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Illumination Systems Australia have accrued over 40 years of experience in the electrical industry. We specialise in the installation of specialist equipment ...

So, while keeping this same lighting setup, let’s change the music and add an extra shot, changing the context of the scene (refer to the video). With both hopeful-sounding music and showing our character being released, it also changes the context of our lighting. It now feels more representative of a savior figure. We still can’t make out his face very well, but the rim light might subtly suggest something more angelic, like a halo around this mystery person who helps release our other character. The same lighting is used in both cases, with the rim light emphasizing or representing two different feelings carried by the choice of music.

Now, it feels like some dark revelation. We’ve given more context to the simple threatening scene we started without knowing the full story behind the shot—three feelings built from a simple rim light. You can see how versatile the simple rim light can be in describing a tone to the audience. But a rim light can be flexible enough to emphasize different moods without changing the lighting.

Presented by Service Electric, Illumination at Coca-Cola Park takes place nightly from 6-9 p.m. and feature over one million holiday lights. Every 15-20 minutes, a mesmerizing music and light show where the stadium lights come alive in harmony with the holiday music.

Tickets are on sale now. Pre-purchased admission for dates in November is $11 and $13 in December and January. Same day tickets are $13 for November and $15 for December and January. Tickets are limited -- advanced purchase is recommended.

The bright light shines directly at us, the viewer, and we can only make out his facial features. The rim light shapes and separates his head and shoulders, creating a dark silhouette. This was lit with a boom arm in front of our subject, a Nanlite Forza 60c, and a reflector dish attached.

This sunset light shining in and around the location also helps to bring a little detail back onto our subject’s face, but due to the size of the windows and our subject’s position, we’re not entirely covering both his head and shoulders.

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Rim light is the way we may envision backlight overall when we first become familiar with the term. It generally means an object or subject backlit in a broader capacity so that their head, shoulders, and possibly even more of their body are lit from behind, relative to the camera. Besides creating depth, a rim light can elicit a feeling or emotion in an image, which can be exaggerated or even changed using other elements like music.

We placed a Forza 60c reflector dish attached a little above and behind him to fix this. Since the subject obscures the little 60c for the duration of the shot, it extends the sunset backlight into a full rim light, helping to create a more clearly outlined silhouette.

Generally, you may hear a backlight broken down into four terms: Rim light, edge light, hair light, and kicker. Knowing how each of these aspects of backlight affects an image’s look, feel, and even narrative can be a necessary insight when creating a scene. This is lighting for Cinema A to Z (you can find the entire playlist here).

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Another tonal shift, a third light, is introduced, revealing more detail on the subject’s face. We attached a second Forza 60c reflector dish aimed at the ceiling in front of and just to the left of our subject. Retaining a darker atmospheric soundtrack with a sudden shift to something more dramatic, we achieve a different feeling to the other two scenarios.

So maybe we want something less threatening and more mysterious but still dark. We added a slight light wrap on our subject’s left side using a gridded Pavot tube 15 C2, placing it at a backlit angle without interfering with the overall shape of our rim light.

Illumination is held at Coca-Cola Park, home of the Lehigh Valley IronPigs, Triple A affiliate of the Philadelphia Phillies.

a property, peculiar to certain crystals, of reflecting light in two different colors when viewed from two different directions. — dichroic, adj. dioptrics.

This relatively abstract scene of our subject in a dimly lit room, backlit by a somewhat ambiguous practical light, feels dark and a little threatening.

To create the rim light, we started with the ambient light coming through this small workshop’s top and back windows. We placed a Nanlux 1200B outside these back windows, acting as our sunset. This could have been achieved with a much cheaper lighting fixture, but we chose the 1,200 B for its weatherproofing.

If you’d like to learn more about recreating daylight, check out my course on ShopMoment. It teaches you how daylight works naturally in terms of quality and color, demonstrating how simply knowing these qualities will allow you to translate them into an image lit with intention. Alternatively, for ad-free extended tutorials, you can find me on Patreon.

The rim light from the sunset outside the garage doors highlights the shoulders and head, enabling us to expose his face much darker while still making it very obvious to our audience that they’re looking at a person. They’re not likely to imagine anything good happening in the scene after he stands up.

In part two, we’ll look at the edge light and how the one-sided nature of this backlight can be used alongside direction and position to accentuate the narrative or feelings in a scene.

Although simple on the surface, a backlight can be used in several ways. It’s not just for separating your subject from the background; it can also tell a story. In the tutorial below, I will run you through two scenes where using backlight can elevate your cinematography and your intended story.

Get the cozy holiday vibes started and roast s'mores at fire pits located around the ballpark concourse. Enjoy special holiday food creations and winter cocktails. The kids can go on train rides, write letters to Santa or have pictures with Santa and Elsa. Celebrate the holidays in Lehigh Valley at Illumination at Coca-Cola Park.

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Now, when he turns, this wrap helps to reveal a little more detail on the face, and with a change in music, we shift the tone toward a more mysterious feeling around our subject.

The Sky Collection is a modular pendant lighting system featuring multiple shade reflector solutions for various decorative and performance benefits.

Rob Ellis is a freelance cinematographer and photographer from the South West of England, UK, with a passion for image-making and the intricacies of creating images—with a primary focus on light.

RX Lighting REXBLP123 2 The backlit panel can be covered as it offers excellent thermal management with an IC-4 rating.

The DOT range consists of a diverse selection of LED recessed downlights with particular emphases on energy saving.

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In the second short sequence, the music and the lighting make it evident that this character isn’t friendly, and the lighting helps convey this.

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