You would have to have an adapter made, and if your lens doesn't have the focusing mount, your adapter would have to incorporate one, or you could have the adapter made to sit on the front of a bellows. Grimes would be delighted to make it for you, I'm sure, but it won't be cheap.

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In the column "Lens Focal Length", go down to the row marked "50mm" and then over to the green area marked "35mm & FX format (1)". The FOV for a 50mm lens would ...

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As a first step you need to determine the 'register' - that is; how much distance there is between the end of the focussing tube and the image-plane at infinity focus. If it's shorter than about 40mm, then it won't be easy to adapt the lens to anything modern.

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You're lucky to have the focussing tube, but it'll need an additional custom adapter to fit any 35mm still-camera body. Or you could get a machinist to fit it with a 42 X 0.75mm T-mount thread.

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I have an 11-inch Telecentric for my Ensign Reflex. That's a quarter-plate camera (3.25 x 4.25 inch film); so what strikes me most is that you will only be using the very centre of the lens' image circle. Almost any lens is ok in the middle.

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I'm not sure what you're expecting from this old tele lens. If you're after a 'vintage' look, then it'll probably be too sharp. And if you're after great image-quality, then it'll disappoint. It's just a mediocre 225mm telephoto, with a slow aperture. Almost any old tele-zoom from the 1980s will give a similar image quality.

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The Telecentric is on pages 20 and 21. From the tables there. it looks like your lens should have a 1½ inch mount, and mine should be a 1¾ inch (I thought it was 2 inch,but Ross would know better than me!)

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The Telecentric is a telephoto; you need to mount it about half the focal length from your film/sensor. It's a simple screw mount in an inch size. The lens was available in a focusing mount, but mine, and the others I've seen for sale, have been for bellows cameras so don't have focusing.

the lens does come with a focus ring, the original owner was a cinematographer in hollywood. not sure what kind of camera was this being used for though? any idea?