set dressing. Stip – the examples you included are a perfect example. So much texture and personal items fill up the intimate space in frame. It seems many lower budget films skip this and the intimate scenes have bare walls in the background. The set dressing really sells it I feel. I realize this is not the DP’s job, but certainly there’s a discussion to be had there.

My second question is, about exposure, since most of this practical are not designed for filmaking purposes, what kind of advice on bulbs, motivated lighning or DIY fixtures do you have for nailing exposure with practicals?

– you want the audience think that the light is created by a bulb, a candle, etc, but this doesn’t mean that you actually use them to light all of your scenes. Example : in a  medium shot you show the practical light, so the audience know that there’s that source there. This create the motivation to know where the light is coming from. In the next close up of your talent you could use another source (of the same color and type of light but stronger) that you won’t show but that will help you achieving the right exposure. A bit of creativity and DIY will help you in creating the right look. You want to use a nice lamp for the scene? You can hide a second bulb behind it, for example, to have more light from the same practical source (if i remember correctly Roger did something like that for 1917, in the tent scene to increase the light from a lantern).

PermaBASECement Board

LucasM: Excellent point. Yes, having a clear intention, using minimalist or intricate set design serves the scene the best.

– pay attention to the noise created by high ISO : a low key scene will probably mean that you’ll need to rely on high ISO to achieve the correct exposure. Use it as very last resource

JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser.

2021118 — I ran the wire from the cargo drain plug light between the heat shield and the cargo tub, then over the rear axle vent tube, then over the upper ...

You may also find a single lamp that’s design does something special to the room (see pic). You could place reflective items or mirrors in the room that provide isles of light when reflecting the main light.

– mind the inverse square law. It could be a powerful tool but I’m afraid it could also turn into the biggest enemy of people like us using a small set of practical lights. When you double the distance the light gets 4 times weaker, that means you’ll need 2 stops more to achieve the same exposure (please, correct me if i’m wrong on that). On the contrary, if you halve the distance you get a 4 times stronger light, with a bonus of 2 stops in exposure. The same practical light you used in a shot will be stronger or weaker in the next according to this law: for example, mind it when planning actors movement.

From there you could supplement small accents of light that do not really add brightness but solely mood – like a small lava lamp, tiny light chain, a computer tablet lying somewhere or get creative, e.g. a t-shirt hanging over a lamp shade if it’s a messy teenager’s room. You may also make use of color contrast and have the main light sources have vastly different color temperatures.

A close collaboration with the set designer and dressers makes so much sense and pays off. The easiest way to get an interesting shot is to point the camera at something interesting.

Im doing a shortfilm in the next couple of weeks, it al happens in a small bedroom. After reading the script i came to the conclusion that since it is a very intimate and cozy story, i would like to light mostly with practicals (lamps, candles, stringlights, etc)

Our family of under-cabinet lighting fixtures can be mixed and matched to create clean accent lighting in your kitchen or any other cabinet space.

Cement Boardmanufacturers

PermaBASE PLUSCement Board

ILLUMINATION definition: 1. light: 2. coloured decorative lights outside that make a town look bright and exciting at…. Learn more.

I’m in the very same situation (working on a short movie with little experience, practical lights, etc) , so I can’t give you advices, but perhaps the things that I tried for myself could help you a little and save you some time (i hope so, at least) .

iCAM7000 allows rapid iris acquisition with great image quality for superior enrolment and recognition made possible with its interactive interface.

PermaBaseCement Boardfire rating

20241121 — The proposed approach utilizes the circuit editing through the silicon (backside) by ion beam and optical imaging. This technique allows access ...

Right now im figuring out how im gonna place the lights and im making my light diagrams, but im encountering a lot of doubts since im pretty new to this craft still.

I agree with you on the importance of set dressing but I don’t think it’s the only element that makes a difference. I’m afraid that a blank wall shot by a great cinematographer will be more interesting than a stunning set shot by, let’s say, me. Consider Stalker by Tarkovsky: an immortal masterpiece, but to say that its sets are minimalistic it’s an understatement. Lights, set, camera movements, angles, blocking, etc etc. : every piece of the puzzle should be carefully planned to achieve the visual result. This is where i find the difference : a professional director know (well, at least he should know) exactly the result he wants to obtain and leads the production in that direction, an amateur usually does his best with what’s available, with limited knowledge and lack of a global vision.

Jun 13, 2024 — The DC power connector, or DC connector, is a common electrical connector used to provide safe and reliable direct current power to electronic devices in low- ...